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Literary Symbolism

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Title: Literary Symbolism


1
Literary Symbolism
  • When is an egg not an egg?

2
Ralph Waldo Emerson
  • nature is a symbol, in the whole, and in every
    part (7).
  • The Universe is the externization of the soul
    (7)
  • It is nature the symbol, nature certifying the
    supernatural, body overflowed by life which the
    poet worships with coarse but sincere rites
    (8).

3
Arthur Symons
  • Symbols are essential
  • Without symbolism there can be no literature
    indeed, not even language. What are words
    themselves but symbols (8).

4
Edmund Wilson
  • Why we need symbols
  • The assumptions which underlay Symbolism lead us
    to formulate some such doctrine as the following
    Every feeling or sensation we have, every moment
    of consciousness, is different from every other
    and it is, in consequence, impossible to render
    out sensations as we actually experience them
    through the conventional and universal language
    of ordinary literature (10).

5
M. H. Abrams
  • A symbol, in the broadest use of the term, is
    anything which signifies something else in this
    sense, all words are symbols (18).
  • As commonly used in criticism, however, symbol
    is applied only to a word or phrase signifying an
    object which itself has significance that is,
    the object referred to has a range of meaning
    beyond itself (18).

6
Samuel Taylor Coleridge
  • a symbol . . . Is characterized by a
    translucence of the special in the individual, or
    of the general in the special, or of the
    universal in the general above all by the
    translucence of the eternal through and in the
    temporal. It always partakes of the reality
    which it renders intelligible and while it
    enunciates the whole, abides itself as a living
    part in that unity of which it is the
    representative (19).

7
D. H. Lawrence
  • You cant give a great symbol a meaning, any
    more than you can give a cat a meaning.
    Symbols are organic units of consciousness with a
    life of their own, and you can never explain them
    away, because their value is dynamic, emotional,
    belonging to the senseconsciousness of the body
    and soul, and not simply mental (31).

8
D. H. Lawrence
  • Allegory
  • narrative description using, as a rule,
    images to express certain definite qualities.
    Each image means something, and is a term in the
    argument and nearly always for a moral or
    didactic purpose, for under the narrative of an
    allegory lies a didactic argument, usually moral
    (31).

9
D. H. Lawrence
  • Myth likewise is descriptive narrative using
    images. But myth is never an argument, it never
    has a didactic or moral purpose, you can draw no
    conclusion from it. Myth is an attempt to
    narrate a whole human experience, of which the
    purpose is too deep, going too deep in the blood
    and soul, for the mental explanation or
    description (31).

10
D. H. Lawrence
  • the images of myth are symbols. They dont
    mean something. They stand for units of human
    feeling, human experience. A complex of
    emotional experience is a symbol. And the power
    of the symbol is to arouse the deep emotional
    self, the dynamic self, beyond comprehension
    (32).

11
D. H. Lawrence
  • No man can invent the symbols. He can invent an
    emblem, made up of images or metaphors or
    images but not symbols. Some images, in the
    course of many generations of men, become
    symbols, embedded in the soul and ready to start
    alive when touched, carried on in the human
    consciousness for centuries (32).

12
D. H. Lawrence
  • when men become unresponsive and half dead,
    symbols die (32).

13
Bernard M. Knieger
  • Humpty Dumpty is a traditional figure in our
    culture, always identified as an egg. So Humpty
    Dumptys eggness cannot be disputed (58).

14
Humpty Dumpty
  • a symbol of fragility as an egg sitting on a
    wall, he is a symbol of aspiring pride. Pride,
    however, is a human trait so Humpty Dumpty
    emerges as a symbol of sinful man (58).

15
Credits
  • Material taken from Literary Symbolism An
    Introduction to the Interpretation of Literature.
    Edited by Maurice Beebe, Purdue University.
    Wadsworth Publishing Company, Inc., San Francisco.

16
Understanding Symbols
  • Identify
  • Visualize
  • Representation of ?
  • Constant or shifts?
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