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How to Integrate Quotations in Literary Analysis

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Title: How to Integrate Quotations in Literary Analysis


1
How to Integrate Quotations in Literary Analysis
  • A Simple Guide

2
  • Your essay is your argument. Too many quotations
    can overpower your voice.
  • Use quotations sparingly.
  • Make all major points in your own words and use
    quotations to support them. Dont rely on the
    quotation to make the point for you.

3
Basics
  • All phrases and longer passages taken from text
    must be enclosed in quotation marks.
  • The page number and authors last name must be
    placed after the quotation and before the closing
    punctuation.
  • In one of her visions of the future, Niska sees
    the soldiers of WWI fighting They lived in the
    mud like rats and lived only to think of new ways
    of kill one another (Boyden 49).

4
For long quotations (4 lines or more), indent
one inch from the left and omit quotation marks.
Placethe parenthetical citation after the period
  • Nelly Dean treats Heathcliff poorly and
    dehumanizes him throughout her narration
  • They entirely refused to have it in bed with
    them, or even in their room, and I had no more
    sense, so, I put it on the landing of the stairs,
    hoping it would be gone on the morrow. By chance,
    or else attracted by hearing his voice, it crept
    to Mr. Earnshaw's door, and there he found it on
    quitting his chamber. Inquiries were made as to
    how it got there I was obliged to confess, and
    in recompense for my cowardice and inhumanity was
    sent out of the house. (Bronte 78)

5
POWER
  • Quote only words, sentences, or passages that are
    powerful.
  • Dont use long quotations to take up space.
    Select the phrases that are relevant to your
    argument.

6
Introduce a Quotation
  • Never drop a quotation in your paper. You must
    use your own words to introduce a quotation.
  • Never leave a quotation alone as a sentence.
  • Always make sure you provide the following
  • context, quotation and analysis (i.e., explain
    how it supports your argument)

7
Be Strong
  • In order to make your own writing flow as
    smoothly as possible, it is usually best to use
    only an effective part of the quotation as part
    of your own sentences.

8
Introducing Quotations
  • You can use an independent clause and a colon to
    introduce your quotation.
  • When Niska returns to Moose Factory and for
    the first times since her childhood, she notices
    how different she is from the assimilated
    Aboriginal population . . . it was obvious
    that an invisible wall, one impossible to breach,
    lay between me and the homeguard Indians of this
    white town (168).

9
Introducing Quotations
  • Another way to introduce quotations is to weave
    them into your sentence. Remember, the sentence
    must be grammatically accurate.
  • Niska compares her feelings of alienation
    from the assimilated homeguard Indians to an
    invisible wall that is impossible to
    breach(168).
  • While walking through Moose Factory for the
    first times since her escape from residential
    school, Niska notes that an invisible wall, one
    impossible to breach, lay between her and the
    homeguard Indians (168).

10
Remember
  • Context Quotation Analysis A

11
Analysis
  • When Niska returns to Moose Factory and for the
    first times since her childhood, she notices how
    different she is from the assimilated Aboriginal
    population . . . it was obvious that an
    invisible wall, one impossible to breach, lay
    between me and the homeguard Indians of this
    white town (168). Niskas feelings of
    alienation from the very people who, only decades
    ago, were living with her in the bush, highlights
    the . . .

12
Ellipses
  • When omitting words from within a single
    sentence, use only three ellipsis dots (. . . ).
    Three point ellipses have single typed spaces
    before and after each of the three dots
  • Faulty waterhad
  • Correct water . . . had.

13
Brackets
  • Use brackets to specify ambiguous pronouns within
    a quotation.
  • Example As revealed to me Oedipus by the
    Delphi oracle (15).

14
You Do the Work
  • Do not rely on quotations to do the work for you.
  • You must always follow a quotation or paraphrase
    with commentary.
  • Never end a paragraph with a quotation.

15
Make Changes
  • Quotations should fit into your argument. If
    punctuation, pronouns, or verb tenses do not flow
    with your own words, paraphrase or make minor
    changes to the quotation, surrounding them with
    brackets

16
Integrating Quotes Pattern 1
  • 1. An introducing clause plus the quotation
  • Gatsby is not to be regarded as a personal
    failure because "Gatsby turned out all right at
    the end" (176), according to Nick.
  • This is a complex sentence.
  • Because is a subordinate conjunction.

17
Pattern 2
  • 2. An assertion of your own and a colon plus the
    quotation
  • Fitzgerald gives Nick a muted tribute to the
    hero "Gatsby turned out all right at the end"
    (176).
  • This works best if your quotation is a complete
    clause

18
Pattern 3
  • 3. An assertion of your own with quoted material
    worked in
  • For Nick, who remarks that Gatsby "turned out all
    right" (176), the hero deserves respect but
    perhaps does not inspire great admiration.
  • This works best when you pull only power words
    from the quotation.

19
  • Note The words in bold effectively introduce the
    quote. No quote ever stands alone. Follow your
    quotes with commentary. Do not begin commentary
    with words such as this quote shows or this
    quote reveals.
  • Note how the following commentary flows from the
    quotation and has substance.

20
Model Commentary
  • Taken from A Writers Model A Locust in the
    Garden
  • The story alludes again and again to the
    sheltering comfort of the garden. The man tries
    to maintain an illusion that nothing serious has
    happened to him, that in time he will feel as if
    he had always been like that (397). The garden
    is his refuge against reality.
  •  
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