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Backward Design

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Backward Design Christina Fritz Assessment Manager fritz_c_at_aps.edu Stephen Covey To begin with the end in mind means to start with a clear understanding of your ... – PowerPoint PPT presentation

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Title: Backward Design


1
Backward Design
  • Christina FritzAssessment Managerfritz_c_at_aps.edu

2
Stephen Covey
  • To begin with the end in mind means to start with
    a clear understanding of your destination. It
    means to know where youre going so that you
    better understand where you are now so that the
    steps you take are always in the right direction.

3
Essential Question
  • Why are the best curriculums designed backwards?
  • What is good design?
  • How does backward design support effective
    curriculum design?

4
K-W-L on Backward Design
K W L
What do you know about backward design What do you want to learn about backward design? What did you learn about backward design?
5
Moving Forward
Adapted from Karen Greenham, Thames Valley
District School Board, Ontario, Canada
6
Two Approaches
Assessor Activity Designer
What would be sufficient revealing evidence of understanding? What would be interesting engaging activities on this topic?
What performance tasks must anchor the unit focus the instructional work? What resources materials are available on the topic?
How will I be able to distinguish between those who really understand those who dont (but seem to)? What will students be doing in out of class? What assignments will be given?
7
Two Approaches
Assessor Activity Designer
Against what criteria will I distinguish work? How will I give students a grade ( justify it to their parents)?
What misunderstandings are likely? How will I check for these? Did the activities work? Why or why not?
8
3 Stages of Backward Design
  • Stage 1 Identify desired results
  • Stage 2 Determine acceptable evidence
  • Stage 3 Plan learning experiences and
    instruction

9
3 Stages of Backward Design
10
Stage 1 Identify desired results
  • Are the targeted understandings
  • Enduring, based on transferable, big ideas at the
    heart of the discipline and in need of
    un-coverage.
  • Questions that spark connections, provoke genuine
    inquiry and encourage transfer
  • Appropriate goals
  • Valid knowledge and skills identified

11
Stage 1 Key Design Elements
BIG IDEA
TOPIC or CONTENT STANDARD
UNDERSTANDING
ESSENTIAL QUESTION
12
Big Ideas
  • Central and organizing notion
  • Core idea in a subject
  • Provides a conceptual lens for prioritizing
    content
  • Serves as an organizer for connecting important
    facts, skills, and actions
  • Transfers to other contexts
  • Manifests itself in a variety of ways within
    disciplines
  • Requires uncoverage because its an abstraction

13
Transferable Big Ideas - samples
  • Abundance or scarcity
  • Adaptation
  • Friendship
  • Communities
  • Defense or protection
  • Courage
  • Harmony
  • Honor
  • Patterns
  • Symbol
  • Technology
  • Wealth
  • Evolution
  • Democracy

14
Content Priorities
Worth Being Familiar With
Important to Know and Do
Big Ideas and Enduring Understandings
15
Statistics Sample
History of the bell curve Key contributors to the
development of statistics (Pascal)
Measures of Central Tendency Statistical
Terminology Data Displays Statistical Formulas
16
Statistics Sample
Big Ideas Sampling, Correlation, Patterns,
Predictions, Confidence Interval Understandings
Statistical analysis and data displays reveal
patterns enabling predictions Statistics can lie
as well as reveal
17
BREAK
18
Essential Questions
  • Guide the student inquiry and focus instruction
    for uncovering the important ideas of the content
  • What specifically about the idea or topic do you
    want student to come to understand?

19
Essential Questions
  • Have no right answer and are meant to be argued
  • Designed to provoke sustain student inquiry,
    while focusing learning performances
  • Address the conceptual or philosophical
    foundations of a discipline
  • Raise other important questions
  • Naturally and appropriately recur
  • Stimulate vital, ongoing rethinking of big ideas,
    assumptions and prior lessons

20
Sample Essential Questions
  • How does art reflect, as well as shape, culture?
  • How does where we live influence how we live?
  • What are the limits of mathematical
    representation and modeling?
  • What makes a great story?
  • What is a number?
  • How should we balance the rights of individuals
    with the common good?
  • Can microeconomics inform macroeconomics?
  • What can we learn from the past?

21
Tips for Using EQs
  • Organize the unit of study around the questions
    make the content answer the question
  • Tasks are linked to the question
  • Make less be more
  • Share your questions with the faculty to promote
    school wide questions
  • Publish the questions to students and parents

22
Enduring Understandings
  • Based on transferable big ideas that give the
    content meaning and connect the facts and skills

23
Comparing Enduring Understandings
  • IMPROPERLY FRAMED
  • Students will understand that
  • That the price of long distance calls has
    declined over the past decade
  • How to calculate mean, median and mode
  • PROPERLY FRAMED
  • Students will understand that
  • In a free-market economy, price is a function of
    supply and demand
  • Statistical analysis data display often reveal
    patterns that may not be obvious

24
Knowledge and Skills
  • Discrete objectives that we want students to know
    and be able to do
  • Three kinds
  • Building blocks for the desired understanding
  • Knowledge and skills stated or implied in the
    goals
  • Enabling knowledge and skills needed to perform
    the complex assessment tasks identified in stage 2

25
Stage 2 Determine acceptable evidence
  • Consider the evidence of learning
  • Students exhibit understanding through authentic
    performance tasks
  • Appropriate criterion-based scoring tools are
    used to evaluate student outcomes
  • A variety of assessment formats
  • Assessments are used as feedback
  • Students self assess

26
Jay McTighe
  • The primary purpose of classroom assessment is to
    inform teaching and improving student learning,
    not to sort and select students or to justify a
    grade

27
3 Stages of Backward Design
28
ALIGNMENT
Stage 1
If the desired result is for the learner to
Stage 2 Stage 2
Then, you need evidence of the students ability to So, the assessments need to include something like
29
3 Types of Classroom Assessment
  • DIAGNOSTIC
  • FORMATIVE
  • SUMMATIVE

30
DIAGNOSTIC
  • Assessment that precedes instruction, checks
    students prior knowledge and identifies
    misconceptions, interests, and learning style
    preferences
  • Provide information to assist planning and guide
    differentiated instruction
  • Pretests, student survey, skills check, K-W-L

31
FORMATIVE
  • On-going assessments provide information to guide
    teaching and learning for improving learning and
    performance
  • Formal and Informal
  • Quiz, oral questioning, observation, draft work,
    think aloud, dress rehearsal, portfolio review

32
SUMMATIVE
  • Culminating assessments are conducted at the end
    of a unit, course or grade level to determine the
    degree of mastery or proficiency according to
    identified achievement targets
  • Evaluative in nature resulting in a score or a
    grade
  • Test, performance task, final exam, culminating
    project or performance, work portfolio

33
Assessment Methods
  • Traditional quizzes and tests
  • Paper and pencil
  • Selected response
  • Constructed response
  • Performance tasks and projects
  • Complex
  • Open-ended
  • Authentic

34
Collecting Evidence
  • Effective evidence requires multiple sources of
    evidence a photo album not a single snapshot
  • Performance tasks
  • Academic prompts
  • Quiz and test items
  • Informal checks

35
Tips for Effective Scoring Goals
  • Includes the most important traits, given the
    purpose of the assessment and the qualities of
    effective performance
  • Score the quality not quantity
  • Focus on content, substance and effect rather
    than on mechanics
  • Look at the overall result

36
Assessors Questions
  • Where should we look and what should we look for
    to determine the extent of student understanding?
  • What kind of assessment tasks and evidence needs
    will anchor our curricular units and thus guide
    our instruction?

37
Assessors Questions
  • Given our account of the facets, what follows for
    assessment?
  • What evidence of in-depth understanding as
    opposed of superficial or naïve understanding?

38
Think like an assessor
  • Where should we look to find hallmarks of
    understanding?
  • Consider the necessary evidence
  • Kinds of performance or behavior indicative of
    understanding

39
Think like an assessor
  • What should we look for in determining and
    distinguishing degrees of understanding?
  • Focus on the most salient and revealing criteria
    for identifying and differentiating levels or
    degrees of understanding using criteria and
    rubrics to sort work by quality along a continuum

40
(No Transcript)
41
Six Facets of UnderstandingGrant Wiggins
  • Explanation
  • Interpretation
  • Application
  • Perspective
  • Empathy
  • Self-Knowledge

42
Howard Gardner
  • Understanding the capacity to apply facts,
    concepts and skills in the new situations in
    appropriate ways.

43
Facet 1 Explanation
  • Provide thorough, supported, and justifiable
    accounts of phenomena, facts, and data

44
Facet 2 Interpretation
  • Tell meaningful stories offer apt translations
    provide a revealing historical or personal
    dimension to ideas and events make it personal
    or accessible through images, anecdotes,
    analogies and models

45
Facet 3 Application
  • Effectively use and adapt what we know in diverse
    contexts

46
Facet 4 Perspective
  • See and hear points of view through critical eyes
    and ears see the big picture

47
Facet 5 Empathy
  • Find value in what others might find odd, alien,
    or implausible perceive sensitively on the basis
    of prior direct experience

48
Facet 6 Self-Knowledge
  • Perceive the personal style, prejudices,
    projections, and habits of mind that both shape
    and impede our own understanding we are aware of
    what we do not understand and why understanding
    is so hard

49
Thinking about Understanding
  • Men dont understand women
  • Does anyone here understand French?
  • She knows the answer but does not understand why
    it is correct
  • I now understand that I was mistaken
  • I didnt really understand it until I had to use
    it
  • Although I disagree, I can understand the
    oppositions point of view

50
Understanding Misconceptions
Facet 1 Explanation If the student gives a correct answer to a complex and demanding question, s/he must have an in-depth understanding.
Facet 1 Explanation If the student cannot write an explanation of his/her views, she lacks understanding.
Facet 2 Interpretation If the student offers an engaged and rich response to literature, he understands that work of literature.
51
Understanding Misconceptions
Facet 3 Applications Any effective performance with knowledge indicates understanding of that knowledge.
Facet 3 Applications Any ineffective performance with knowledge indicates a lack of understanding of that knowledge.
Facet 3 Applications Application means that the student can correctly answer teacher-assigned problems based on what was taught.
Facet 4 Perspective Having an opinion equals having perspective.
Facet 4 Perspective Perspective implies relativism.
52
Understanding Misconceptions
Facet 5 Empathy Empathy is affect, synonymous with sympathy or heartfelt rapport. Empathy requires agreement with the point of view in question.
Facet 6 Self-Knowledge Self-knowledge equal self-centeredness.
53
Stage 3 Plan learning experiences and instruction
  • Will the students
  • Know where they are going with their learning
    goals
  • Know why the materials are important
  • What is required of them
  • Be hooked engaged
  • Have opportunities to explore and experience big
    ideas and receive instruction to equip them for
    the required performances
  • Have opportunities to rethink, rehearse, revise
    and refine
  • Have an opportunity to evaluate their work and
    reflect on their learning

54
WHERETO
W Students know WHERE theyre going, WHY and WHAT is required of them
H HOOKED engaged in the big idea
E Opportunities to EXPLORE and EXPERIENCE
R Opportunities to RETHINK,REHEARSE, and REFINE
E Opportunity to EVALUATE their work
T TAILORED and flexible for all students
O ORGANIZED for engagement and effectiveness
55
Chinese Proverb
  • I hear, I forget
  • I See, I remember
  • I do, I understand
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