CKC Art Grade 7

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CKC Art Grade 7 Early Abstraction and
Expressionism
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Marcel Duchamp, 1887-1968
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Duchamp took the traditional Cubist idea, one
moment, many views and warped it, creating one
view, many moments. Marcel Duchamp, Nude
Descending a Staircase, 2 1912
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Marcel Duchamp Sad Young Man in a Train 1912
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Marcel Duchamp Readymade Bicycle Wheel 1913
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Marcel Duchamp Ready-made Bottle Rack 1914
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Duchamps Fountain, exhibited at the Society
for Independent Artists Exhibition in
1917. Signed R. Mutt.
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Marc Chagall Russian born, worked in
France (1887-1986)
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Marc Chagall I and the Village 1911
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Marc Chagall, Birthday, 1915
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LApparition 1917-18
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Marc Chagall Liberation 1937-53
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Wassily Kandinsky Russian (1866-1944)
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Improvisation 31 (Sea Battle) 1913
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Wassily Kandinsky. Improvisation 26 (Oars). 1912
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Composition VII 1913
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Composition VIII 1923
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Accent en Rose 1926
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Composition IX 1939
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Composition X 1939
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Edvard Munch Norwegian (1863-1949)
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Edvard Munch The Scream 1893
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Edvard Munch Anxiety 1896
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Edvard Munch Death in the Sickroom 1895
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Edvard Munch The Dance of Life, 1899
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Paul Klee (1879-1940) German, born in
Switzerland.
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Paul Klee Senecio, 1922.
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Paul Klee Red Balloon, 1922.
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Heroic Roses 1922
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"Flora am Feld" - (1940)
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Siblings - (1930)
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Paul Klee is known for his off-beat sense of
humor and the deceptively child-like nature of
his art. He once wrote, "I want to be as though
newborn, to be almost primitive." Working more
and more child-like with paint, he eventually
moved into a kind of painting that was solely
about color, shape and texture.
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Piet Mondrian Holland (Dutch)
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Piet Mondrian, Red Trees, 1908
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Piet Mondrian, The Tree, 1908
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Piet Mondrian, The Red Tree1909
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Piet Mondrian, Gray Tree1911
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The Flowering Apple, 1912
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Piet Mondrian Trees 1912
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Piet Mondrian, Composition, 1913
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Piet Mondrian Composition in Brown and Gray
1913-14
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Ocean and Pier 5, 1915
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De Stijl - The Style in Dutch An art movement
that began in 1917 advocating pure abstraction
and simplicity -- forms reduced to the rectangle
and other geometric shapes, and color to the
primary colors, along with black and white. Piet
Mondrian was the group's leading figure. He
maintained that art should not concern itself
with reproducing images of real objects, but
should express only the universal absolutes that
underlie reality.
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Piet Mondrian Composition with Gray and Light
Brown 1918
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Composition with Color Planes and Gray Lines,
1918
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Piet Mondrian Composition A Black, Red, Gray,
Yellow, and Blue 1920
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Piet Mondrian, Composition, 1921
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Mondrians mature technique was based on
intuition but carried through with meticulous
care. The composition was first drafted with
charcoal on paper or canvas. Painted pieces of
paper and strips of tape pinned and tacked to the
canvas in a complex collage were used until the
final composition was achieved. They were then
laboriously removed and replaced with
non-textural oil paint to complete the work.
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Tableau No. IV Lozenge Composition with Red,
Gray, Blue, Yellow, and Black 1924-25
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Lozenge Composition with Yellow, Black, Blue,
Red, and Gray" 1921
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Piet MondrianPlace de la Concorde1938-1943
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Piet Mondrian Broadway Boogie-Woogie 1942-43
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Rietveld-Schroder House, Utrecht, The Netherlands
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Mondrian Red, Blue, Yellow Chair
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Robe "Mondrian", par Yves Saint-Laurent (1967)
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Henri Matisse French (1869-1954)
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Dinner Table. 1897
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Henri Matisse Studio under the Eaves. 1903
(mostly tints and shades of low-intensity colors)
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Fauvism is style of painting that flourished in
France from 1898 to 1908. It used pure,
brilliant color, applied straight from the paint
tubes in an aggressive, direct manner to create a
sense of an explosion on the canvas. An art
critic coined the term Les Fauves or Wild
Beasts in referring to this group of artists and
their wild, reckless use of intense color.
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Green Stripe (Madame Matisse) 1905
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Andre Derain Portrait of Henri Matisse 1905
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Henri Matisse Open Window, Collioure. 1905
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Henri Matisse, Interior at Collioure. 1905
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Henri Matisse Seated Riffian 1912
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Harmony in Red, La Desserte 1908
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Matisse's Fauvist years were superseded by an
experimental period, as he abandoned
three-dimensional effects in favor of
dramatically simplified areas of pure color, flat
shape, and strong pattern.
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Henri Matisse, The Dance , 1909
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Henri Matisse, The Dance II, 1910
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Henri Matisse, The Red Studio, 1911
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The Goldfish 1912
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La Musique 1939
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Icarus (Jazz) 1943-44
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Henri Matisse, Polynesia, the Sea, 1946
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