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Chinese Porcelain during Ming and Qing Dynasties

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Title: Chinese Porcelain during Ming and Qing Dynasties


1
Chinese Porcelain during Ming and Qing Dynasties
  • Presented by
  • Si Hongbo

2
Contents
  • A Brief History of Chinese Ceramics and the
    Development of Porcelain in Ancient China.
  • The Techniques, Skills and Secrets in Designing
    and Producing Porcelain Wares during Ming and
    Qing Dynasties.
  • The Culture and Influence of the Chinese
    Porcelain during the two Dynasties.

3
Overview
  • Once-fired
  • High temperature
  • Mainly blue-and-white
  • First made in China

4
A Brief History
  • Chinese ceramics were invented during the
    Neolithic Period.
  • True development began in
  • Tang Dynasty --- tri-color pottery.
  • Believed that under-glaze
  • blue and white porcelain was
  • first made then.
  • Potters of the Ming dynasty perfected the quality
    of the porcelain.

5
A Brief History
  • Jingdezhen is the capital of Chinese porcelain.
  • The quality of Ming porcelain is
  • definitely superior among all time.
  • Porcelain was enriched with
  • the innovation of five-colored
  • wares during the Qing Dynasty.
  • The quality of Chinese porcelain began to decline
    from the end of the Qing Dynasty.

6
Techniques and Skills
  • Porcelain is made from kaolin and petuntse.
  • Glasslike, translucent, and strong ceramic
  • Blue pigments are from
  • cobalt oxide.
  • Under-glazing

7
Techniques and Skills
8
Techniques and Skills
  • Chinese porcelain is distinctively different from
    the pottery made in Europe during the same
    period.
  • It is admired for its
  • whiteness and
  • clearness.
  • Thinner but harder
  • Glaze does not wear or fade away with use.

9
Techniques and Skills
  • Significant developments in porcelain production
    during the Ming dynasty
  • Wide usage of multicolor
  • glaze
  • Practice of putting the
  • artisan's signature, kiln's
  • title and the year the piece
  • was made at the bottom of
  • each piece

10
Techniques and Skills
11
Culture and Influence
  • Blue and white porcelain reached the height of
    its technical excellence during the later years
    of the reign of the Kangxi emperor.
  • This tea caddy was
  • produced during the
  • Kangxi period.
  • Translucent body lakes
  • and mountains with
  • blazed rocks

12
Culture and Influence
  • In English, the word china has become
    synonymous with high-quality porcelain.
  • In ancient China, high-quality
  • porcelain wares were not
  • commonly seen in peoples
  • houses. Most were used in
  • royal families.
  • Nowadays, traditional styles are being
    reproduced, and modern elements are being added
    into the design and production.

13
Culture and Influence
  • Chinese porcelain had influence in Asia and
    Islamic world as well as in Europe.
  • The plate shown was
  • made in England.
  • Willow pattern was
  • an entirely European
  • design

14
Bibliography
  • 1. Nelson, G. C Burkett, R, Ceramics, A Potters
    Handbook, Sixth Edition, 2002, Thomson Learning,
    Inc.
  • 2. Stokstad, M, Art History, Revised Second
    Edition, 2005, Pearson Education, Inc.
  • 3. Tregear, M, Chinese Art, Revised Edition,
    1997, Thames Hudson Ltd, London.
  • 4. A Day in My Life http//www.aacexchange.org/ht
    ml/student/Kate/index.htm
  • 5. Arttiques http//www.arttiques.com/
  • 6. GG-Art http//www.gg-art.com/index_e.php
  • 7. Gotheborg http//www.gotheborg.com/index.htm
  • 8. Imperial Tours http//www.imperialtours.net/in
    dex.htm
  • 9. International Porcelain
  • http//www.boltonmedia.com/international
    porcelain/index.html
  • 10. Living in Indonesia http//www.expat.or.id/
  • 11. MysticAsia http//www.mikalina.com/
  • 12. Smithsonian Institution http//www.si.edu/
  • 13. Wikipedia http//en.wikipedia.org/wiki/Main_P
    age/

15
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