Title: Gustav Mahler
1Gustav Mahler
- b. Kalist, Bohemia, July 7, 1860
- d. Vienna, May 18, 1911
2Gustav Mahler - life and music
- born July 7, 1860
- second of twelve children
- attended Vienna Conservatory
- moved from position of conductor, city of Hall to
conductor of the greatest orchestras in the world - conducted the Metropolitan Opera for two seasons
and the New York Philharmonic for two years
3Gustav Mahler - life and music
- people can become frantic about Mahler
- too neurotic
- too banal
- brings rapture
- stirs something in the subconscious
- some followers think of him as a combination of
Moses and Christ - Life melody - fate - resignation - joys - death -
glorification
4Gustav Mahler - life and music
- thin, fidgety, short, high steep forehead, long
dark hair, deeply penetrating eyes - manic-depressive
- sadistic
- respected by musicians but they hated to play in
his orchestra - no social graces
5Gustav Mahler - life and music
- Mahler seemed to enjoy misery
- this weakness turned him into an austere,
despotic, querulous and arrogant man - his wife said that he was always telephoning God
6Gustav Mahler - life and music
- put everything into his music
- life passed him by
- referred to the NYPO as a typical American
orchestra - without talent - left New York without finishing the second season
- died in Vienna on May 11, 1911
7Gustav Mahler - life and music -Symphony No. 1 in
D Major (1888, premiered in 1890)
- aversion to programmatic music
- disavowed poetic and literary explanations
- gave the first symphony all sorts of programmatic
allusions - Mahler described this symphony as a symphonic
poem in two parts - the entire work is called The Titan (after Jean
Paul Richter)
8Mahler Symphony No. 1 in D Major, The Titan
- I Langsam, schleppend wie ein Naturlaut (Adagio
comodo) slow, dragged sounding naturally Days of
Youth, Flowers, and Thorns - Spring without end. The introduction represents
the awakening of Nature at early dawn - suggests spring in the Moravian plains
- cuckoo-call (clarinets)
- no second theme and very little development
9Mahler Symphony No. 1 in D Major, The Titan
- a second movement (permanently deleted after a
Weimar performance in 1894) was called A Chapter
of Flowers - II Kräftig bewegt, doch nicht zu schnell (Con
moto) with forceful motion, but not too quick - a scherzo called Full Sail!
- an Austrian Landler
10Mahler Symphony No. 1 in D Major, The Titan BBC
Symphony Orchestra conducted by Manfred Honeck
- III Feierlich und gemessen, ohne zu schleppen
(Moderato) in celebratory mood and measured, but
without dragging - this opens the second part of the symphony called
The Human Comedy - mvt. III opens with a Funeral March a la
Callot also described as Stranded - begins with a canon Frere Jacques double bass,
bassoon and cello tuba and low clarinet - dies away and leads directly (no pause) to the
fourth movement
11Mahler Symphony No. 1 in D Major, The Titan
- IV Stürmisch bewegt (Tempestoso) in stormy
motion - the fourth movement is the finale called From
Inferno to Paradise - raging chromatic triplets
- a very loud climax of seven horns heard over
everything - a chorale from paradise - SAVED