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The Romantic Period 1798-1832

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Title: The Romantic Period 1798-1832


1
The Romantic Period1798-1832
2
  • The Beginning
  • The beginning of the Romantic Period in England
    was marked by the publication of Lyrical Ballads
    with a Few Other Poems by Samuel Taylor Coleridge
    and William Wordsworth (it contained the poems
    Rime of the Ancient Mariner and Tintern Abbey)

3
  • Turbulent Times
  • A major economic change occurred in England
    during this time transition from an agricultural
    society to industrial nation, with a restless
    working class centered in mill towns
  • When England lost America, it lost prestige
    confidence (as well as money)
  • The French revolution represented the English
    ruling classes worst fears overthrow of the
    king by democratic rabble, the triumph of
    radical principles
  • However, the French revolution made the
    democratic idealists feel exhilarated!
  • During the September massacre, hundreds of
    French aristocrats (even those with a slight
    connection to Louis XVI) were executed by
    guillotine
  • Napoleon Bonaparte was a French officer turned
    emperor and totally ruthless dictator (name
    synonymous with tyrant now)
  • By defeating Napoleon, the English conservatives
    felt they had saved their country from a tyrant
    (via rigid social ideas)
  • Napoleons defeat meant idealists like Wordsworth
    felt betrayed. It was the defeat of one tyrant by
    another

4
  • The Tyranny of Laissez Faire
  • The increase in city populations was caused by
    the Industrial Revolution (more people lived by
    the factories) It led to desperate/terrible
    living conditions
  • Communal land shared by small farmers taken over
    by individual owners caused people to be
    landless. They then migrated to the city in
    search of work or went on welfare
  • A laissez faire policy let (people) do (as
    they please) economic forces operate freely
    without government interference
  • This policy resulted in the rich growing richer.
    The poor suffered more, and children suffered the
    most (used for labor)
  • The Romantics changed poetry by turning from the
    formal, public verse (of the 18th century
    Augustans) to more private, spontaneous, lyric
    poetry
  • The Romantics lyrics expressed their belief that
    imagination, rather than reason, was the best
    response to the forces of change

5
  • What Does Romantic Mean?
  • The romance genre allows writers to explore new,
    more psychological and mysterious aspects of the
    human experience
  • Firstly, the word romantic signifies fascination
    with youth and innocence, with growing up by
    exploring and learning to trust emotions
  • Secondly a stage in a cyclical development of
    societies when people need to question
    tradition/authority in order to imagine better
    (happier, fairer, healthier), ways to live
    associated with idealism
  • Thirdly Western societies reached conditions
    necessary for industrialization and demanded that
    people acquire a stronger awareness of change
    try to find ways to adapt to it

6
  • Poetry, Nature, and Imagination
  • Wordsworths definition of good poetry a
    spontaneous overflow of powerful feelings
  • He said this type of poetry should use simple,
    unadorned language to deal with commonplace
    subjects for a particular purpose often a lyric
    that lends itself to spontaneity, immediacy, a
    quick burst of emotion and self-revelation
  • The Romantic poets were called nature poets
    because they focused on natural life rather than
    city life (beautiful and permanent forms of
    nature), prized experiences of beauty and
    majesty of nature, not hostile, but full of
    mysterious forces, and were intrigued by way the
    human mind and nature act upon each other
  • Wordsworth believe that the mind is a mirror of
    nature. Imagination moves the mind in mysterious
    ways to imitate (without being sacrilegious) the
    power of its Maker and create new realities in
    the mind and in poetry

7
  • The Idea of the Poet
  • What was Wordsworths definition of a poet He
    is a man speaking to men. Speaker (not the poet)
    speaking to something else, makes us consider not
    only the speaking itself, but also the kind of
    speaking taking place
  • Lyric poetry is different from Augustan poetry
    since it is more emotional, passionate, speaking
    from the heart we dont hear it, we overhear
    itlike eavesdropping on a private conversation
    (private, NOT public expression)
  • The Romantic poets were deeply concerned with
    truths of the heart and the imagination
  • This democratic definition of poetry resulted
    in poetry about the ordinary human experience,
    relationship between mind and other
    people/things, speaking should be convincing and
    seems a genuine and sincere account of an
    experience

8
  • The Romantic Poet
  • Wordsworth believed that the poet was a special
    person, endowed with more lively sensibility,
    more enthusiasm and tendernessa greater
    knowledge of human nature, and a more
    comprehensive soul, than are supposed to be
    common among mankind.

9
  • William Blake believed that the poet was a bard
    an inspired revealer and teacher

10
  • Samuel Taylor Coleridge believed that the poet
    brings the whole soul of man into activity,
    employing that synthetic and magical powerthe
    imagination.

11
  • Percy Shelley believed that the poets were the
    unacknowledged legislators of the world.

12
  • John Keats believed that the poet was physician
    to all humanity and pours out a balm upon the
    world

13
  • The Byronic Hero
  • Characteristics of a Byronic hero
  • rash rebels, hailed or resurrected in reaction to
    neoclassical world of restraint
  • reckless, wounded manhood
  • proud, moody, cynical, defiance on his brow, and
    misery in his heart, implacable in revenge, yet
    capable of deep and strong affection
  • devastatingly attractive, yet flawed
  • passionate individuals, intellectually searching
  • incapable of compromise, forever brooding over
    some past sin, painfully yet definitely alone
  • The appeal of these characters was that they
    embodied the pessimism of the age (there was no
    other outlet for creative young men--like Byron)
    they beckon admirers to explore personal
    freedoms and to reject confining conventions,
    and appeal to those lonely and misunderstood.
    Basically, people love the bad boy

14
  • The Lure of the Gothic
  • Gothic literature filled with examples of the
    eerie and supernatural, terror, and gloomy,
    medieval castles
  • Gothic architecture reflected rustic
    irregularity, glorious imperfection the wild,
    unpredictable aspects of nature ruins reflect
    human aspirations and failures. It enhanced
    spiritual awareness
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