Title: Chapter Eighteen Toward the Modern Era: 1870-1914
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2Chapter EighteenToward the Modern Era 1870-1914
3The Growing Unrest
- Belle époque beautiful age
- But also a growing frustration, restlessness
- Economic disparity, resentment
- Population growth, urban alienation
- Capitalism vs. Socialism
- Suffrage Movement
- Loss of religious security
4New Subjects for LiteraturePsychological
Insights in the Novel
- Anton Chekhov (1860-1904)
- Irony and satire, passivity and emptiness
- Marcel Proust (1871-1922)
- Remembrance of Things Past
- Evocation of memory
- Stream of consciousness style
5New Subjects for LiteraturePsychological
Insights in the Novel
- Nature of individual existences
- The subconscious and human behavior
- Fyodor Dostoyevsky (1821-1881)
- Concern for psychological truth
- Human suffering, salvation
- Crime and Punishment
6Responses to A Changing SocietyThe Role of Women
- Family life, society at large
- Right to vote, marriage ties
- Henrik Ibsens A Dolls House (1879)
- Criticism of anti-feminist social conventions
- Kate Chopins The Awakening (1899)
- Sexuality as liberation from oppression
7Ludwig Meidner Ich und die Stadt (1913) (I
and the city) What emotion is being expressed
here? How do you know?
8Kathy Kollwitzs realist etching, March of the
Weavers (1897). What is being represented here?
9Kathy Kollwitzs realist etching, Riot
(1897). What is being represented here?
10Kathy Kollwitzs lithograph, Conspiracy
(1897). This is the third plate in her Weavers
Revolt Cycle
11Friedrich Wilhelm Nietzsches Philosophy
- Nihilism argued that the idea of God is dead
- Critic of judeo-Christian culture, nationalism,
and all other surrogate gods - Asserts will to Power
- Poses concept of the Übermensch (Supermana
Caesar with Christs soul)
12New Movements in the Visual ArtsThe new realism
of impressionismand the turn toward abstraction
- Édouard Manet (1832-1883)
- Break from classical tradition
- Assumes view of the artist shows us how he sees
his subjects
13Look at the representation of depth here. Do you
notice anything interesting or odd?
- Le Déjeuner sur lHerbe (Luncheon on the Grass)
(1863)
14Compare and contrast the figure and bottles in
the foreground with the reflection in the mirror.
How are they different? A Bar at the
Folies-Bergére (1882)
15New Movements in the Visual ArtsImpressionism
- Realism of light, color
- Fidelity to visual perception, innocent eye
- Devotion to naturalism how things really look
in nature - Realism of light and color
- Records all colors without trying to blend them
together - Claude Monet (1840-1926) created the style of
impression with the following revolutionary,
controversial painting.
16Impression Sunrise (1872)
17- Red Boats at Argenteuil (1875)
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24New Movements in the Visual ArtsImpressionism
- Pierre Auguste Renoir (1841-1919)
- Beauty of the world, happy activity
- Women as symbols of life
- Le Moulin de la Galette (1876)
- Edgar Degas (1834-1917)
- Intimate moments as universal experience
- Psychological penetration
- Keyhole visions
25How does Renoirs painting combine realism and
impressionism? Le Moulin de la Galette (1876)
26Degass The Rehearsal (1874). Again, how does
this differ from classical and romantic art? What
does it make ballet look like?
27How do Degass nudes differ from the classical
nudes of the Renaissance?
28Degas looked to represent the ordinary in his
nudes. The artist assumes odd angles to give
the sense of his subjects being spied-on
29New Movements in the Visual ArtsPost-Impressionis
m
- Rejection of Impressionism
- Personal artistic styles that break with both
tradition of classical idealism and with
impressionism every artist is working in his own
unique style with his own unique techniques - Georges Pierre Seurat (1859-1891)
- Paul Gauguin (1848-1903)
30Seurats pointillist technique
31Seurats pointillism up close
32Georges Seurat, A Sunday on La Grande Jatte
(1884-1886) Seurats unique, mathematical
pointillist technique produces a rather unique
looking image.
33Gauguins new studys of everyday life
34And his interest in the exotic
35New Movements in the Visual ArtsPost-Impressionis
m
- Paul Cézanne (1839-1906)
- Impose order on nature does not represent things
either as they really look or as they ideally
should be - Priority of abstract considerations nature as
fundamentally geometrical - Mont Sainte-Victoire (1904-1906)
- van Goghs Starry Night (1889)
- Autobiographical, pessimistic art
- Social, spiritual alienation
36A Cezanne still life geometry and perspective
are subtly modified to suit artists personal
sense of order.
37One of Cezannes many paintings of Mont
Sainte-Victoire. What is the influence of
impressionism here?
38What kinds of shapes does Cezanne use here to
impose order on nature?
39Van Goghs self portrait. What is the first
thing you notice? What is its effect? What do
you think the artist is trying to communicate
about himself? (weve come a long way from
Albrecht Dürer!)
40Starry Night. What is Van Gogh communicating
about the stars and the night?
41New Movements in the Visual ArtsFauvism
- Les Fauves the wild beasts of france
- Loss of traditional values of color, form
- Distortion of natural relationships
- Henri Matisse, The Red Studio (1911)
42How is Matisses The Red Studio an example of
Fauvism?
43Matisses The Joy of Life (1906). What makes
things look so joyful here? How is this different
from classical realism and impressionsim?
44New Movements in the Visual ArtsExpressionism
- Alarm and hysteria
- Edvard Munch, The Scream (1893)
- Autobiographical, social, psychological
- Die Brücke (The Bridge), Der Blaue Reiter (The
Blue Rider) - Emotional impact, alienation and loneliness
- Heckel (1883-1970), Nolde (1867-1956)
45What is being expressed here in Edvard
Munchs The Scream (1893)?
46An Erich Heckel expressionist woodcut What
emotion is being produced here?
47Emil Noldes Die Sünderin (Christus und die
Sünderin) (1926)
48Noldes Pentecost. How is this different from
the many images of the pentecost found on
medieval churches?
49End of Slideshow
50World War I
- Almost 10 million casualties
- Countless wounded and maimed
- High-tech weaponry (airpower, poison gas)
- Landscapes laid to waste
51Trench Warfare
52The Wasteland