LITERARY ANALYSIS - PowerPoint PPT Presentation

1 / 39
About This Presentation
Title:

LITERARY ANALYSIS

Description:

LITERARY ANALYSIS – PowerPoint PPT presentation

Number of Views:297
Avg rating:3.0/5.0
Slides: 40
Provided by: esth91
Category:

less

Transcript and Presenter's Notes

Title: LITERARY ANALYSIS


1
Literary Analysis
Literary Analysis
2
OBJECTIVES
  • Define literary analysis
  • Understand purpose of literary analysis
  • Understand the components of good writing depth,
    complexity, quality
  • Tips for effective analysis
  • Analysis of Literary Elements diction, conflict,
    character, images, symbols, figurative language,
    theme and form/style

3
LITERARY ANALYSIS
  • A literary analysis explains a literary work in
    a formal essay. The work (novel, short story, or
    poem) is referenced by considering the full range
    of literary elements present and the intention of
    the author.

4
LITERARY ANALYSIS
  • Literary analysis assumes knowledge of the work
    and therefore does not provide a summary.
  • Each analysis paper supports a clearly defined
    thesis to be proved about the work it is
    PERSUASIVE.

5
PURPOSE OF ANALYSIS
  • The ultimate end of analysis is a deeper
  • understanding and a fuller appreciation
  • of the literature
  • you learn
  • to see more,
  • to uncover or create
  • richer, denser, more interesting
  • meanings.

6
To begin to analyze written work a common way of
identifying the qualities that characterize it as
'good' by examining its .
YOU MIGHT BE ASKING---
WHAT DO I LOOK FOR?
7
D E P T H
COMPLEXITY
QUALITY
8
D E P T H
  • When we looking deeply into the text we see
  • that we are formed largely by culture
  • we have common human needs
  • we experience life with complexity
  • our lives hold symbolic and historical meaning
  • When you read remember that authors are
  • demonstrating to us that there is more to life
  • Than our physical sense of it.
  • Authors seek to define some of the forces and
  • feelings which give resonance to our being.

9
COMPLEXITY
  • Think in terms of our human experience as
  • being made up by interacting factors --
    environment, character, situation and so forth,
    and
  • comprised of a number of different elements --
    thought, feeling, sensation, memory, imagination,
    significant symbols, conventions,
    culturally-formed ways of saying and thinking.
  • Our experience is complex.

10
QUALITY
  • In order to evoke the complexities and the depth
    of experience, literature has to use all of its
    resources well.
  • The more the resources of language and meaning
    are used to reveal the depth and complexity the
    more we say this work has QUALITY.

11
STRATEGIES TO FOLLOW FOR EFFECTIVE ANALYSIS
  • Read the text
  • Consider applicable perspectives
  • Consider literary elements

12
Quick Tips Reading
  • Read s l o w l y, p a y a t t e n t I o n to
    every word
  • Use your gut (initial) reactions
  • Free write your impressions and observations
  • Try to discover the authors intention--research
    what the authors have said about their work or
    biographical events that relate to the work

13
Quick Tips Critical perspective
  • Political perspective consider how political
    systems and politics are portrayed in the work
  • Feminist perspective consider how the work
    portray women and approach gender roles of the
    sexes
  • Ethnic perspective consider how ethnic groups
    and interactions are approached within the work

14
Quick Tips Critical perspective
  • Consider other perspectives where appropriate
  • religious
  • psychological
  • mythological
  • sociological
  • belief systems
  • The caution here is to accurately represent the
    text and support all interpretations by evidence
    in the text.

15
ANALYZE ALL APPLICABLE LITERARY ELEMENTS
16
Literary Elements DICTION
THE WORDS
Focus on of the
work. Ask Is the language concrete or
abstract? Is this the language of emotion or
reason? What structure does the language
follow? What images are created? How has
dialogue been employed or not employed?
17
Literary Elements CONFLICT
List all of the conflicts or tensions in the work
and fill them out with examples or evidence
from the work Draw conclusions about
the conflict and this will become a thesis.

18
Literary Elements CHARACTER
Consider what consistent qualities the character
has, what motivates the character, what
complexities the character shows, does the
character change or remain the same. Are the
characters dynamic, static, stock
(stereotypical)?
19
Literary Elements IMAGES
  • Most literature can be analyzed through images
    and symbols.
  • Scan the work, listing images, symbols, searching
    for patterns and repetitions.
  • Write down page references and your first
    interpretations.

20
Literary ElementsTHEME
REVENGE
PROVIDENCE
Look for the meaning in the text, but dont
settle for first thing you see. Make a list of
all possible themes stated in complete sentences
and in universal terms Example The theme of
Romeo and Juliet is that romantic love cannot
exist in a corrupt world.
INTEGRITY
GOOD VS. EVIL
POWER
INJUSTICE
LOVE
21
Literary Elements FORM/STYLE
Each genre or type of literature has its own
principles of style and form.
Poetry is examined through rhyme, rhythm,
sound devices, and format
Fiction is examined by considering narrative
point of view, transitional devices, sentence
structure or time sequence.
Dramas unique element is staging, the props,
actors gestures, lighting, the set, and visual
effects.
22
Poetry Analysis Using
  • TPCASTT

Poetry is thoughts that breathe, and words that
burn.  Thomas Gray
23
Getting Started
  • This is a process to help you organize your
    analysis of poetry.
  • Using the terminology, it is time to dig deeper.

Poetry is the key to the hieroglyphics of
Nature.  Augustus William Hare and Julius
Charles Hare, Guesses at Truth, by Two
Brothers, 1827
24
T is for TITLE
  • Analyze the title first.
  • What do you predict this poem will be about?
  • Write down your predictions.
  • We will reflect on the title again after we have
    read the poem.

Poetry is plucking at the heartstrings, and
making music with them.  Dennis Gabor
25
Now it is time to
  • and read the poem
  • before going on

26
P is for PARAPHRASE
  • Paraphrasing is putting something in your own
    words.
  • After reading the poem, rewrite it in your own
    words.
  • This may be three sentences or a page, depending
    on the particular poem.

27
C is for CONNOTATION
  • Analyze the figures of speech and sound effects
    of the poem.

alliteration
apostrophe
RHYME
personification
diction
ASSONANCE
meter
simile
onomatopoeia
implied metaphor
HYPERBOLE
direct metaphor
These elements add to the meaning.
28
A is for ATTITUDE
  • Tone is the attitude of the
  • speaker toward the subject
  • of the poem.

29
S is for SHIFT
  • If there is a change in
  • Time
  • Tone
  • Speaker

this should always be noted since it will affect
the meaning
30
T is for TITLE (again)
  • At this time, you should reconsider the title.
  • Were you right in your predictions?
  • What other meanings might the title have in light
    of your analysis?
  • Next comes the biggie.

31
T is for THEME
  • As you already know, theme is the general insight
    into life conveyed by the author through his/her
    work.
  • It does not make a judgment.
  • example Dont do drugs is not a theme.
  • It merely states something that is true to life
    and the human condition.

32
How do I find the THEME?
  • Look at the other parts of TPCASTT.
  • What insight are all of these working together to
    convey?
  • What is the poet trying to say about life?

33
Poetry Explication
  • A poetry explication is a relatively short
    analysis which describes the possible meanings
    and relationships of the words, images, and other
    small units that make up a poem.
  • Writing an explication is an effective way for a
    reader to connect a poem's plot and conflicts
    with its structural features.
  • Some of the important techniques of approaching
    and writing a poetry explication, and includes
    parts of two sample explications.

34
Pre-writing
  • Consider
  • What is being dramatized? What conflicts or
    themes does the poem
  • present, address, or question?
  • Who is the speaker? Define and describe the
    speaker and his/her
  • voice. What does the speaker say? Who is the
    audience? Are other
  • characters involved?
  • What happens in the poem? Consider the plot or
    basic design of the
  • action. How are the dramatized conflicts or
    themes introduced,
  • sustained, resolved, etc.?
  • When does the action occur? What is the date
    and/or time of day?
  • Where is the speaker? Describe the physical
    location of the dramatic
  • moment.
  • Why does the speaker feel compelled to speak at
    this moment? What
  • is his/her motivation?

35
Details
  • To analyze the design of the poem, we must focus
    on the poem's parts, develop our understanding of
    the poem's structure, and we gather support and
    evidence for our interpretations. Some of the
    details we should consider include the following
  • Form Does the poem represent a particular form
    (sonnet, sestina, etc.)? Does the poem present
    any unique variations from the traditional
    structure of that form?
  • Rhetoric How does the speaker make particular
    statements? Does the rhetoric seem odd in any
    way? Why? Consider the predicates and what they
    reveal about the speaker.
  • Syntax Consider the subjects, verbs, and objects
    of each statement and what these elements reveal
    about the speaker. Do any statements have
    convoluted or vague syntax?
  • Vocabulary Why does the poet choose one word
    over another in each line? Do any of the words
    have multiple or archaic meanings that add other
    meanings to the line? Use the Oxford English
    Dictionary as a resource.

36
Patterns
  • As you analyze the design line by line, look for
    certain patterns to develop which provide insight
    into the dramatic situation, the speaker's state
    of mind, or the poet's use of details. Some of
    the most common patterns include the following
  • Rhetorical Patterns Look for statements that
    follow the same format.
  • Rhyme Consider the significance of the end words
    joined by sound in a poem with no rhymes,
    consider the importance of the end words.
  • Patterns of Sound Alliteration and assonance
    create sound effects and often cluster
    significant words.
  • Visual Patterns How does the poem look on the
    page?
  • Rhythm and Meter Consider how rhythm and meter
    influence our perception of the speaker and
    his/her language.

37
Poetry is language at its most distilled and
most powerful.  Rita Dove
38
Use TPCASTT for your next Analysis of
PoetryTPCASTT TEMPLATE
T  TITLE
 TITLE
P  PARAPHRASE
 PARAPHRASE
C  CONNOTATION
 CONNOTATION
A  ATTITUDE
 ATTITUDE
S  SHIFT
 SHIFT
T  TITLE
 TITLE
T  THEME
 THEME
39
REFERENCES
  • Bauman, M. G. (2007). Ideas details A guide to
    college writing. Massachusetts Thomson
    Wadsworth 273-307.
  • Images from Microsoft Office 2003 clipart
  • Knott Poetry Analysis Using TPCASTT retrieved on
    January 25, 2008 from images.schoolinsites.c
    om/.../BakerHigh/Uploads/Presentat ions/Poetry20A
    nalysis20Using20TPCASTTknott.ppt
  • Lye, J. (2000). Critical reading A guide.
    Retrieved August 15, 2003 from
    http//www.brocku.ca/english/jlye/criticalreading
    .html
  • Poetry explications. (2007). The Writing Center.
    University of North Carolina at Chapel Hill.
  • Retrieved on January 17, 2009 from
  • http//www.unc.edu/depts/wcweb/handouts/poetry-ex
    plication.html
  • Quotations about Poetry, (2008). The Quote
    Garden A Harvest of Quotes for Word Lovers
    Retrieved on January 30, 2008 from
    http//www.quotegarden.com/poetry.html
Write a Comment
User Comments (0)
About PowerShow.com