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Lesson 06: Film Genre

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Title: Lesson 06: Film Genre


1
Lesson 06 Film Genre
Professor Aaron Baker
2
Previous Lecture
  • Cinematography
  • The Photographic Image
  • Lenses
  • Framing
  • Camera Movement
  • The Long Take
  • Cinematography in Raging Bull (1980)

3
In this Lecture
  • Film Genre
  • The Gangster Film
  • Goodfellas (1990)

4
Part I Film Genre
5
Genre
  • French Term
  • A film genre is a certain category of movie.
  • Conventions define it.
  • Examples include the western, the science fiction
    film, the horror movie, the musical.

6
Expectations
  • We inevitably anticipate a certain kind of film
    when we watch a movie.
  • Films that present the features we expect are
    called genre films.

7
Blockbuster Hits
  • Some of the top earning films in the
  • history of Hollywood are genre films
  • Place Title Genre
  • Titanic Disaster film
  • Lord of the Rings Fantasy
  • Star Wars Science fiction

8
Entertainment
  • Genre films are often seen as entertainment
  • Fun
  • Escapist
  • Formulaic

Texas Chainsaw Massacre (1974)
9
But Less Conventional Films Get More Respect
  • Steven Spielbergs genre films made big profits.
  • But he didnt win an Oscar for best director
    until he made a serious social drama
    Schindlers List (1993).

10
Disrespect
  • Genre films not only are often viewed as
    aesthetically inferior, some genres get more
    disrespect than others.

11
Serious Drama
  • While a social protest film like Erin Brockovich
    has been praised for raising serious issues like
    environmental degradation . . .

12
Melodrama
  • This genre is often dismissed as insignificant
    because it emphasizes
  • Emotional stories about family conflict with
    female protagonists
  • Is aimed at female viewers.

13
But
  • Melodrama can be about important issues of
    family, gender politics.
  • And minus issue of environmental contamination,
    Erin Brockovich is a family melodrama with a
    female lead!

14
Contemporary Horror Films
  • Scare audiences to entertain.
  • But some also question family.
  • On this issue they are a lot like melodramas and
    social dramas.

15
Family Dysfunction
  • In Its Alive (1974), a couple gives birth to a
    monster.
  • In The Texas Chainsaw Massacre (1974) and The
    Hills Have Eyes (1977), whole families are
    killers.

16
Fun and Serious
  • So, some genre films are--
  • commercial movies with a pleasurable veneer that
    conceal
  • social critique, presenting disturbing subject
    matter

17
Part II Gangster Films
18
Gangster Films
  • Guns, Violence, Crime
  • Money, Sex
  • Rise/Fall of Gangster As Too Egotistical, Greedy,
    Brutal

The Public Enemy (1931)
19
Entertainment Appeal
  • Enjoy Boldness, Swagger, Charisma of Gangster
  • But We Feel Secure When Hes Brought Down

20
Muskateers of Pig Alley(1912)
  • D. W. Griffith defines gangster film
  • Real NY Location
  • Real Street Toughs
  • Immigrants As Criminal Threat

21
Prohibition
  • Volstead Act 1920-1933 outlaws alcohol
  • Controls immigrant workers
  • Less Leisure, More Work
  • Bootleggers get rich

22
Al Capone
  • Born 1899 in Brooklyn
  • Chicago in 1919
  • 1925 heads Chicago rackets
  • 1925-1930 Grossing 100 Million Year From
    Bootlegging and Prostitution
  • Known as Scarface for knife scars on cheek

23
Canonical Gangster Films
  • Little Caesar (1931), Public Enemy (1931),
    Scarface (1932)
  • Based on journalistic writings about Capone and
    other gangsters
  • Box office hits

24
Censorship
  • Warner Bros. added disclaimer to Little Caesar,
    Public Enemy not glorifying criminals.
  • Scarface director Howard Hawks, and producer
    Howard Hughes forced to add 2 scenes criticizing
    media glorification of gangsters.
  • Scarface release delayed 2 years.

25
Will Hayes
  • Former Chair of Repub. National Committee and
    Postmaster General
  • Hired by Hollywood as President of MPAA
  • Established Production Code

26
Catholic Legion of Decency
  • Influenced content of Hollywood films from
    within.
  • Avoided mistake of Protestant reformers with
    Prohibition, who tried to legislate social
    change.

27

Depression
  • Wall Street Crash October,1929
  • Millions in U.S. out of work and homeless in
    1930s.
  • Widespread disillusionment with American economy.

28
1930s Film Gangsters
  • From working class hardest hit by Depression
  • Ethnic
  • Between Cultures

29
Gangster Films RenewedFear of Cultural Difference
  • 1920s
  • Prohibition
  • KKK targeted Catholics as well as
    African-Americans
  • Anti immigrant acts 1921-1924

Italian immigrant family at Ellis Island
30
Immigrants
  • Expected to Be Individuals
  • Privileged Identity in Capitalist Society
  • Give Up Old World Culture
  • Reject Identity from Ethnic Group

31
Prof. Jonathan Munby
  • 30s Gangster Films
  • Show Ethnic Resentment at Discrimination
  • Reject Idea That Immigrants Must Accept Dominant
    Culture

32
Gangster
  • Asserts Equality with Higher Classes, Native Born
    Whites
  • EntrepreneurBut in Wrong, Criminal Ways!
  • Once Rich, No Limits to His Consumption (Booze,
    Cars, Clothes, Sex)

33
Will Hayes and MPAA
  • Forced studios to control/punish gangsters within
    films.
  • All Killed
  • Rico in Little Caesar
  • Tony in Scarface
  • Tommy in Public Enemy

34
Bank Robber John Dillinger
  • Popular Folk Hero for the Poor
  • Killed by police in 1934 at Biograph movie
    theater in Chicago
  • 1935 Will Hayes declared moratorium on gangster
    films
  • Fear of Dillingers glorification in movies

35
Synchronized Sound
  • Added Realism (Sound of cars, Guns, Nightclubs)
  • Gangsters Spoke in Own Voices
  • Urban/Ethnic slang
  • Robinson, Cagney, Muni Ethnic Actors

Robinson and Cagney
36
Genres Develop/Change Over Time
  • Technology. E.g. Synch. Sound Important to
    Gangster Films, Musicals
  • Hits Establish Popularity of Certain
    Genres/Cycles
  • Change Via Mixing of Conventions
  • Individual Films Can Revise, Reject
  • Conventions

37
Mixing
  • Bladerunner (1982)
  • Part Sci Fi
  • -Set in Future
  • -Technology
  • Part Detective Story
  • -Urban Locale
  • -Noir Lighting
  • -Violence and Passion

38
Prominent Films
  • Can Change Genre
  • Revise Conventions
  • Set a Trend for Other Films

39
Robert RayCorrected Genre Films
  • Use Expected Genre Conventions
  • Also Subtext of Social Critique
  • E.gs. The Godfather (1972), The Godfather, Part
    II (1974)
  • Genre/Ganster Films entertained by meeting our
    expectations, yet also offered ideas that
    challenged us

40

Godfather, Part II
  • As a gangster film
  • it has the usual
  • conventions
  • Charismatic Criminals
  • Wealth from Crime
  • Sex
  • Violence

41
But along with these genre conventions
  • Godfather, Part II also presents a critique of
    capitalism by paralleling the Corleone crime
    family with legitimate business.

42
In this scene
  • Mafia family head Michael Corleone (Al Pacino)
    attends a meeting in Havana with U.S. corporate
    leaders.
  • Please watch a clip from Godfather, Part II.

43
Part III Goodfellas
44
Goodfellas
  • Based on Nicholas Pileggis, Wise Guys (1985)
  • Journalistic
  • About Henry Hill
  • Lucchese Crime Family
  • Insider/Outsider
  • Sicilian/Irish

Nicholas Pileggi
45
Director Martin ScorseseLike Hill
  • Ethnic (Italian American)
  • Grew Up in New Yorks Little Italy
  • Both Insider/Outsider

46
Henry Hill
  • Had access to mob information because not subject
    to rules secrecy for made men
  • Scorsese had similar attraction to, detachment
    from Mob
  • Both Traitors

47
Witness Protection Program
  • Hill kicked out for more crimes.
  • Most of those he fingered died in jail.
  • What Im proud of is (Scorsese)
  • didnt glamorize it. Theyre not
  • nice people. Henry Hill

48
Documentary Style
  • Voice Over
  • Mob Oral Culture
  • Stories from Little Italy
  • Look of That World

49
Violence
  • Graphic/Repellent
  • No Exciting Gunfights
  • No Violence as Entertainment

50
But Not Just Realism
  • Stylized
  • Point of View Shots
  • Freeze-Frames
  • Expressionist
  • Mobile Camera
  • Please watch a clip from Goodfellas.

51
Usual Rise and Fall Structure
  • Criminal Money
  • Frenzied Consumption
  • Eventually Too Much
  • -Money, Greed
  • -Drugs
  • -Violence

52
Wiseguy Ethos
  • Henry
  • Those goody good
  • people who worked
  • . . . . They were
  • suckers. If we
  • wanted something,
  • we just took it.

53
Copacabana Long Take
  • Realism and
  • Stylization
  • Image of Excess
  • Henry Seduces
  • Lifestyle Seduces
  • Him
  • Please watch this scene.

54
Tommys Downfall Too Violent
  • Disregard for Rules
  • Killing of Billy Batts
  • (Made Man)
  • Hes a Cowboy

55
Drugs and Henrys Downfall
  • Someones watching
  • Frenzied Lifestyle
  • Drugs and Long Sentences
  • Loss of Rispetto/Omerta

56
Jimmy Conway
  • Also Half in/Out
  • Mentor to Henry
  • Never rat on your friends
  • Yet Greedy, Reckless

57
Crime in Gangster Films
  • Because of environment
  • Lack of other opportunity
  • Nicole Rafter on Crime Movies
  • Environmental causes . . . illustrating how
  • criminalistic subcultures or other situational
  • factors can drive people to crime.

58
In Goodfellas
  • Not Societys Fault
  • Karen Middle Class/It turned me on
  • Nicole Rafter, Other Cause for Crime
  • Aspirations for a better life (more money,
    more excitement, more opportunity to rise through
    the class structure) . . . crime over dull
    conformity.

59
Mob in Goodfellas
  • Mirrors Larger Society
  • Rules and Transgression
  • Greed and Overconsumption
  • Violence

The Goodfellas eat well even in prison.
60
Goodfellas as Corrected Gangster Film
  • Charismatic Gangsters
  • Money, Violence
  • Rise, Fall
  • They are Just Like Larger Society
  • -Too Much Self Interest
  • -Overconsumption
  • -1980s Supply Side Economics
  • -Decade of Greed

61
Summary
  • Genre Films
  • Entertainment and Social Critique
  • Conventions and Change
  • Martin Scorseses Goodfellas

62
End of Lecture 6
Next Lecture Film Authorship
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