Title: Music of the Baroque 1600 1750
1Music of the Baroque 1600 - 1750
- Vocal Music and the invention of Opera
2Music of the Baroque 1600 - 1750
- Most important new genre - Opera!
- A drama that is sung
- Florentine Camerata (c. 1600)
- Melody - Monody
- Harmony - Basso Continuo
- Stile rappresentativo - continuous melody
- Earliest Opera
- Jacopo Peris Eurydice
3Music of the Baroque 1600 - 1750
- Opera
- Recitative - sung/spoken
- Aria - song
- Libretto the text
- Henry Purcell (1659-1695)
- "Dido's Lament"
- from Dido and Aeneas (1689)
- Ground Bass
4Music of the BaroqueHenry Purcell
(1659-1695) "Dido's Lament" Listening
- Melody - conjunct
- Rhythm - triple meter
- Harmony - minor
- Texture - homophonic
- Form - Binary (Ground Bass)
- Expression - soft and slow
- Instrumentation - Soprano and Orchestra w/BC
5Music of the Baroque 1600 - 1750
- Secular Cantata
- multi-sectioned composition for one or more solo
voices and instruments - based on Italian poetry
-
- Barbara Strozzi (1619 - 1677)
- Begli occhi ( 1654)
6Music of the Baroque Strozzi Begli occhi
Listening
- Melody - Generally conjunct
- Rhythm - Changes meter with each section
- Harmony - Shifts from major to minor and back
- Texture - imitative polyphony
- Form - Through composed
- Expression - Shifting dynamics and tempo with
mood - Instrumentation - 2 singers and BC
7Music of the Baroque 1600 - 1750
- Sacred Cantata
- multi-movement composition for solo voices,
chorus and orchestra - based on a Lutheran Chorale
- Johann Sebastian Bach (1685-1750)
- Cantata 80 A Mighty Fortress is Our God
(movts I VIII)
8Music of the BaroqueBachCantata 80 Listening
- Melody - Generally conjunct
- Rhythm - Duple meter, Driving rhythm
- Harmony - Major
- Texture - Imitative polyphony
- Form - Fugue
- Expression - Loud and fast
- Instrumentation - Chorus and Orchestra
9Music of the Baroque 1600 - 1750
- Oratorio
- multimovement dramatic work for solo voices,
chorus and orchestra - like an opera without costumes, sets, or stage
- George Frideric Handel (1685-1759)
- Messiah (1742)
10Music of the BaroqueHandel Messiah 18.
Rejoice GreatlyListening
- Melody - Disjunct
- Rhythm - Duple meter
- Harmony - Major
- Texture - Homophonic
- Form - Ternary (Da Capo Aria)
- Expression - Loud and fast
- Instrumentation - Soprano and Orchestra
11Music of the BaroqueHandel Messiah 44.
HallelujahListening
- Melody - Disjunct
- Rhythm - Duple meter
- Harmony - Major
- Texture - Homophonic/Polyphonic
- Form - Through Composed
- Expression - Loud and fast
- Instrumentation - Chorus and Orchestra
12Assignment