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Responses to Cubism:

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Style of austere (severe) abstract clarity. 1. Piet Mondrian (1872 -1944) ... concepts and methods, setting the stage for future artistic experimentation. ... – PowerPoint PPT presentation

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Title: Responses to Cubism:


1
  • Responses to Cubism
  • 1. Italian Futurism
  • - Began in February 1909.
  • - Founded by poet Marinetti in Milan.
  • - Goal was to free Italy from the oppressive
    weight of the past.
  • 2. Russian Suprematism
  • - Kazimir Malevich was leader of the Russian
    avant-garde.
  • - Founded in 1915.
  • - Last Futurist Exhibition of Paintings 0.10
    St. Petersburg. 1915-16

2
Umberto Boccioni. States of Mind The Farewells.
1911. Oil on canvas. 70. x 96cm.
3
Umberto Boccioni. Unique Forms of Continuity in
Space. 1913. Bronze cast. 111.2 x 88.5 x 40.0cm.
4
Kazimir Malevich. Suprematist Painting (Eight Red
Rectangles). 1915. Oil on canvas. 57 x 48 cm
5
  • De Stijl
  • - Dutch The style
  • - Founded in Leiden in 1917
  • - Style of austere (severe) abstract clarity
  • 1. Piet Mondrian (1872 -1944)
  • 2. Gerrit Rietveld (1888-1964)

6
Piet Mondrian. Composition with Yellow, Red, and
Blue. 1927. Oil on canvas. 38.3 x 35.5cm
7
  • Neo-plasticism
  • - Belief by Mondrian that art should be
    denaturalized
  • - Art should be purely abstract
  • - No representational relationship to the
    natural world.

8
Gerrit Rietveld. Schroeder House. 1923-24.
9
Gerrit Rietveld. Schroeder House. Interior.
1923-24
10
Walter Gropius. Bauhaus Building, Dessau,
Germany. View from northwest. 1925- 1926
11
Dada
  • circa 1915-1922.
  • Dada is French for hobby horse
  • Characterized by a spirit of anarchic revolt
    against traditional values.
  • Arose from a mood of disillusionment brought on
    by World War I
  • Influential in questioning traditional concepts
    and methods, setting the stage for future
    artistic experimentation.

12
  • Marcel Duchamp (1887-1968)

13
Marcel Duchamp. Fountain. 1917. Readymade. 61cm.
14
  • Readymade The name given by Marcel Duchamp to
    the work he invented that consisted of a
    mass-produced article displayed as a work of art.

15
  • Marchel Duchamp. L.H.O.O.Q.. From Boîte en
    Valise. 1919.

16
Surrealism
  • Flourished until the 1930s
  • Characterized by a fascination with the bizarre,
    the incongruous, and the irrational.
  • Took Dada as its principle source of inspiration
  • Andre Breton, The Surrealist Manifesto, 1924.

17
  • Central idea
  • Release the creative powers of the subconscious
    mind
  • Automatism A method of producing paintings or
    drawings in which the artist suppresses conscious
    control over the movements of the hand, allowing
    the subconscious mind to take over.

18
Max Ernst. The Horde. 1927. Oil on canvas. 114 x
146 cm.
19
  • Frottage rubbing
  • Creating a design by placing a piece of paper
    over some rough substance and rubbing it with a
    pencil.
  • The result Stimules to the imagination.

20
  • Grattage
  • - Scraping layers of paint off a canvas while it
    lays on top of another surface.

21
Joan Miró. Duth Interior I. 1928 Oil on canvas.
91.8 x 73cm.
22
  • Biomorphic
  • Adjective used to describe forms that resemble or
    suggest shapes found in nature.

23
René Magritte. Time Transfixed. 1938. Oil on
canvas. 1.46 x 0.98m.
24
Salvador Dali. The Persistence of Memory. 1931.
Oil on canvas. 24 x 33cm.
25
  • http//www.youtube.com/watch?vzMkwBvssz_Q
  • http//www.youtube.com/watch?vZzMF4EuVUi4

26
Meret Oppenheim. Object (Luncheon in Fur). 1936.
Fur covered-cup, fur covered saucer, fur covered
spoon.
27
  • Assemblage
  • Works of art made from fragments of natural or
    performed materials, such as household debris.
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