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Review of Musical Elements

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Hopes for political freedom seemed to die. Many Romantic aspirations died as well ... Smetana, Chaikovsky, Musorgsky, Rimsky-Korsakov, Strauss, Sibelius, and others ... – PowerPoint PPT presentation

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Title: Review of Musical Elements


1
Review of Musical Elements
  • Rhythm Intervals
  • Harmony Modality
  • Instrumentation Form
  • Pitch Chromatic
  • Texture Climax
  • Duration Dynamics
  • Dissonant Tempo
  • Tone color Timbre
  • Melody Sequence

2
Chapter 18The Late Romantics
  • Late Romantic Program Music

3
Key Terms
  • Realism
  • Symphonic poem
  • Theme transformation

4
Late Romantic Timeline
5
The Late Romantics
  • 1848 a year of failed revolutions
  • In France, Italy, various German states
  • Hopes for political freedom seemed to die
  • Many Romantic aspirations died as well
  • Romanticism lived on, but as nostalgia
  • 1848 a convenient point of demarcation
  • Early Romantics were dying Mendelssohn, Chopin,
    Schumann died 1847-1856
  • Revolution exile transformed Wagners career

6
Late Romantic Program Music
  • Liszt wrote a series of symphonic poems in the
    1850s
  • A new genre a one-movement orchestral work with
    a program in a free musical form
  • Word poem emphasized literary connection
  • Could be based on a poem, play, or other work
  • Liszts works include Les préludes Hamlet
  • Gave new impetus to late Romantic music
  • Genre was used by Smetana, Chaikovsky, Musorgsky,
    Rimsky-Korsakov, Strauss, Sibelius, and others

7
Pyotr Ilyich Chaikovsky(1840-1893)
  • Music not a respectable Russian career
  • Chaikovsky was fortunate to study at the
    brand-new St. Petersburg Conservatory
  • Professor at Moscow Conservatory at 26
  • Long subsidized by wealthy recluse Nadezhda von
    Meck though they never met!
  • A prolific composer
  • 6 symphonies, 11 operas, symphonic poems, chamber
    music, songs, concertos, ballets
  • One of the best-loved melodists in music history

8
Chaikovsky, Romeo and Juliet
  • One of several of his symphonic poems
  • Lengthy pieces in one movement
  • He uses free forms that adopt features of sonata
    form, rondo, so on
  • Romeo and Juliet followed outlines of the
    original play in a general way
  • Easy to link themes to aspects of the play
  • Surging, Romantic melody for the two lovers
  • Angry, agitated theme for families enmity
  • Hymnlike theme for kindly Friar Laurence

9
Romeo and JulietSlow Introduction
  • Introduction already heavy with drama
  • Somber, solemn Hymn theme statements
  • In low clarinets bassoons
  • Anguished strings answer
  • Forecasting an unhappy outcome
  • High woodwind announcement
  • Punctuated by strumming harp
  • The above repeats builds to a climax
  • Over dramatic drum roll

10
Romeo and JulietAllegro (1)
  • Begins with fast Vendetta (Fate) theme
  • Short, vigorous rhythmic motives
  • Climax punctuated by cymbal claps

11
Romeo and JulietAllegro (2)
  • Shifts to highly romantic Love theme
  • First heard in English horn violas
  • Interrupted by a gentle sighing figure
  • Returns to Love theme in woodwinds

12
Romeo and JulietAllegro (3)
  • Lively development section follows
  • Reminiscent of sonata form development
  • Battle between Vendetta Hymn themes

13
Romeo and JulietFree Recapitulation (1)
  • Vendetta theme returns in original form
  • Reminiscent of sonata form recapitulation
  • Sighing motive Love theme also return
  • Big, ecstatic statement of Love theme

14
Romeo and JulietFree Recapitulation (2)
  • Ending broken up interrupted a reference to
    the dramas tragic outcome
  • Vendetta Hymn themes combine once more
  • They build to a huge climax die down
    unwillingly

15
Romeo and JulietCoda
  • Introduces transformations of Love theme
  • Begins with broken version of Love theme
  • Over funeral drum taps in timpani
  • Woodwinds sound an optimistic note
  • Transformation of sighing motive
  • Harp strumming introduces Love theme
  • Beautiful new cadential version surges upward
    ecstatically
  • Suggestion that their love transcends death?
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