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PROGRAMME CULTURE 2007 (2007 2013)Conditioned
ban for 2007
PROGRAMME CULTUREL (2007 2013) Appel
conditionné pour lannée 2007
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Who is the Programme addressed to?This ban is
addressed to all cultural sectors, with the sole
exception of audio-video sector, and, in
particular, it is opened also to small
enterprises willing to submit a no profit project
A qui sadresse? Cet appel sadresse à tous les
secteurs culturels avec la seule exclusion du
secteur audio-visuel, et en particulier à toutes
les petites entreprises qui ont lintention de
préparer un projet à but non lucratif
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All Candidates- Must be a Public or Private
Board its Statute must clearly indicate that
Culture represents its main action field.
Les candidats doivent - Etre une collectivité
publique ou privée avec un Statut dont lactivité
principale soccupe du domaine culturel.
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- Must have financial capacity for support of
proposed action.
- Avoir la capacité financière pour soutenir
lactivité proposée
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- Must have operative capacities for development
of proposed action.
- Avoir la capacité opérative pour développer
lactivité proposée.
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Which are main objectives?Generally speaking,
the aim is to enrich the European cultural sphere
by the development of the cultural cooperation.
Quels sont les objectifs? En général on veut
enrichir le domaine culturel de lEurope grâce au
développement de la coopération culturelle.
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The Programme is inspired by a global vision able
to comprehend the whole cultural sector, as well
as to promote co-energies.
Le programme sinspire à une vision globale qui
couvre lensemble du secteur culturel et
encourage des synergies.
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Specifically speaking, indeed, the Programme
aims- To promote the transnational mobility of
cultural operators
En particulier, on veut - Promouvoir la mobilité
transnationale des opérateurs culturels.
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- To encourage the mobility of art works and
artistic productions
- Encourager le déplacement des oeuvres dart et
des produits artistiques.
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- To encourage the intercultural dialogue
- Encourager le dialogue interculturel
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The cooperation.The new Programme goes one step
beyond the simple sector approach (as it
happended for previous culture bans) aiming,
indeed, to the inter-discplinarity approach.
La coopération. Le nouveau programme va au-delà
dune approche purement sectorielle (comme il
était aussi dans les précédents appels
culturels), en se mouvant vers linterdisciplinair
e.
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This new approach intends to encourage the
cooperation between cultural operators by
promoting many kinds of projects from different
art sectors.
Telle approche veut encourager la coopération des
opérateurs culturels, en promouvant différents
types de projet dans différents secteurs.
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Particular attention will be given to actions
aiming to promote the intercutlral dialogue some
of them can be carried out during 2008, Europan
Year for Intercultural Dialogue
Une particulière attention sera accordée aux
actions qui promeuvent le dialogue interculturel,
et quelques-unes unes pourront avoir lieu dans
lannée 2008, Année européenne de dialogue
interculturel.
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Upon formulation of project, candidates must
think over following points- How can my project
give a contribution to the feeling of European
Citizenship?
Au moment de la préparation du projet, les
candidats doivent réfléchir sur - Comment faire
afin que le projet culturel puisse contribuer au
sentiment de Citoyenneté européenne?
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How can the circulation of artists/cultural
operators/ art professionals and art productions
give a contribution to the improvement of the
cultural sphere itself?
Comment peut-il la circulation dartistes /
dopérateurs culturels / dopérateurs
professionnels et duvres dart / les objets
dart contribuer à lamélioration du domaine
culturel?
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How can a cultural cooperation action create
links between different ethnic and social groups,
and meantime encourage their dialogue?
Comment peut-il une action culturelle de
coopération bâtir des ponts entre des groupes
ethniques, sociales etc. encourager le dialogue?
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How can a cultural action improve and open the
citizens minds and the different national
cultures, meantime stimulating the reciprocal
curiosity and research?
Comment peut-il une action culturelle enrichir
les mentes des citoyens et des cultures de chaque
pays, et en même temps stimuler la curiosité et
la recherche?
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How can a cultural action be developped on the
grounds of European values, meantime increasing
the sense of a common identity in a context of
diversity and different values of respective
European cultural identities (Joined in the
Difference)?
Comment peut-on développer une action culturelle,
sur la base des valeurs de lEurope, en
développant aussi le sens dune identité
collective dans un contexte de diversité et de
différentes valeurs des cultures de lEurope
(Unis dans la diversité)?
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Which are the base guidelines?Two kinds of
projects- Multi-annual Cooperation Projects
(from 3 up to 5 years)- Projects for cooperation
actions (one or two years)
Quels sont les lignes-guides? Deux types de
projets - Projets de coopération pluriannuelle
(entre trois et cinq ans) - Projets de
coopération (entre un et deux ans)
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Every project partner must be involved in a
organizative, operational and financial way. The
Financial participation to project (5 or more)
is compulsory both for project leader and
co-organizers.
Chaque participant au projet doit participer,
soit dun point de vue dorganisation, soit dun
point de vue pratique et financière. La
participation financière, à partir de 5 du coût
total du projet, est obligatoire par chef de file
et organisateurs.
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Following countries can be involvedAll
countries E.U.members (Romania and Bulgaria
included), Norway, Iceland, Liechtenstein
Les pays qui peuvent participer au projet sont
Etats membres de lUnion Européenne (ici-compris
la Roumanie et la Bulgarie), Norvège, Islande et
Liechtenstein
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Candidates countries (Turkey, Croatia,
Macedonia) and countries of Western
Balcans(Albania,Bosnia,Crnagora,Serbia,Kosovo)
once Memorandum of understanding will be duly
signed. At the moment Turkey and Croatia only are
on the point of signing above document.
Les pays candidats (Turquie, Croatie, Macédoine)
et les pays des Balkans Occidentales, (Albanie,
Bosnie, Monténégro, Serbie et Kosovo) à condition
quils aient signé le Protocole daccord. Pour
linstant seulement la Turquie et la Croatie sont
lattende de signer ce document.
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Which are the main criterias?The expiring date
for submission of projects is, for both bans,
28th February 2007 furthermore, funding from
Commission will cover no more than 50 of the
whole budget of project.
Quels sont les critères base? Pour les deux
appels la date déchéance pour la présentation
des projets est le 28 février 2007, et la
contribution de la Commission ne pourra pas aller
au-delà de 50 du coût du projet.
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Which kind of project is requested by
Commission?Activities- Exibithions and
happenings which are results of European
cooperation.- Actions aiming to encourage
mobility of artists and art productions.
Quel type de projet choisit la Commission? Activit
é - Exhibitions et avènements, fruit de la
coopération européenne - Interventions qui
encouragent la mobilité des artistes et duvres
dart
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- Updating courses and trainings- Artistic and
cultural actions fostering dialogue between
countries involved in project.- Actions aiming
to bring European culture to third countries.
- Cours de mise à jour - Interventions
culturelles et artistiques qui encouragent le
dialogue entre les pays participants au projet -
Interventions qui promeuvent la culture
européenne dans un des pays tiers
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- Actions carried out by small enterprises.-
Utilization of new technologies in art creations
or in promotion of intercultural dialogue.- Etc.
- Interventions de petites entreprises - Usage
de nouvelles technologies dans la création
artistique ou bien dans la création du dialogue
interculturel - Etc.
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Particular attention will be given to- Creation
of coperation with new boards which have not yet
received funding from E.C.- Cooperations
specifically created for project actions.
On accorde une particulière attention à - La
création de coopérations avec de nouvelles
collectivités qui nont pas encore reçu de fonds
communautaires. - Des coopérations crées
justement pour lintervention proposée
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Take care! It is no more to be considered as
priority- The creation of web sites- The
creation and use of newspapers or magazines- The
organization of conferences and meetings

• Attention! Il nest plus prioritaire
• - Créer un site Internet
• Créer et employer un journal ou un
  hebdomadaire
• Organiser des conférences et des rencontres

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- Studies and researches- The extension of a
project previously supported by Culture 2000
funds not later than 24 months from the issue of
Culture 2007 ban.
- Réaliser des études et des recherches -
Elargir ou prolonger un projet qui a reçu un
financement par le programme Culture 2000 dans
les 24 mois précédents la publication de lappel.
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It is not allowedTo insert in project plan any
action which is considered as usual activity of
project leader or its coorganizers.
Il nest pas admis Il nest pas admis de
proposer au sein du projet une quelconque action
formée dans le programme de travail habituel du
requérant ou de ses coorganisateurs.
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Which are the selection criterias?Besides the
above indicated criterias, the funding will be
given on the base of the award criterias.
Quels sont les critères de sélection? Outre les
critères ci-dessus le financement sera accordé
sur la base des award criteria (critères de
concession).
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These one will take in consideration the
guidelines underlined in the bans texts, which
are the European added value, the operational
and financial capacity of benefiacry and the
adhesion to objectives as suggested in bans
Ces derniers focalisent les éléments marqués dans
le texte de lappel. En général il y a la Valeur
ajoutée européenne, la capacité financière et
opérationnelle du bénéficiaire et la conformité
aux objectifs proposés par lappel.
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Therefore the selection criterias are- European
added value this value will be added to actions
having aims, methods and nature of cooperation
which result to be prevailing compared to local,
regional or national interests and can even
prevail over the interests of operators
themselves.
Les critères de sélection sont La valeur ajoutée
européenne cette valeur est donne par les
interventions dont les objectifs, la méthodologie
et la nature de la coopération proposée sont tels
que les intérêts des opérateurs et des
interventions vont au-delà des intérêts locaux,
régionaux ou nationaux.
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These actions also have to promote new energies
exchange in an European ambit.
Ces interventions visent à promouvoir aussi de
nouvelles synergies au niveau européen.
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The principle of cooperation must be based on the
exchange of experiences and must create a final
result which will be different in quality
compared to a simple sum of respective national
actions, thus producing an effective interaction
aiming to reach a common objective.
Le principe de coopération doit se baser sur
léchange dexpériences, et doit créer un
résultat final qualitativement supérieur à la
simple somme des interventions au niveau
national, en produisant ainsi une interaction
multilatérale effective qui vise a rejoindre un
objectif commun.
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The cultural value of actions view under an
European perspective, in other words the way in
which these actions are planned.
La valeur culturelle des interventions, vu dune
perspective européenne, cest à dire le moyen
dont telles interventions sont projetées.
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The efficency of proposed actions, which will
represent, as result of a long-term cooperation,
a real benefit for the European Community.
Le potentiel des interventions, qui est le
résultat dune coopération durable et
continuelle, au bénéfice de la culture de
lEurope.
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The level of cooperation and the multi-side
apperance of proposalnumber of countries
involved and their geographic layout.
Le niveau de coopération et la nature
multilatérale du propos les numéros,
limplication, la distribution géographique et
les pays participants.
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Quality of proposalPrior attention will be given
to those project able to demonstrate to be fully
in line with all criterias indicated by
Commission..Therefore, quality of proposal will
be valued referring to
Qualité de loffre Enfin on accordera une
particulière attention à ces projets qui vont
refléter les critères indiqués par la
Commission. La qualité de loffre sera évaluée
sur la base de
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 Well balanced budget Cooperation level Type of
cooperation Seriousness and method Management
of project Originality of proposal Competence
and experience of proposers Creation of
synergies Importance of proposed actions
Bilan équilibré Niveau de coopération Type de
coopération Moralité et méthodologie Type de
gestion du projet Originalité de loffre
Compétence et expérience de loffrant Création
de synergies Pertinence des interventions
proposées
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In few words, proposer Must have at its own
disposal enough and stable financial sources in
order to grant all activities for the whole
period of project, as well as to support the
partial financing of project. Must have the
professional competence required to carry out the
whole project.
En général le requérant doit Avoir des fonts de
financement stables et suffisants pour maintenir
ses activités pour toute la période du
déroulement du projet et pour participer lui-même
au financement. Avoir les capacités
professionnelles nécessaires pour porter à terme
le projet.
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Promotion des arti forains organizes yearly 
 Namur on May , Festival des Arts
forainsCreated on 29th december
1995Conception and realization of special events
for public and private boards. Course of
projects in terms of conception, promotion and
spreading.Organization of stages and forums on
street and open-air theatre and arts.Editing,
collection and availability of a specialized
documentation centreSpreading of catalogne
"Petits Musts saltimbanques"
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The staff is constituted by 4 personeEvery year
the festival employes and traines 3 stagists
(high school or univeristy) to be involved in
production, promotion and organization.It also
employes 120 temporary workers. Out of this
group, 15 people with no qualifies can receive an
appropriate training.It ensures carrying out and
readiness of a scenery atelier and carries out
projects for Festival editionsAssicura la
gestione ed approntamento di un atelier
scenografico e organizza progetti preliminari
alle edizioni del festival
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StaffArt Director Nathalie Tirtiaux -
nath_at_artsforains.comDirection and production
Jean-Félix Tirtiaux - jean-felix_at_tele2allin.beGen
eral coordinator Nicolas Tirtiaux -
nico_at_artsforains.comProduction an organization
assistant Estelle Dorval - estelle_at_artsforains.co
mEditino and scenery Aurélien -
aurelientirtiaux_at_hotmail.be Technical
coordinator Frédéric Mahy - info_at_artsforains.com
Graphics Nausicaa Van Hoeck -
nausicaavh_at_gmail.com Internet website Laurent
De Coster - grunge_at_cdosa.be
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Annual budget, inclusive of nature contributions
and services exchange  600.000 52 of own
sources 48 of usually granted fundsSome of
usual granters City of Namur
22 Province of Namur
4 French Community 20 Valon
Region 2
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Jean-Félix Tirtiaux co-founder, together with his
wifeNathalie, of Namur on May is member of the
Commission delle "Arts de la rue, Arts forains et
Arts du Cirque" at the Ministry of French
community since 2001, year of foundation, he
represents this art sector at the selection
"Entrevues" and at the taskforce for the new
decreee for performing arts at same Ministry , he
was administrator of the Professional federation
of Street Arts (F) from 2000 to 2003.
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The was funded on may 1996 in Namur .Its aim is
no put attention to the best contemporary
national and international productions which are
inspired to the tradition of saltimbanques and
open-air performance...the opening to the
transversality an internationality of art
speeches..the exploration of our celebrative
memory and research of new aesthetics ..the
screenplay of meeting in the centre of city..
the exploration of new performing chances..the
access to the professional market
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The Festival fills the centre of Namur during
the 4 days week-end of AscensionThe whole space
is dedicated to artists and audience,car tranist
is forbidden.Shows are performed everywhere
squares, street, courtyards, gardens, parkings,
warehouses, by following a precise sequence and
timetable
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The festival ends every day at the "Cabaret
forain". 40 shows and performances programmed
are shared between 5 groupsFree shows "Street
arts" - "Open air cabaret"Ticket admission"The
Insideouts" - "Open air stages" - "Open air
attractions" 50 of shows are free, 50 are
on ticket admissionNamur on May, Festival des
Arts forains, belongs to the Club of Big Events
of Vallony, constituted by Ministery of
Tourism.Next 2007 editionfrom 17th to 20th May
(Ascension)
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Main goals achieved in 2006 edition 417 shows
programmed in 4 days of festival 44 shows have
been printed on official programme (13 new
productions and 15 premieres for Belgium)staged
by 32 theatre groups and 6 music ensembles)22
shows were free and 22 with ticket admission15
troupes were from French Community 1 Flamingue
community, 16 from France, 2 from Italy, 2 from
Canada, 1 from Australia and 1 from Holland 6
troupes have been invited and authorized to
the the hat tour 91 people have given their
contribution to the organization by their
competence
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Audience Ticket admissions  18.469 950
invitations Average ticket price 3,80 Visits
to websites from 1st to 28th may
88.022Professional audience141 profesionals
from 20 countries , 53 journalists, photographs
and cameramen 68 professionals discussed on
Festival role.In adhesion to one of the
projects goal about the promotion of street arts,
we have explored the heritage and performing
world of the open-air feast, and we have given
our contribution in nobility re-gain of open-air
old crafts and trades, in Belgium as well as
abroad.
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PARADE(S) Nanterre (FR)Profondamente coinvolta
in una politica di democratizzazione della
cultura, la città di Nanterre, nel 1990, da il
via al primo festival di circo ed arti di strada
della regione parigina.Lambizione primaria di un
festival che rivendica la sua presenza sul
territorio è permettere a tutti, sia in qualità
di artisti che di pubblico, di accedere alla
creazione contemporanea. Di anno in anno le arti
di strada sono divenute interdiscipliari e
permettono la riappropriazione dei propri luoghi
da parte degli abitanti, e offrono loro una nuova
maniera di vivere la città.
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Oggi, dopo 16 anni, 339 sono i festivals
recensiti in Francia (60 dei quali nella regione
dellIle de France)  248 per le arti di strada,
73 per larte di pista e 18 multidisciplinari.
Nel corso di questi 17 anni, Parade(s) ha
conosciuto diverse evoluzioni  dal 1992 al 1999
la direzione artistica è stata affidata a
Christian Taguet, direttore del Cirque Baroque.
Nel 1992 si installa a Nanterre la Compagnia
 Les Noctambules  e la sua scuola di circo, che
accoglie circa 600 alunni per anno e più di una
quarantina di compagnie in attività di creazione.
Da allora, il festival tiene una stretta
collaborazione con essi. Nel 1999 Parade(s)
assume la dimensione di  festa in città  
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Nel 2001 vengono creati  i giardini segreti ,
nuova forma di partecipazione degli abitanti di
Nanterre alla realizzazione del festival  si
tratta di allestire dei siti insoliti e
valorizzare gli artisti locali.Nel 2002 la
manifestazione dura una settimana e coinvolge
lintero territorio comunale.Per ledizione
2006, visto il bilancio delledizione 2005, è
parso necessario ridefinire gli obiettivi al fine
di migliorare la  lettura  di Parade(s) da
parte degli abitanti, nonchè limmagine stessa
della manifestazione.
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Si tratta quindi di affermare più chiaramente la
dimensione del festival, laddove ogni nanterrano
può essere fiero di accogliere una manifestazione
di riconosciuto ampio respiro al di fuori del
territorio comunale. Inoltre, nel 2006, i
 preludi di Parade(s) sono stati concepiti con
lobiettivo di permettere un progressivo
approccio allavvenimento fino ai tre giorni di
festival. Per quanto riguarda gli amatori, si è
deciso di proseguire il lavoro con essi, ma
diversificando la loro partecipazione e
integrandoli in maniera mirata a spettacoli
professionali. La manifestazione, allestita su
una settimana, è parsa troppo lunga. Si è quindi
deciso di concentrarla su un week-end in centro
città.
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Nel 2005, lAssociazione Hors les Murs, centro di
ricerca sulle arti di pista e di strada, ha
condotto uno studio sui festivals in Francia.
Sulla base delle cifre fornite da 333 Festivals,
ovvero più del 98 dei festival
recensiti 55,5 ha un budget uguale o
inferiore 50 000 23,4 ha un budget tra i
50 000 e i 150 000 11,4 ha un budget tra
150 000 e 300 000 5,1 ha un budget tra
300 000 e 500 000 4,5 ha un budget superiore
à 500 000 Parade(s), con il suo budget di
430 000 (senza contare i servizi presi in
carico diretto dal Comune, servizi di
comunicazione, disponibilità di materiali e
personale) è quindi in buona posizione.
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La programmazioneIn 17 anni,Parade(s) ha
ospitato artisti non solo da Francia ed Europa,
ma anche dal mondo intero  Africa, Australia,
Argentina, Germania, Belgio, Brasile, Cile, Stati
uniti, Canada, Gran Bretagna, Olanda, Ungheria,
Giappone, Svizzera, Spagna.e ovviamente
Italia.Parade(s) vuole essere una vetrina della
creazione contemporanea nel campo delle arti di
strada.
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Ogni anno vengono presentate tra le 40 e le 50
compagnie  tutti gli spettacoli sono gratuiti.
Anche la prossima edizione, che si terrà nei
giorni 1,2, e 3 giugno, accoglierà tra le altre
la Compagnia Malabar, Silence Teatro, Tango Sumo,
Thank You Tetsuka, Nil Admirari, les Costards,
les Charentaises de luxe, La Chaise à porteur,
les Goulus, les Grooms, Imagine Air, Bazarnaom,
Cie Dare dArt, Sacrekripa, Les Piétons, E nei
quartieri tre preludi con Kumulus, les 26 000
couverts, e la compagnie la Cabriole.
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Dear collegues,first of all I want to thank very
much the Vagrant Comedia project for the
invitation to this day dedicated to street
arts.Vila Real is a city of 50.000 inhabitants
and three stable companies of street theatre.
Twenty years ago, the Borough Council Office
proposed to one of these companies to organize a
street arts Festival in order to diversify the
cultural proposals in occasion of the city
events.
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The first Festival started with a budget of
20.000 euros only and seven companies invited.
Now we have available 150.000 euros per edition
and every year we invite about 25 companies from
all over the world.The Festival organization was
committed to the companies. They participated as
actors and, meantime, also as organizers of many
similar festivals all over the world. This gave
them the opportunity to have a direct contact,
exchange and negotiation with other companies
involved in festivals organization.
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For the last 5 years the art direction was given
to myself I am Cultural technician at the
Council of Vila-Real. The best advantage for this
is that, besides the organization of festival, I
am also engaged in programming of the Stable
Theatre of Vila-Real, so I can take the chance of
visiting other festivals in order to contact new
companies of street arts and stage theatre. Last
year we organized some Days for professional
street artists of the Valencia region.Main group
of participants were troupes, actors and
operators from Vila-Real. On the last day of
meeting, we decided to creat a  platform 
calledVila-Real arts de carrer .
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The purpose of this platform is to promote our
troupes all over the world this necessity
appeared when the system of direct contact and
exchange between the companies/festival
organizers was stopped. The PlatformArts de
carrer, which is now party of Festival, helps
our companies to attend to main Spanish fairs by
supporting the promotion expenses and hatching
the exhibition stands even in their design. The
companies must only give a small contribution by
designing the promotion stuffs for their shows,
and by contacting a representing manager who can
offer to Festivals the productions of company.
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The twentieth edition of Vila-Real festival is
programmed from 17th to 20th of May 2007, and
everything is nearly settled already. Next year,
in occasion of the festival anniversary, we have
programmed several actions for its promotion
starting from February. At the end of April,
infact, we will have an enormous presentation
happening for medias and for all people willing
to partecipate. In Vila Real, in the course of
twenty years, the Festival has been able to
create an audience who now respect everything can
be found on street, but, whats more, the
audience now have a deep standard of judgment.
For this reason, the art director must be year by
year more engaged to find interesting companies
for demanding audience.
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The quantity of audience increases year by years.
It is quite hard to value precisely but,
considering that we have four big open air spaces
prepared with chairs up to 500 seats, and also
considering that an average of 2.000 persons can
assist to the big night shows, we think that
could be reasonable to value a total of 5.000
spectators per festival.As you can imagine, it
is very difficult to attend to all shows, because
you must always try to link all shows together in
order to grant a continuous flow of shows to
audience. Next year we decided to call companies
from very far foreign countries. They will
perform their shows twice, in order to grant show
to be seen as many persons as possibile.
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The organization staff is made by an art
director, a techician director, a chief
property-man, an administrator, eight property
men and a ceremony master, as well a team of
lighting and audio technicians, and, last but not
least, our sun and Mediterranean temperatures
which give a warmer and cosier atmosphere to our
Festival.Many thanks
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