Hamlet Review

1
Hamlet Review
2
Speaker

• Good now, sit down, and tell me, he that
  knows,Why this same strict and most observant
  watchSo nightly toils the subject of the
  land,And why such daily cast of brazen
  cannon,And foreign mart for implements of
  warWhy such impress of shipwrights, whose sore
  taskDoes not divide the Sunday from the
  weekWhat might be toward, that this sweaty
  hasteDoth make the night joint-labourer with the
  dayWho is't that can inform me?

3
Speaker

• At such a time I'll loose my daughter to himBe
  you and I behind an arras thenMark the
  encounter

4
Who is you?

• At such a time I'll loose my daughter to himBe
  you and I behind an arras thenMark the
  encounter

5
Who is him?

• At such a time I'll loose my daughter to himBe
  you and I behind an arras thenMark the
  encounter

6
Speaker

• And, England, if my love thou hold'st at
  aught--As my great power thereof may give thee
  sense,Since yet thy cicatrice looks raw and
  redAfter the Danish sword, and thy free awePays
  homage to us--thou mayst not coldly setOur
  sovereign process which imports at full,By
  letters congruing to that effect,The present
  death of Hamlet. Do it, EnglandFor like the
  hectic in my blood he rages,And thou must cure
  me till I know 'tis done,Howe'er my haps, my
  joys were ne'er begun.

7
Speaker

• Now, whether it beBestial oblivion, or some
  craven scrupleOf thinking too precisely on the
  event,A thought which, quarter'd, hath but one
  part wisdomAnd ever three parts coward, I do not
  knowWhy yet I live to say 'This thing's to
  do'Sith I have cause and will and strength and
  meansTo do't.

8
The theme is

• Now, whether it beBestial oblivion, or some
  craven scrupleOf thinking too precisely on the
  event,A thought which, quarter'd, hath but one
  part wisdomAnd ever three parts coward, I do not
  knowWhy yet I live to say 'This thing's to
  do'Sith I have cause and will and strength and
  meansTo do't.
• A. disguise B. madness
• C. indecision

9
Who is described?

• 'Twere good she were spoken with for she may
  strewDangerous conjectures in ill-breeding
  minds.

10
Speaker

• Give me your pardon, sir I've done you
  wrongBut pardon't, as you are a gentleman.This
  presence knows,And you must needs have heard,
  how I am punish'dWith sore distraction.

11
Who is spoken to

• Give me your pardon, sir I've done you
  wrongBut pardon't, as you are a gentleman.This
  presence knows,And you must needs have heard,
  how I am punish'dWith sore distraction.

12
Speaker

• Thus conscience does make cowards of us allAnd
  thus the native hue of resolutionIs sicklied
  o'er with the pale cast of thought,And
  enterprises of great pith and momentWith this
  regard their currents turn awry,And lose the
  name of action.

13
Who is described?

• I tell thee she is and therefore make her
  gravestraight the crowner hath sat on her, and
  finds itChristian burial.

14
The theme of this quote is

• Thus conscience does make cowards of us allAnd
  thus the native hue of resolutionIs sicklied
  o'er with the pale cast of thought,And
  enterprises of great pith and momentWith this
  regard their currents turn awry,And lose the
  name of action.
• A. revenge B. madness
• C. disguise D. indecision

15
Speaker

• for love of grace,Lay not that mattering unction
  to your soul,That not your trespass, but my
  madness speaksIt will but skin and film the
  ulcerous place,Whilst rank corruption, mining
  all within,Infects unseen.

16
Who is spoken to

• for love of grace,Lay not that mattering unction
  to your soul,That not your trespass, but my
  madness speaksIt will but skin and film the
  ulcerous place,Whilst rank corruption, mining
  all within,Infects unseen.

17
Speaker

• To-morrow is Saint Valentine's day,All in the
  morning betime,And I a maid at your window,To
  be your Valentine.Then up he rose, and donn'd
  his clothes,And dupp'd the chamber-doorLet in
  the maid, that out a maidNever departed more.

18
Speaker

• Sir, in my heart there was a kind of
  fighting,That would not let me sleep methought
  I layWorse than the mutines in the bilboes.
  Rashly,And praised be rashness for it, let us
  know,Our indiscretion sometimes serves us
  well,When our deep plots do pall and that
  should teach usThere's a divinity that shapes
  our ends,Rough-hew them how we will,--

19
Who is spoken to

• Sir, in my heart there was a kind of
  fighting,That would not let me sleep methought
  I layWorse than the mutines in the bilboes.
  Rashly,And praised be rashness for it, let us
  know,Our indiscretion sometimes serves us
  well,When our deep plots do pall and that
  should teach usThere's a divinity that shapes
  our ends,Rough-hew them how we will,--

20
Speaker

• Alas, poor Yorick! I knew him, Horatio a
  fellowof infinite jest, of most excellent fancy
  he hathborne me on his back a thousand times
  and now, howabhorred in my imagination it is! my
  gorge rims atit.

21
Speaker

• was your father dear to you?Or are you like the
  painting of a sorrow,A face without a heart?

22
Who is you?

• was your father dear to you?Or are you like the
  painting of a sorrow,A face without a heart?

23
Who is father?

• was your father dear to you?Or are you like the
  painting of a sorrow,A face without a heart?

24
Speaker

• nor have we herein barr'dYour better wisdoms,
  which have freely goneWith this affair along.
  For all, our thanks.

25
Speaker

• Why, then, 'tis none to you for there is
  nothingeither good or bad, but thinking makes it
  so

26
Who is spoken to

• Why, then, 'tis none to you for there is
  nothingeither good or bad, but thinking makes it
  so

27
Speaker

• I have heard of your paintings too, well enough
  Godhas given you one face, and you make
  yourselvesanother you jig, you amble, and you
  lisp, andnick-name God's creatures, and make
  your wantonnessyour ignorance.

28
Who is spoken to?

• I have heard of your paintings too, well enough
  Godhas given you one face, and you make
  yourselvesanother you jig, you amble, and you
  lisp, andnick-name God's creatures, and make
  your wantonnessyour ignorance.

29
This quote describes

• I have heard of your paintings too, well enough
  Godhas given you one face, and you make
  yourselvesanother you jig, you amble, and you
  lisp, andnick-name God's creatures, and make
  your wantonnessyour ignorance.
• A. murderers B. deceivers
• C. women D. kings

30
Speaker

• Seems,nay it is I know not 'seems.''Tis not
  alone my inky cloak, Nor customary suits of
  solemn black,Nor windy suspiration of forced
  breath,No, nor the fruitful river in the
  eye,Nor the dejected 'havior of the
  visage,Together with all forms, moods, shapes of
  grief,That can denote me truly these indeed
  seem,For they are actions that a man might
  playBut I have that within which passeth
  showThese but the trappings and the suits of
  woe.

31
Who is spoken to?

• Seems,nay it is I know not 'seems.''Tis not
  alone my inky cloak, Nor customary suits of
  solemn black,Nor windy suspiration of forced
  breath,No, nor the fruitful river in the
  eye,Nor the dejected 'havior of the
  visage,Together with all forms, moods, shapes of
  grief,That can denote me truly these indeed
  seem,For they are actions that a man might
  playBut I have that within which passeth
  showThese but the trappings and the suits of
  woe.

32
Speaker

• O, that this too too solid flesh would meltThaw
  and resolve itself into a dew!Or that the
  Everlasting had not fix'dHis canon 'gainst
  self-slaughter! O God! God!How weary, stale,
  flat and unprofitable,Seem to me all the uses of
  this world!

33
In this quote the speaker wishes to

• O, that this too too solid flesh would meltThaw
  and resolve itself into a dew!Or that the
  Everlasting had not fix'dHis canon 'gainst
  self-slaughter!
• A. run away B. kill somebody
• C. kill himself or herself

34
Speaker

• Frailty, thy name is woman!--

35
Who is described

• Frailty, thy name is woman!--

36
Speaker

• For and the trifling of his favour,Hold it a
  fashion and a toy in blood,A violet in the youth
  of primy nature,Forward, not permanent, sweet,
  not lasting,The perfume and suppliance of a
  minute No more.

37
Who is described

• For and the trifling of his favour,Hold it a
  fashion and a toy in blood,A violet in the youth
  of primy nature,Forward, not permanent, sweet,
  not lasting,The perfume and suppliance of a
  minute No more.

38
Speaker

• Perhaps he loves you now,And now no soil nor
  cautel doth besmirchThe virtue of his will but
  you must fear,His greatness weigh'd, his will is
  not his ownFor he himself is subject to his
  birthHe may not, as unvalued persons do,Carve
  for himself for on his choice dependsThe safety
  and health of this whole stateAnd therefore
  must his choice be circumscribedUnto the voice
  and yielding of that bodyWhereof he is the head.

39
Who is described

• Perhaps he loves you now,And now no soil nor
  cautel doth besmirchThe virtue of his will but
  you must fear,His greatness weigh'd, his will is
  not his ownFor he himself is subject to his
  birthHe may not, as unvalued persons do,Carve
  for himself for on his choice dependsThe safety
  and health of this whole stateAnd therefore
  must his choice be circumscribedUnto the voice
  and yielding of that bodyWhereof he is the head.

40
Who is spoken to

• Perhaps he loves you now,And now no soil nor
  cautel doth besmirchThe virtue of his will but
  you must fear,His greatness weigh'd, his will is
  not his ownFor he himself is subject to his
  birthHe may not, as unvalued persons do,Carve
  for himself for on his choice dependsThe safety
  and health of this whole stateAnd therefore
  must his choice be circumscribedUnto the voice
  and yielding of that bodyWhereof he is the head.

41
Speaker

• Do not, as some ungracious pastors do,Show me
  the steep and thorny way to heavenWhiles, like
  a puff'd and reckless libertine,Himself the
  primrose path of dalliance treads,And recks not
  his own rede.

42
Who is described

• Do not, as some ungracious pastors do,Show me
  the steep and thorny way to heavenWhiles, like
  a puff'd and reckless libertine,Himself the
  primrose path of dalliance treads,And recks not
  his own rede.

43
This quote means

• Do not, as some ungracious pastors do,Show me
  the steep and thorny way to heavenWhiles, like
  a puff'd and reckless libertine,Himself the
  primrose path of dalliance treads,And recks not
  his own rede.
• A. dont lie B. dont be a hypocrite
• C. dont be a preacher

44
Speaker

• Ay, springes to catch woodcocks. I do know,When
  the blood burns, how prodigal the soulLends the
  tongue vows these blazes, Giving more light
  than heat, extinct in both,Even in their
  promise, as it is a-making,You must not take for
  fire.

45
Who is spoken to

• Ay, springes to catch woodcocks. I do know,When
  the blood burns, how prodigal the soulLends the
  tongue vows these blazes, Giving more light
  than heat, extinct in both,Even in their
  promise, as it is a-making,You must not take for
  fire.

46
Speaker

• Not this, by no means, that I bid you doLet the
  bloat king tempt you again to bedPinch wanton
  on your cheek call you his mouseAnd let him,
  for a pair of reechy kisses,Or paddling in your
  neck with his damn'd fingers,Make you to ravel
  all this matter out,That I essentially am not in
  madness,But mad in craft.

47
Who is spoken to

• Not this, by no means, that I bid you doLet the
  bloat king tempt you again to bedPinch wanton
  on your cheek call you his mouseAnd let him,
  for a pair of reechy kisses,Or paddling in your
  neck with his damn'd fingers,Make you to ravel
  all this matter out,That I essentially am not in
  madness,But mad in craft.

48
Speaker

• For _____,Believe so much in him, that he is
  youngAnd with a larger tether may he walkThan
  may be given you.

49
Who is described in the underlined words?

• For _____,Believe so much in him, that he is
  youngAnd with a larger tether may he walkThan
  may be given you.

50
Who is spoken to (underlined word)?

• For _____,Believe so much in him, that he is
  youngAnd with a larger tether may he walkThan
  may be given you.

51
Speaker

• Mad as the sea and wind, when both contendWhich
  is the mightier in his lawless fit,Behind the
  arras hearing something stir,Whips out his
  rapier, cries, 'A rat, a rat!'And, in this
  brainish apprehension, killsThe unseen good old
  man.

52
Who is described

• Mad as the sea and wind, when both contendWhich
  is the mightier in his lawless fit,Behind the
  arras hearing something stir,Whips out his
  rapier, cries, 'A rat, a rat!'And, in this
  brainish apprehension, killsThe unseen good old
  man.

53
Who is spoken to?

• Mad as the sea and wind, when both contendWhich
  is the mightier in his lawless fit,Behind the
  arras hearing something stir,Whips out his
  rapier, cries, 'A rat, a rat!'And, in this
  brainish apprehension, killsThe unseen good old
  man.

54
Is this statement true or false?

• Mad as the sea and wind, when both contendWhich
  is the mightier in his lawless fit,Behind the
  arras hearing something stir,Whips out his
  rapier, cries, 'A rat, a rat!'And, in this
  brainish apprehension, killsThe unseen good old
  man.

55
Speaker

• The queenLives almost by his looks and for
  myself--My virtue or my plague, be it either
  which--She's so conjunctive to my life and
  soul,That, as the star moves not but in his
  sphere,I could not but by her.

56
Who is referred to by his?

• The queenLives almost by his looks and for
  myself--My virtue or my plague, be it either
  which--She's so conjunctive to my life and
  soul,That, as the star moves not but in his
  sphere,I could not but by her.

57
Speaker

• My lord, I will be ruledThe rather, if you
  could devise it soThat I might be the organ.

58
Who is spoken to?

• My lord, I will be ruledThe rather, if you
  could devise it soThat I might be the organ.

59
Speaker

• that we would doWe should do when we would for
  this 'would' changesAnd hath abatements and
  delays as manyAs there are tongues, are hands,
  are accidentsAnd then this 'should' is like a
  spendthrift sigh,That hurts by easing.

60
Who is spoken to?

• that we would doWe should do when we would for
  this 'would' changesAnd hath abatements and
  delays as manyAs there are tongues, are hands,
  are accidentsAnd then this 'should' is like a
  spendthrift sigh,That hurts by easing.

61
Speaker

• The other motive,Why to a public count I might
  not go,Is the great love the general gender bear
  him

62
Who is referred to by him?

• The other motive,Why to a public count I might
  not go,Is the great love the general gender bear
  him

63
Speaker?

• We are oft to blame in this,--'Tis too much
  proved--that with devotion's visageAnd pious
  action we do sugar o'erThe devil himself.

64
The theme discussed is

• We are oft to blame in this,--'Tis too much
  proved--that with devotion's visageAnd pious
  action we do sugar o'erThe devil himself.
• A. disguise B. revenge
• C. madness

65
Speaker?

• There, on the pendent boughs her coronet
  weedsClambering to hang, an envious sliver
  brokeWhen down her weedy trophies and
  herselfFell in the weeping brook.

66
Who is described?

• There, on the pendent boughs her coronet
  weedsClambering to hang, an envious sliver
  brokeWhen down her weedy trophies and
  herselfFell in the weeping brook.

67
Speaker?

• Her father and myself, lawful espials,Will so
  bestow ourselves that, seeing, unseen,We may of
  their encounter frankly judge,And gather by him,
  as he is behaved,If 't be the affliction of his
  love or noThat thus he suffers for.

68
Who is father?

• Her father and myself, lawful espials,Will so
  bestow ourselves that, seeing, unseen,We may of
  their encounter frankly judge,And gather by him,
  as he is behaved,If 't be the affliction of his
  love or noThat thus he suffers for.

69
Who is described as he?

• Her father and myself, lawful espials,Will so
  bestow ourselves that, seeing, unseen,We may of
  their encounter frankly judge,And gather by him,
  as he is behaved,If 't be the affliction of his
  love or noThat thus he suffers for.

70
Speaker

• How smart a lash that speech doth give my
  conscience!The harlot's cheek, beautied with
  plastering art,Is not more ugly to the thing
  that helps itThan is my deed to my most painted
  word

71
The theme expressed is

• that we would doWe should do when we would for
  this 'would' changesAnd hath abatements and
  delays as manyAs there are tongues, are hands,
  are accidentsAnd then this 'should' is like a
  spendthrift sigh,That hurts by easing.
• A. disguise B. madness
• C. indecision

72
This speech is

• How smart a lash that speech doth give my
  conscience!The harlot's cheek, beautied with
  plastering art,Is not more ugly to the thing
  that helps itThan is my deed to my most painted
  word
• A. an accusation B. a plan
• C. a paradox D. a confession

73
Speaker

• To die, to sleepTo sleep perchance to dream
  ay, there's the rubFor in that sleep of death
  what dreams may comeWhen we have shuffled off
  this mortal coil,Must give us pause

74
This quote means

• To die, to sleepTo sleep perchance to dream
  ay, there's the rubFor in that sleep of death
  what dreams may comeWhen we have shuffled off
  this mortal coil,Must give us pause
• A. people are afraid of what comes after death
• B. people are afraid to dream
• C. people are afraid to sleep

75
Speaker

• O, what a noble mind is here o'erthrown!The
  courtier's, soldier's, scholar's, eye, tongue,
  swordThe expectancy and rose of the fair
  state,The glass of fashion and the mould of
  form,The observed of all observers, quite, quite
  down!

76
Who is described

• O, what a noble mind is here o'erthrown!The
  courtier's, soldier's, scholar's, eye, tongue,
  swordThe expectancy and rose of the fair
  state,The glass of fashion and the mould of
  form,The observed of all observers, quite, quite
  down!

77
This line means

• O, what a noble mind is here o'erthrown!
• A. the person described is dead
• B. the person described is in disguise
• C. the person described is insane

78
This line means

• The expectancy and rose of the fair state
• A. the person described is like a flower
• B. the person described will be the next ruler
• C. The person described is expecting a baby

79
Speaker

• About, my brain! I have heardThat guilty
  creatures sitting at a playHave by the very
  cunning of the sceneBeen struck so to the soul
  that presentlyThey have proclaim'd their
  malefactionsFor murder, though it have no
  tongue, will speakWith most miraculous organ.

80
Speaker

• But, O, what form of prayerCan serve my turn?
  'Forgive me my foul murder'?That cannot be
  since I am still possess'dOf those effects for
  which I did the murder,My crown, mine own
  ambition and my queen.May one be pardon'd and
  retain the offence?

81
Speaker

• Madness in great ones must not unwatch'd go.

82
Who is described?

• Madness in great ones must not unwatch'd go.

83
Speaker

• Nay, then, I have an eye of you

84
Who is spoken to

• Nay, then, I have an eye of you

85
The theme is

• Nay, then, I have an eye of you
• A. indecision B. madness
• C. surveillance D. disguise

86
Speaker

• You could, for a need,study a speech of some
  dozen or sixteen lines, whichI would set down
  and insert in't, could you not?

87
Speaker

• I'll have groundsMore relative than this the
  play 's the thingWherein I'll catch the
  conscience of the king.

88
Speaker

• What if it tempt you toward the flood, my
  lord,Or to the dreadful summit of the cliffThat
  beetles o'er his base into the sea,And there
  assume some other horrible form,Which might
  deprive your sovereignty of reasonAnd draw you
  into madness? think of itThe very place puts
  toys of desperation,Without more motive, into
  every brainThat looks so many fathoms to the
  seaAnd hears it roar beneath.

89
Who is spoken to

• What if it tempt you toward the flood, my
  lord,Or to the dreadful summit of the cliffThat
  beetles o'er his base into the sea,And there
  assume some other horrible form,Which might
  deprive your sovereignty of reasonAnd draw you
  into madness? think of itThe very place puts
  toys of desperation,Without more motive, into
  every brainThat looks so many fathoms to the
  seaAnd hears it roar beneath.

90
What does the pronoun it refer to?

• What if it tempt you toward the flood, my
  lord,Or to the dreadful summit of the cliffThat
  beetles o'er his base into the sea,And there
  assume some other horrible form,Which might
  deprive your sovereignty of reasonAnd draw you
  into madness? think of itThe very place puts
  toys of desperation,Without more motive, into
  every brainThat looks so many fathoms to the
  seaAnd hears it roar beneath.

91
Speaker

• Now might I do it pat, now he is prayingAnd now
  I'll do't. And so he goes to heavenAnd so am I
  revenged. That would be scann'd

92
Who is he?

• Now might I do it pat, now he is prayingAnd now
  I'll do't. And so he goes to heavenAnd so am I
  revenged. That would be scann'd

93
This line means

• That would be scann'd
• A. I should run that through the scanner.
• B. I should do that.
• C. I should think about that.

94
Speaker

• speak no moreThou turn'st mine eyes into my
  very soulAnd there I see such black and grained
  spotsAs will not leave their tinct.

95
Who is spoken to

• speak no moreThou turn'st mine eyes into my
  very soulAnd there I see such black and grained
  spotsAs will not leave their tinct.

96
Speaker

• Your bait of falsehood takes this carp of
  truthAnd thus do we of wisdom and of
  reach,With windlasses and with assays of
  bias,By indirections find directions out

97
Who is spoken to?

• Your bait of falsehood takes this carp of
  truthAnd thus do we of wisdom and of
  reach,With windlasses and with assays of
  bias,By indirections find directions out

98
The theme expressed is

• Your bait of falsehood takes this carp of
  truthAnd thus do we of wisdom and of
  reach,With windlasses and with assays of
  bias,By indirections find directions out
• A. madness B. indecision
• C. disguise D. perception of reality

99
What poetic device is used?

• Your bait of falsehood takes this carp of
  truthAnd thus do we of wisdom and of
  reach,With windlasses and with assays of
  bias,By indirections find directions out

100
Speaker

• My tables,--meet it is I set it down,That one
  may smile, and smile, and be a villain

101
The theme expressed is

• My tables,--meet it is I set it down,That one
  may smile, and smile, and be a villain
• A. madness B. disguise
• C. indecision D. revenge

102
speaker

• Come, come, and sit you down you shall not
  budgeYou go not till I set you up a glassWhere
  you may see the inmost part of you.

103
Who is spoken to

• Come, come, and sit you down you shall not
  budgeYou go not till I set you up a glassWhere
  you may see the inmost part of you.

104
This quote means

• Come, come, and sit you down you shall not
  budgeYou go not till I set you up a glassWhere
  you may see the inmost part of you.
• A. I want to hurt you.
• B. I want you to examine your inner thoughts.
• C. I want you to fix your makeup in the mirror.

105
Speaker

• Be thou assured, if words be made of breath,And
  breath of life, I have no life to breatheWhat
  thou hast said to me.

106
Who is spoken to

• Be thou assured, if words be made of breath,And
  breath of life, I have no life to breatheWhat
  thou hast said to me.

107
Speaker

• Haste me to know't, that I, with wings as
  swiftAs meditation or the thoughts of love,May
  sweep to my revenge.

108
Who is spoken to

• Haste me to know't, that I, with wings as
  swiftAs meditation or the thoughts of love,May
  sweep to my revenge.

109
Speaker

• Here, as before, never, so help you mercy,How
  strange or odd soe'er I bear myself,As I
  perchance hereafter shall think meetTo put an
  antic disposition on,That you, at such times
  seeing me, never shall,With arms encumber'd
  thus, or this headshake,Or by pronouncing of
  some doubtful phrase,As 'Well, well, we know,'
  or 'We could, an if we would,'Or 'If we list to
  speak,' or 'There be, an if they might,'Or such
  ambiguous giving out, to noteThat you know aught
  of me this not to do,So grace and mercy at your
  most need help you, Swear.

110
Speaker

• I entreat you both,That, being of so young days
  brought up with him,And sith so neighbour'd to
  his youth and havior,That you vouchsafe your
  rest here in our courtSome little time so by
  your companiesTo draw him on to pleasures, and
  to gather,So much as from occasion you may
  glean,Whether aught, to us unknown, afflicts him
  thus,That, open'd, lies within our remedy.

111
Who is spoken to

• I entreat you both,That, being of so young days
  brought up with him,And sith so neighbour'd to
  his youth and havior,That you vouchsafe your
  rest here in our courtSome little time so by
  your companiesTo draw him on to pleasures, and
  to gather,So much as from occasion you may
  glean,Whether aught, to us unknown, afflicts him
  thus,That, open'd, lies within our remedy.

112
Who is spoken about

• I entreat you both,That, being of so young days
  brought up with him,And sith so neighbour'd to
  his youth and havior,That you vouchsafe your
  rest here in our courtSome little time so by
  your companiesTo draw him on to pleasures, and
  to gather,So much as from occasion you may
  glean,Whether aught, to us unknown, afflicts him
  thus,That, open'd, lies within our remedy.

113
The theme is

• I entreat you both,That, being of so young days
  brought up with him,And sith so neighbour'd to
  his youth and havior,That you vouchsafe your
  rest here in our courtSome little time so by
  your companiesTo draw him on to pleasures, and
  to gather,So much as from occasion you may
  glean,Whether aught, to us unknown, afflicts him
  thus,That, open'd, lies within our remedy.
• A. indecision B. surveillance
• C. revenge

114
Speaker

• Why, any thing, but to the purpose. You were
  sentfor and there is a kind of confession in
  your lookswhich your modesties have not craft
  enough to colourI know the good king and queen
  have sent for you.

115
Who is spoken to

• Why, any thing, but to the purpose. You were
  sentfor and there is a kind of confession in
  your lookswhich your modesties have not craft
  enough to colourI know the good king and queen
  have sent for you.

116
Speaker

• My words fly up, my thoughts remain belowWords
  without thoughts never to heaven go.

117
Speaker

• Nothing but to show you how a king may go
  aprogress through the guts of a beggar.

118
Who is spoken to

• Nothing but to show you how a king may go
  aprogress through the guts of a beggar.

119
These lines are

• Nothing but to show you how a king may go
  aprogress through the guts of a beggar.
• A. a compliment B. a threat
• C. an insult D. a reward