Sculpture and Painting in the Middle Ages

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Sculpture and Paintingin the Middle Ages
Giotto, Lamentation, Arena Chapel, Padua, c. 1305
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Sculpture

• Pre-Romanesque into the Romanesque
• Two dimensional
• Stone relief as architectural ornamentation or
  surface decoration
• Sculpture in miniature
• Small reliefs and statuettes

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Apostle, c. 1090 St. Sernin Toulouse
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Last Judgment, west tympanum, Autun Cath.
c.1130-35
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Tympanum of South Portal of St. Portal, St.
Pierre, Moissac c.1115-35
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Late Gothic Sculpture1300-1500

• Giovanni Pisano
• Sculptural forms foreshadowed Renaissance Art
• Return to Classical Themes and Values

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Madonna and Child1305-06Marble, height 129
cmCappella Scrovegni, Padua Giovanni Pisano
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Pulpit Pisa Cathedral 1302-1310 Giovanni Pisano
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The Crucifixion
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The Last Judgment
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Massacre of the Innocents
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Nativity
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Presentation
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Claus Sluter

• From the Netherlands
• Helped to define the last phase of Gothic art
• Display of personal emotions and individual
  features

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Well of Moses Prophet David (King
David)1395-1406
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Well of Moses Prophets David and Jeremiah
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Well of Moses Prophets Daniel and Isaiah
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Moses
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Tomb of Philip II, the Bold
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Prints

• New artistic medium
• Woodcut prints
• Engraving
• Drypoint

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Italian Painting

• The Byzantine Influence

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Neo-Byzantine Style orGreek Manner

• Made its appearance shortly after the conquest of
  Constantinople by the armies of the 4th Crusade
  (1204)
• Panel painting, mosaic, murals continued forms
  in Italy

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Cimabue
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Duccio
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Giotto
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NewTrends
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InternationalStyleNorthernEuropeBookIllumin
ation
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Fabriano
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