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WORLD WAR 1 in literature

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Find out about the author and where the inspiration for Birdsong came from. In November ... pairs how they alter your pre-conception. of the book. Coursework ... – PowerPoint PPT presentation

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Title: WORLD WAR 1 in literature


1
WORLD WAR 1in literature
  • Birdsong

2
The context
  • It is absolutely imperative that the context be
    fully understood before reading of the novel
    commences.
  • Please see the attached research project

3
Birdsong
  • Sebastian Faulks
  • Find out about the author and where the
    inspiration for Birdsong came from
  • In November 1988 I was sent to the Western
    Front with a group of veterans on a visitI stood
    in the mud with men who had fought there in
    1915 one of them held my hand as he described
    picking up the pieces of his dead friendAnd on
    that morning the war ceased to be history to me
    and became a real living thing

4
The front cover
  • Study the various front covers on the
  • editions available to you
  • What do they imply that the novel is about?
  • How effective are they in ensuring you read the
    book?

5
The blurbs
  • Read the blurb on the book you are
  • studying
  • Discuss what the novel is about and what might
    happen in it

6
The Reviews
  • Does your book have reviews on its cover?
  • If so, read these reviews and discuss in
  • pairs how they alter your pre-conception
  • of the book

7
Coursework
  • This text is to be studied for a
  • coursework module. It will also form part
  • of wider reading for the topic World
  • War One in Literature.
  • Please see attached coursework guide

8
How to study a novel
  • Please see attached guide

9
France 1910
  • Part One
  • Please see attached study booklet for
  • this section of the novel

10
Part 2 Please see attached Study Booklet on this
section
  • France 1916

11
Authorial techniqueDiscuss the techniques and
their effect in the following extracts
  • By the time they transported him to the dressing
    station the fever had started to recede. The
    pain in his arm and neck had vanished. Instead
    he could hear a roaring sound of blood in his
    ears. Sometimes it would modulate to a hum and
    at others rise to a shriek according to how hard
    his heart was pumping. With the noise came
    delirium. He lost touch with his physical being
    and believed himself to be in a house on a
    French boulevard in which he searched and called
    the name of Isabelle. With no warning he was in
    an English cottage, a large institution, then
    back in the unremembered place of his birth. He
    raved and shouted.
  • Please see attached worksheet

12
Authorial technique contd
  • Then under the indifferent sky his spirit left
    the body with its ripped flesh, infections, its
    weak and damaged nature. While the rain fell on
    his arms and legs, the part of him that still
    lived was unreachable. It was not his mind, but
    some other essence that was longing now for peace
    on a quiet, shadowed road where no guns sounded.
    The deep paths of darkness opened up for it, as
    they opened up for other men along the lines of
    dug earth, barely fifty yards apart.
  • As the fever in his abandoned body reached its
    height and he moved towards the welcome of
    oblivion, he heard a voice, not human, but clear
    and urgent. It was the sound of his life leaving
    him. Its tone was mocking. It offered him,
    instead of the peace he longed for, the
    possibility of return. At this late stage he
    could go back to his body and to the brutal
    perversion of life that was lived in the turned
    soil and torn flesh of the war he could, if he
    made the effort of courage and will, come back to
    the awkward, compromised and unconquerable
    existence that made up human life on earth. The
    voice was calling him it appealed to his sense
    of shame and of curiosity unfulfilled but if he
    did not heed it he would surely die
  • Please see attached worksheet

13
Part 3Please see attached Study Booklet on this
section
  • Part 3
  • England 1978

14
Links between past and present
  • In the tunnel of the underground
  • Why is this a good sentence to begin Part 3?
  • Hint who dug the tunnels?

15
Part 4Please see attached Study Booklet on this
section
  • France 1917

16
Part 5Please see attached Study Booklet on this
section
  • England
  • 1978-1979

17
Part SixPlease see attached Study Booklet on
this section
  • France 1918

18
Part SevenPlease see attached Study Booklet on
this section
  • England 1979

19
The AssignmentPlease see the attached Coursework
and Assessment Guide
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