Early 20th Century styles based on SHAPE and FORM:

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Early 20th Century styles based on SHAPE and
FORM Cubism Futurism Art Deco to show the
concept of an object rather than creating a
detail of the real thing to show different views
of an object at once, emphasizing time, space
the Machine age to simplify objects to their most
basic, primitive terms
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Pablo Picasso1888-1973 Considered most
influential artist of 20th Century
Blue Period
Rose Period
Analytical Cubism
Synthetic Cubism
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Girl Wearing Large HatEarly Work, 1901.
Lola, the artists sisterEarly Work, 1901.
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Blue Period(1901-1904)
Moves to Paris in his late teens
Coping with suicide of friend
Paintings were lonely, depressing
Major color was BLUE!
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Pablo Picasso,Blue Nude, 1902. BLUE PERIOD
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Pablo Picasso,Self Portrait, 1901. BLUE PERIOD
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Pablo Picasso,Tragedy, 1903. BLUE PERIOD
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Pablo Picasso,Le Gourmet, 1901. BLUE PERIOD
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Rose Period(1904-1906)
Much happier art than before
Circus people as subjects
Reds and warmer colors
Pablo Picasso,Harlequin Family, 1905.ROSE
PERIOD
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Pablo Picasso, La Familia de Saltimbanques, 1905.
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Pablo Picasso,Girl With a Goat, 1906. ROSE PERIOD
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Much more abstract than before
Pablo Picasso, Composition with Skull, 1908.
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Georges Braque, Musical Instruments, 1908.
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Georges Braque, Fruitdish, 1908-09.
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Pablo Picasso, Three Musicians, 1921.
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Pablo Picasso,Les Demoiselles DAvignon,
1907. I paint forms as I think them, not as I
see them
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Major Influences
Femme de Vert1909
Paul Cezanne(Post-Impressionist)
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Major Influences
Les Demoiselles dAvignon, 1907.
African Zimba Mask
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Major Influences
African Zimba Mask
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Guernica Basque capital
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April 26, 1937 1, 654 dead, 889 injured
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Analytical Cubism Little contrast in
color Complex and systematic design Faceted
shapes, translucent divisions of space Differing
views of the same subject in the same
work Invented by Picasso and George Braque- at
the same time, but not really in
collaboration Retains some sort of depth
Pablo Picasso,Portrait of Vollard,
1910. ANALYTICAL CUBISM
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Pablo Picasso,Aficionado, 1912. ANALYTICAL
CUBISM
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Pablo Picasso,Glass and Bottleof Suze,
1912. SYNTHETIC CUBISM
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Synthetic Cubism Invented by Braque and
Picasso Puts forms back together after breaking
them apart Collage comes from French word for
glue Foreign materials are pasted onto the
design- makes the collage look like a real
surface Scraps are changed and painted on,
giving them a double meaning
George Braque, Gillet, 1914.
New Space Concept - first since Masaccio
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Futurism First announced on Feb. 20, 1909
Newspaper Le Figaro published a manifesto by the
Italian poet and editor Tommaso Marinetti We
will fight with all our might the fanatical,
senseless and snobbish religion of the past, a
religion encouraged by the vicious existence of
museums. We rebel against that spineless
worshiping of old canvases, old statues and old
bric-a-brac, against everything which is filthy
and worm-ridden and corroded by time. We consider
the habitual contempt for everything which is
young, new and burning with life to be unjust and
even criminal. To purposely intended to inspire
public anger and amazement, to arouse
controversy, and to attract widespread attention.
Umberto Boccioni, Unique Forms of Continuity in
Space, 1913.
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Boccioni, Dynamism of a Cyclist, 1913.
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Art Deco
Art Deco was a popular design movement from 1920
until 1939, affecting the decorative arts such as
architecture, interior design, and industrial
design. This movement was a combination of many
different styles and movements of the early 20th
century, including Constructionism, Cubism,
Modernism, Bauhaus, Art Nouveau, and
Futurism. Its popularity apexed during the 1920s.
Although many design movements have political or
philosophical roots or intentions, Art Deco was
purely decorative. At the time, this style was
seen as elegant, functional, and ultra modern.
William Van Alen, The Chrysler Building, 1930.
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DADA Started as a reaction to the horrors of WWI
and Nihilism Began independently in Zurich and
NY French for hobbyhorse, but the word itself
had no meaning Believed that reason and logic had
been responsible for war Only hope was anarchy,
irrationality, and intuition Pessimism and
disgust of the artists helped them reject
tradition- Arp pioneered the use of chance in
artwork- releassed him from the role of
artist For Dadaists, the idea of chance comes
from the unconsciousness- influenced by Freud
Jean Arp, Collage Arranged According to the Laws
of Chance, 1916-17.
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We had lost confidence in our culture.
Everything had to be demolished At the Cabaret
Voltaire we began by shocking common sense,
public opinion, education, institutions, museums,
good taste, in short, the whole prevailing
order.
Hannah Hoch, The Pretty Maiden, 1920. DADA
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Jean Arp Mountain, Table, Anchors, Navel.
1925. DADA
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Marcel Duchamp
Duchamp was the central figure in NY Dada
scene Exhibited his first ready-made sculptures
- mass produced common products selected by the
artist Free from the opinions of the population-
neither good or bad taste Forces viewers to see
the artness of objects
Marcel Duchamp, Fountain, 1913.
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Marcel Duchamp, The Bride Stripped Bare by Her
Bachelors, Even (The Large Glass) 1915-23. DADA
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"I am still a victim of chess. It has all the
beauty of art -- and much more. It cannot be
commercialized. Chess is much purer than art in
its social position. Marcel Duchamp
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Marcel Duchamp Bicycle Wheel, 1913. DADA
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Marcel Duchamp Nude Descending a Staircase, 1912.
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In 1919, Duchamp drew a moustache and goatee,
graffiti-style, on a postcard of the Mona Lisa
and added the caption L.H.O.O.Q. which, as any
French schoolboy could tell you, sounds like elle
a chaud au cul (Shes hot in the ass). It
quickly became an icon of the international Dada
movement.
Duchamp, L.H.O.O.Q., 1919.