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1
Dancing the Orient for England Maud Allans The
Vision of Salomeby Amy Koritz
  • Presentation by Christian Hughes

2
Outline
  • Orientalism, Imperialism, Etc. (10 minutes)
  • Life of Maud Allan/ story and portrayal of
    Salome/ characteristic gestures(15 minutes)
  • Mauds Thoughts (5 minutes)

3
Aims
  • To understand the stereotypes, attitudes, and
    biases of England at the time when Maud Allan
    performed The Vision of Salome
  • To understand Allans portrayal of Salome and
    the popular reaction to it
  • To understand the impact Allans Salome had upon
    London society

4
Key Terms
  • Orientalism characterized as female those
    attributes that denoted the inferiority of
    Englands colonized peoples (133)
  • Separate-Spheres Gender Ideology notion that men
    and women have different roles in society
  • Imperialism English policy of extending their
    rule over other peoples
  • Nationalism devotion to ones nation

5
Working Together
  • Orientalism led to wide-spread acceptance of
    English imperial policies
  • Imperialism helped to bring together people
    domestically and keep their dissatisfaction
    subdued
  • This combination of imperialism and Orientalism
    thus led to a rise in nationalism and the
    formation of the English national character
    (strong and masculine)

6
White Mans Burden
  • The stereotypes these isms formed led to
    defining the Oriental as needing, deserving,
    even desiring domination (134).
  • Women were excluded and ignored for much of this
    period as the female nature was considered
    inadequate to the needs of the Empire

7
Discussion Question
  • Imperialism was said to make good ideological
    cement as it helped to subdue dissatisfaction
    and got potentially rebellious internal
    groupsto ignore their own interests (134). Do
    you think this is similar to the situation in the
    U.S. right now? And if so, is it a good or bad
    thing?

8
And then theres Maud (Allan)
  • Born in Toronto in 1873
  • Moved to SF a few years later, young Maud
    kidnapped by Indians for a short period
  • Left SF in 1895 to pursue a music career in
    Berlin
  • Brother charged and executed for brutal murders
    while Maud is in Europe
  • Distraught over brothers death, Maud abandons
    piano for dance

9
More of Maud
  • Debuted as a dancer in Vienna at age of 30
  • Soon became a star in London performing The
    Vision of Salome
  • Lost libel case she brought against a British MP
    who linked her name publicly to the Cult of the
    Clitoris in 1918
  • Gradually popularity dwindled and she died in
    poverty in L.A. in 1956

10
Salome
  • Biblical story of girl in King Herods court who
    makes enemies with the kings prisoner John the
    Baptist
  • Herod (whom Salome despises because he killed her
    father) offers her anything she desires if she
    will dance for him
  • She does the famous Dance of the Seven Veils and
    is brought Johns head on a plate

11
More Salome
  • Oscar Wilde wrote a play based upon the story of
    Salome
  • Came to be associated with homosexuality as Oscar
    Wilde performed the play in drag (performance was
    banned in England)
  • Strauss turned Wildes play into an opera
  • All-female Salome parties evolved that featured
    nude women dancing seductively the Dance of the
    Seven Veils

12
Maud Allans Salome
  • Very popular in London around 1908
  • Ran an unprecedented 250 performances in the
    Palace Theatre
  • Eclipsed Isadora Duncan and Ruth St. Denis in
    England
  • Allan claimed Salome dance was one of spiritual
    awakening

13
Portrayal by Allan
  • Her portrayal of the Oriental princess Salome
    did not employ the kind of movement many critics
    associated with Eastern dancing (139).
  • It was not recognized as typically Western
    either as it was not typical of contemporary
    English dance and she made striking use of her
    hands and arms (139), instead of placing the
    focus on her feet, as in ballet and step-dancing.
  • it was considered an inauthentic Eastern
    dance,as an authentic dance would have been
    something lascivious and repulsively ugly and
    dismissed as vulgar(140).

14
Discussion Question
  • Do you feel Americans censor or warp authentic
    items of other cultures in order to make them
    conform to American tastes and/or beliefs?

15
Advertising for The Vision of Salome
  • Excerpt from advertisement The desire that
    flames from her eyes and bursts in hot gusts from
    her scarlet mouth infects the very air with the
    madness of passion. Swaying like a white witch,
    with yearning arms and hands that plead, Maud
    Allan is such a delicious embodiment of lust that
    she might win forgiveness for the sins of such
    wonderful flesh (140).
  • Manager of the Palace uses the Orientalist
    stereotypes of aggressive and dangerous-but
    inviting and available-female sexuality (140) to
    lure audiences.

16
Discussion Question
  • Do you think that some ads/movies/tv shows today
    accentuate the sexuality of other cultures in
    order to lure audiences?

17
Stereotypes and Salome
  • Allan violated the privilege of middle-class
    femininity by appearing in public scantily clad
  • Violated separation of East and West by being a
    Western woman playing an Eastern woman
  • As she was playing an Eastern woman, it implied
    that Eastern cultures could not represent
    themselves, but that they needed superior
    cultures to do it for them
  • Reaffirmed the spiritual nature of woman
    contained in the separate-spheres gender ideology

18
Discussion Question
  • Maud Allan was thought to be more popular than
    Duncan and St. Denis in London because she
    represented the attitudes of the English better
    than them. Do you think artists are more popular
    that embody our beliefs or attitudes toward
    things?

19
National Dance
  • A cultures style of dance is thought to be based
    on the characteristic gestures of their people
  • According to one author, the English national
    dance is the Morris, which is the organized,
    traditional expression of virility, sound health
    and animal spirits. It smacks of cudgel-play,
    of quarterstaff, of wrestling, of honest
    fisticuffs. Of course, there is nothing
    sinuous about it, nothing dreamy, nothing
    whatever is left to the imagination. It is the
    dance of folk who are slow to anger, but of
    great obstinacy. It is considered the perfect
    expression in rhythm and movement of the English
    character (143).

20
Discussion Question
  • Do you think the U.S. has a national dance? If
    so, what is it? And what does it say about us or
    our culture?

21
Come on, Maud, tell us what you really think
  • As an opponent to the womens suffrage movement,
    Maud argued that women were too emotional and
    easily swayed to be included in politics
  • Even though she violated the traditional role of
    the middle-class woman (she was single,
    childless, and self-supporting), she placed great
    emphasis on the spiritual duties of women, as
    outlined in the separate spheres gender ideology.
  • She did, however, support equal opportunities for
    women in education and job opportunities (if the
    women had no men to support them).
  • Many, however, believe that Allan may have
    suppressed her true beliefs to be dissociated
    from feminism. (Many of her best patrons were
    not allied with the suffragists.)

22
Discussion Question
  • Do you think many women today hide their true
    beliefs on equality in order not to get ahead or
    just not be associated with feminism? Why or why
    not?

23
Conclusion
  • While Maud Allan may have advanced women somewhat
    by making it more acceptable for middle-class
    women to have careers in dance, as Salome, she
    also fed into the imperialism, Orientalism, and
    separate-spheres gender ideologies popular at the
    time.

24
Additional Sources
  • Burnside, Julian. R v PEMBERTON BILLING The
    Black Book Case, 2001. 10th November, 2001.
    http//www.users.bigpond.com/burnside/pembertonbil
    ling.htm
  • Cherniavsky, Felix. Maud Allan and Her Art,
    2001. 10th November, 2001. http//www.dcd.ca/bkm
    aud.htm
  • History of Sexuality. The Clitoris historical
    myths and facts, 2001. 10th November, 2001.
    http//homepages.primex.co.uk/lesleyah/clitoris.h
    tm
  • Marlow, Shelly F. Salome, 1996. 10th November,
    2001. http//www.zingmagazine.com/zing3/reviews/0
    30_marlow.html
  • McGill, Nichole. Saints of the Month, 2001.
    10th November, 2001. http//www.freewillastrology
    .com/pages/zenpride/archives/january99/saint-jan.h
    tml
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