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Black Feminism

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Title: Black Feminism


1
Black Feminism
  • Black Cultural Studies
  • April 13, 2009
  • Professor Ralina L. Joseph

2
Why do we need Black Feminism?
  • African American woman viewed through limited
    tropes, like those of, for ex., mammies,
    matriarchs and jezebels
  • Black women in academia are pressured to use
    their authority to help legitimate a system that
    devalues and excludes them
  • The struggles of Black women not articulated by
    traditional social research science
  • Redress

3
Turn to Hazel Carby, White Women Listen! Black
Feminism and the Boundaries of Sisterhood
4
How do we read representations of Black women?
  • Resources on Black Feminism
  • Cynthia Dillard endarkened feminist
    epistemology (historical roots of Black feminist
    thought differences in cultural standpoints,
    located in the intersection of theories of racial
    construction, gender and other identities and
    contexts of oppressions)

5
Turn to Black Feminist Thought, The Politics of
Black Feminist Thought
6
P.H. Collins Black Feminsim
  • issues affecting African American women are part
    of the global struggle for womens emancipation
  • concerned with fighting economic, political and
    social injustice for Black women and other
    oppressed groups
  • Resistance Movement Black womens acts oriented
    toward social change and supported by other
    Black women.
  • Culture of resistance

7
Black Feminist Epistemology
  • The truth of any conquest is that of the
    conqueror
  • Western white male epistemology excludes black
    women as knowledge producers
  • Black feminist epistemology borne out of
    experience
  • Expressed through music and literature

8
Who can be a Black feminist?
  • Not just by living as a Black woman (conflates
    woman and feminist)
  • Certain consciousness
  • Both men and women (DuBois and Douglass)
  • Investment in dialogue and coalition building
  • Importance of Standpoint

9
Black Feminist Standpoint Theory
  • All African-American women share the common
    experience of being Black women in a society that
    denigrates women of African descent. This
    commonality of experience suggests that certain
    characteristic themes will be prominent in Black
    womens standpoint (Collins 1991, 22).
  • Experience consciousness

10
Standpoint, cont.
  • Black womens standpoint rejects either/or
    dichotomous thinking that claims that either
    thought or concrete action is desirable and that
    merging the two limits the efficacy of
    bothInstead, by espousing a both/and orientation
    that views thought and action as part of the same
    process, possibilities for new relationships
    between thought and action emerge (Collins 1991,
    28-29).

11
Barbara Christian
  • Literary scholar
  • Being a Black Feminist Critic means working
    towards changing Black womens lives.
  • NO objectivity participant, not observer
  • Black feminist scholars participate in an
    on-going dialogue between the writer and those
    who are reading the writer (quoted in Bobo
    1995, 51).

12
Jacqueline Bobo
  • Black female cultural producers, critics and
    scholars, and cultural consumers comprise an
    interpretive community strategically placed
    in relation to cultural works that either are
    created by black women or feature them in
    significant ways (Bobo 1995, 22)
  • Black women are constantly engaged in
    interacting forcefully with the various
    structures of power (Bobo 1995, 31)

13
Bobo, cont.
  • The work of black feminist critics is to
    acknowledge these different voices, to explicate
    the responses, thus ensuring that they are also
    heard (Bobo 1995, 54)

14
On rape and lynching
  • The institutionalized rape of black women has
    never been as powerful a symbol of black
    oppression as the spectacle of lynching. Rape
    has always involved patriarchal notions of women
    being, at best, not entirely unwilling
    accomplices, if not outwardly inviting sexual
    attack (Hazel Carby quoted in Bobo 1995, 45)
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