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LITERARY CRITICISM:

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Three Traditional Love Poems & one Contemporary Song. Reference. Readings for next week ... masculinity (courtly romance, painting, fairy tales and Valentine ) ... – PowerPoint PPT presentation

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Title: LITERARY CRITICISM:


1
LITERARY CRITICISM
  • Love, Desire and Class
  • General Introduction

2
Outline
  • A prelude Love Story
  • What is Romantic Love and whats wrong with it?
  • Course Outline at a glance Section I
  • Three Traditional Love Poems one Contemporary
    Song
  • Reference
  • Readings for next week

3
Love Story By Andy Williams
  • Where do I begin to tell a story of how great a
    love can be
  • the sweet love story that is older than the sea
  • the simple truth about the love she brings to me
  • Where do I start
  • With her first hello
  • she gave a meaning to this empty world of mine
  • There'd never be another love another time
  • She came into my life and made the living
    fineshe fills my heart

4
  • she fills my heart with very special thingswith
    angel songs,with wild imaginingsShe fills my
    soul with so much lovethat anywhere I go I'm
    never lonely.With her along who could be
    lonelyI reach for her handit's always there

5
  • How long does it last
  • Can love be measured by the hours in a day
  • I have no answers now but this much I can say
  • I know I'll need her till the stars all burn away
  • and she'll be there (underline added)

6
Is this a poem?
  • It depends. ? Some poetic elements repetition,
    rimes. But what is poetry?
  • A fine combination of sound (rime, rhythm,
    meter, etc.) and sense (figurative language,
    irony, personification, etc.)? No.
  • Shocking us into a new awareness? No.
  • Instead, it is a straightforward celebration of a
    romantic love which falls in the tradition of
    Romantic love.

7
What is Romantic Love? Whats wrong with it?
  • The desire for union or merger
  • Idealization of the beloved
  • Exclusivity (e.g. always, never)
  • Emotional dependency or powerful concern for the
    beloved. (Cf. J. 5)
  • Nothing wrong, but Romantic love is not Love.
    It is apparently a powerful feeling that seems to
    be unique and eternal, but actually --

8
Romantic love is
  • A cultural product with a lot of conventions (or
    some plot elements)
  • e.g. to deal with its transience
  • carpe diem (seize the day) liebestod (love and
    death)
  • Part of the tradition of idealized love (e.g.
    courtly love, Platonic love, neo-Platonic love,
    Romantic love).

9
Romantic love is
  • Problematic because it is powerful and seemingly
    natural and thus disguises realities of
    inequality, commodification or the nature of our
    desire. Sometimes it (true love) can even be
    turned into rigid laws to support or justify some
    gender oppression.
  • Victorian society pinnacle of Romantic love,
    from which S. Freuds theories arises.

10
The problems with both the song and the ideas of
R. L.
  • Both can be deceiving.
  • The canonical love poems are not exempt from
    some ideology of love.

11
Course Outline
  • Traditional Love Poems New Critical Reading and
    Beyond
  • Love and Desire Psychoanalysis
  • Love and Bread Marxism
  • Love in Culture Cultural Studies
  • Note we are not limited by this topic.

12
New Critical Readings and Beyond
  • New Criticism close reading practical
    criticism the Text and Text Only approach.
    Form and content united into an organic whole.
  • Beyond
  • Discussing the social context(s) it fails to see.
  • Challenging its underlying beliefs? liberal
    humanism.

13
Selected Love Poems
  • Shakespeare Sonnet 130 My mistress' eyes are
    nothing like the sun
  • Courting sonnet in Romeo and Juliet (1591?)
  • John Donne To his Mistress Going to Bed
  • Leonard Cohen Im Your Man

14
Sonnet 130
  • Thesis Instead of seeing his lover as a
    beautiful goddess, the speaker describe his
    mistress and define his lover in relative terms
    in order to finally confirm his love.
  • Two kinds of comparison
  • Worse e.g. less red, worse than perfume, less
    pleasing than music? yet he loves it
  • Unlike (? More real) e.g. eyes, hair, walk.
  • The truest -- his love and his language.

15
Sonnet 130 -- Context
  • Seen as a sequence Sonnet 127 to 152
  • bitter and wry reflections on the poets sexual
    entanglement with a womanwho is, in turn,
    entangled with the youth at the expense of
    Shakespeares relations with both of them.
  • Match the sardonic, misogynistic flavour of the
    early Jacobean court. . . (Jacob 36)

16
Courting sonnet in Romeo and Juliet
  • Thesis The youngsters court or stay coy with
    misplaced conceits.
  • Juliets Hands ? shrine Juliet, a saint.
  • Romeo lips pilgrims ? a palmer (pilgrim) with
    palms
  • Witty twist with let lips do what hands do
    What? Pray ? kiss

17
Courting sonnet in Romeo and Juliet -- Context
  • The play
  • Before the sonnet (their first conversation), 
    Romeo, like Byron in "She Walks in Beauty,"
    compares Juliet to light or jewels at night and
    describes her as "true beauty."
  • Romeo goes to the ball to find his girlfriend
    Rosaline, but not Juliet. 
  • 2. The film(s)

18
To his Mistress Going to Bed
  • Thesis As the speaker uses witty conceits to ask
    the lady to strip herself, the ideology of
    platonic love is challenged but not that of sex
    as male battle and conquer.
  • Witty challenge of Platonic love
  • Combine the spiritual and sensual, but see the
    latter as more important or at least the same
    with the former.
  • Puns with sexual connotations labour, standing,
    still can stand so nigh, hairy diadems,
    flesh upright

19
To his Mistress Going to Bed
  • 3. Spiritual and natural images showing the
    sensual as something better and natural
  • -- girdle as heavens zone, (body as a far
    fairer world)
  • -- body as flowery meads
  • -- souls unbodied bodies unclothed
  • -- fools who stop at breast plate or gems
    (traditional poets?)
  • -- innocence birth clothes

20
John Donne in Context
  • Dr. Donne and Jack Donne
  • Neo-Platonic Love in Renaissance Its governing
    ambiguity things and persons in the world are
    to be loved only for the sake of a spiritual
    beauty that transcends them, and yet the
    beautiful cannot be appreciated unless we love
    its manifestations in matter (Singer 195.) 
  • Christianity (from being a Catholic to an
    Anglican prelate),
  • Neo-Ovidian artificial and self-conscious in
    their defense of sexual pleasures (Singer 196)

21
John Donne in Context
  • e.g. Valediction Forbidding Mourning unlike
    dull-sublunary lovers, separation of the bodies
    does not hurt the union of true lovers souls.
  • The Extasie, -- implies that love is a
    religious experience,
  • To his Mistris Going to Bed sex is a religious
    experience

22
Im Your Man Close Analysis
  • postmodern parody/collage of traditional and
    contemporary images of love and masculinity
    (courtly romance, painting, fairy tales and
    Valentine )

23
Courting the Lady

24
Wedding

25
Mannered Courtship ? Wolf Desire Underneath

26
Love as something opportunist

27
Christ? Virgin Mary? Or . . . ?
28
Im Your Man -- Context
  • Canadianism parodied
  • Signs of the Canadian The Group of Seven, Riding
    the Timber, Royal Canadian Mounted Police (RCMP)
    and the maple leaf.

29
Reference
  • Romantic Passion A Universal Experience? Ed.
    William Jankowiak. Columbia University Press,
    1995.
  • Nature of Love, Vol. 2 Courtly Romantic.
    Irving Singer. University of Chicago Press,
    1998.
  • A beginner's guide to critical reading an
    anthology of literary texts. Richard Jacobs.
    London New York Routledge , 2001.

30
Readings for next week
  • Chap 2.
  • Reading for meaning practical criticism and new
    criticism
  • EB Browning Sonnet 26 - I lived with visions for
    my company
  • Barbara Allen
  • R. Browning Porphyrias Lover and
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