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Title: Arts History 1900


1
Arts History1900 present
  • 20th Century Classical Music
  • Jazz
  • Modern Day Music

2
20th Century Classical Music
3
20th Century Classical Music
4
20th Century Classical MusicTerms
  • Impressionism- French style of atmospheric music
    of the late nineteenth century
  • Expressionism- musical style that subjectively
    explored deep inner feelings
  • Tone row- a series of notes comprising the 12
    pitches of the chromatic scale invented by
    Arnold Schoenberg
  • Aleatory music- music in which composers
    deliberately leave parts of the composition and
    performance undetermined and at the discretion of
    performers
  • Synthesizer- an electronic device, usually with a
    keyboard, capable of producing sounds in almost
    any range, tone quality, and volume

5
20th Century Classical MusicComposers
  • Claude Debussy (1862-1918)
  • He was born in a suburb of Paris, France and it
    was his aunt who first noticed how musical he
    was. She got him started taking piano lessons.
  • When he was only ten, Debussy started studying at
    the very strict Paris Conservatory.
  • As a child, Debussy was fascinated by visual art,
    and as he grew up, he loved the new style called
    "Impressionism." Instead of painting realistic,
    lifelike paintings with hard outlines,
    Impressionists used thousands of dots, or many
    different shades of color to create the
    "impression" of what they wanted to depict.
    Debussy took that idea and applied it to music,
    creating Impressionism in music.

6
Clair de Luneby Debussy
  • Meaning Moonlight, Clair de Lune is Debussys
    most well-known piano work.

7
20th Century Classical MusicComposers
  • Igor Stravinsky (1882-1971)
  • Born in St. Petersburg, which was the capital of
    Russia at the time. His father was a famous
    opera singer, so as a kid, Igor got to hang out
    at the opera house, where he met all the famous
    musicians of the day.
  • Igor began taking piano lessons at age 9. When he
    grew up, he started studying law. One of his
    fellow law students was the son of composer
    Nikolai Rimsky-Korsakov, who agreed to give
    Stravinsky composition lessons. Law fell by the
    wayside completely after Stravinsky had a big
    success with The Firebird.
  • Stravinsky went on to write more ballets. One of
    those was The Rite of Spring, about a pagan
    ritual in ancient Russia. The opening night
    audience found the music and choreography so
    shocking that there was actually a riot in the
    theater!
  • Stravinsky moved around a lot. In Europe, he
    lived in France and Switzerland during World War
    II, he came to the United States, where he lived
    in both California and New York. Stravinskys
    music moved around, too -- he never really picked
    one style. He wrote Russian-sounding music, music
    that looked back to previous centuries, modern
    music, opera, and religious music -- including a
    symphony with psalms in it.

8
The Firebirdby Stravinsky
  • With life, death and rebirth as its theme, it
    represents nature as a Sprite who is summoned by
    a lone Elk. When the beauty of springtime is
    destroyed by the fury of the Firebird, who lives
    within an active volcano, it is up to the Elk and
    Sprite to once again reawaken what lies beneath
    the ashes of the ravaged forest.

9
20th Century Classical MusicComposers
  • George Gershwin (1898-1937)
  • Born in Brooklyn, New York. He taught himself to
    play the piano at a friend's house by following
    how the keys moved on a player piano. When the
    Gershwins finally got their own piano, George
    surprised everyone by sitting down and playing
    the songs he had learned by himself.
  • George liked to compose both classical and
    popular music, and found a unique way to combine
    the two. He composed his most famous work,
    Rhapsody in Blue, in 1924, where he proved that
    jazz held a legitimate place in the concert hall.
  • Gershwin also wrote the opera Porgy and Bess. He
    is considered one of the greatest American
    composers.

10
Rhapsody in Blueby Gershwin
  • Gershwin composed Rhapsody in Blue in only three
    weeks. It is still one of the most popular of
    all 20th-century musical compositions, and proved
    that jazz had a legitimate place in the concert
    hall alongside traditional classical music.

11
20th Century Classical MusicComposers
  • John Cage (1912-1992)
  • Among the most famous of 20th century composers.
    While his earliest compositions were written in
    a traditional style, he quickly moved on to
    create unique kinds of works. One of his first
    inventions was the prepared piano," which is an
    instrument modified so that it can produce new,
    percussive sounds.

12
20th Century Classical MusicComposers
  • John Cage (1912-1992)
  • He wanted music to escape from any sort of
    control and, in some cases, to express the idea
    of zero thought. He therefore created purposeless
    music based on the throw of some dice, a star
    chart, or some other such random device so that
    his personal preferences were not part of the
    compositional process. He called this method
    indeterminacy. One such work, Imaginary Landscape
    No. 4, includes 12 radio sets, each of which is
    tuned to a different station. Every performance
    is therefore unique.
  • 433, one of Cages most famous pieces, is
    performed by a pianist who sits unmoving in
    front of a keyboard for four minutes and 33
    seconds. The members of the audience are expected
    during this time to listen to the sounds that
    occur around them.
  • Cage wanted to break down the barriers between
    art and living, to make audiences aware that they
    are surrounded by sounds and that everything they
    do is actually music.

13
Aleatory Project
  • Aleatory means "pertaining to luck", and derives
    from the Latin word alea, the rolling of dice.
    Aleatoric, indeterminate, or chance art is that
    which exploits the principle of randomness.

14
20th Century Classical MusicComposers
  • Aaron Copland (1900-1990)
  • He was one of the most famous American composers
    of all time. Copland was born in Brooklyn, New
    York.
  • With a thorough background of academic musical
    training behind him, Copland began composing in
    quite technically advanced styles, influenced by
    such European contemporaries as Igor Stravinsky
    and Arnold Schoenberg. He then turned to his
    own land for inspirations to pioneering life in
    the Appalachian Mountains and the Wild West, to
    jazz, and the music of African-Americans. He
    successfully combined these influential sources
    with his own highly professional skills to
    produce music that was beautifully polished but
    that clearly resonated with an American voice.
    Coplands music is as vast and magnificent as the
    land that inspired it.
  • Copland wrote music with a very American" sound.
    Some of his most famous pieces are his ballets -
    Billy the Kid, Rodeo, and Appalachian Spring.
    Billy the Kid and Rodeo are about the Wild West.
    Copland also wrote music for movies - Of Mice and
    Men and Our Town, among others.
  • One of Copland's best known compositions is
    Fanfare for the Common Man. Copland wrote it
    after the Cincinnati Symphony Orchestra asked
    several composers to write fanfares during World
    War II. Coplands music has become a great part
    of American history.

15
Agnes De Mille
  • The grande dame of American dance, Agnes de Mille
    (1905-1993) was born in New York City. Her
    father was a playwright who went to work in
    Hollywood, and it was there that she took her
    first ballet lessons from Theodore Koslov. She
    attended UCLA, received a degree in English, then
    resumed her dance studies in New York, where she
    made her solo debut in 1928.
  • Rodeo, the Americana classic she choreographed in
    1942, was one of de Milles most successful
    works.

The truest expression of people is in its dances
and its music. Bodies never lie. - Agnes de
Mille
16
Rodeoby Aaron Copland choreographed by Agnes de
Mille
  • Copland wrote Rodeo for Agnes de Mille.
  • The ballet is about a cowgirl who is neglected
    and lonely, and who usually dresses in cowboy
    pants and shirt. She is attending a Saturday
    night dance and is watching the couple s dancing,
    but nobody wants to dance with her. Her friend,
    the Champion Roper, takes pity on her and shows
    her a few steps. Then she sees the Head
    Wrangler, who she is infatuated with, dancing
    with the Head Ranchers daughter. The cowgirl
    then runs away sobbing while everybody else
    continues to dance. When the cowgirl returns,
    the dancers all stop and look at her in surprise.
    They see her wearing a dress for the first time,
    and she also has a bow in her hair. Suddenly,
    everybody believes her to be some kind of
    Cinderella of the West. The Head Wrangler notices
    her beauty and becomes very interested however,
    so does the Champion Roper. Both men try to win
    her fancy. In the end she settles on the Roper
    the only one who has ever shown her any
    attention.

17
Pantomime Gestures
  • Pantomime is silent communication by means of
    gestures and facial expressions.
  • Can you guess which gesture is being acted out?
  • You want what?
  • Thats really exciting!
  • Quiet! Theyll hear us!
  • Come over here right now!
  • I have no idea what youre talking about!
  • What in the world is that?
  • Stop! Youre making me sick!
  • I have no interest in your side of the story.
  • When I say now, I mean now!

18
Billy the Kidby Aaron Copland choreographed by
Eugene Loring
  • In legend, Billy the Kid has been described as a
    vicious and ruthless killer, an outlaw who died
    at the age of twenty-one, not before raising
    havoc in the New Mexico Territory. It was said
    he took the lives of twenty-one men, one for each
    year of his life, the first one when he was just
    twelve years old. He was a rebel without a cause
    who killed without reason, other than to see his
    victims kick. These and many more accusations of
    callous acts are examples of the myth of Bill the
    Kid. In real form, the Kid was not the
    cold-blooded killer he has been portrayed as, but
    a young man who lived in a violent dog-eat-dog
    world, where knowing how to use a gun was a
    difference between life and death.
  • The ballet is most famous for its incorporation
    of many cowboy tunes and American folk songs.

19
Billy the Kidby Aaron Copland choreographed by
Eugene Loring
  • The opening movement is titled "The Open
    Prairie". Copland utilizes harmonies based on
    fifths to give a sense of emptiness and
    loneliness with the main theme raising and
    falling above. This leads into the second
    movement, "Street in a Frontier Town," where
    Copland manages to visualize in music a town with
    cowboys sauntering around, some on horseback,
    some with lassos. The opening theme is played on
    the piccolo (tin whistle if a stage performance)
    and is based on the cowboy tune "Great Granddad."
    A Mexican theme enters which indicates a Mexican
    woman dancing a Jarabo. Copland achieved this
    Mexican feel with the use of rhythm, using the
    song "Come Wrangle yer Bronco" against a time
    signature of 5/8.
  • A fight between two drunks that is hinted at in
    the trombones by the tune "Git along Little
    Doggies" interrupts all of this. In the ensuing
    chaos two shots ring out killing the
    twelve-year-old Billys mother. Billy, enraged,
    grabs a cowhands knife and kills his mothers
    murderer. Thus, the young outlaw's life begins.
  • As "Street in a Frontier Town" comes to an end,
    Copland uses the tune of "Goodbye Old Paint" that
    has already been hinted at earlier in the
    movement.
  • After dying away to nothing, the "Celebration
    Dance" shows how Copland could also show humor in
    his work by having the jaunty and quite spiky
    dance melody in the upper instrumentation written
    in C while the accompanying bass line supports
    this a semi-tone higher in C.
  • Rich descending chords in the strings depict
    Billys death, with occasional accompaniment by
    upper winds. The suite then ends where it began,
    on the "Open Prairie," but this time, to help
    with the feeling of finality, Copland uses the
    whole orchestra with the brass playing big chords
    of leaping fifths. This is all strong motivation
    to lead us to the conclusion that Copland wanted
    the audiences' loyalties to lie with the now dead
    outlaw.

20
American Folk Songs
  • What are folk songs?
  • Songs handed down from generation to generation.
  • Can you name any American folk songs?
  • Home on the Range
  • Yankee Doodle
  • Ive Been Working on the Railroad
  • Do Your Ears Hang Low?
  • Michael Row the Boat Ashore
  • My Bonnie
  • Polly Wolly Doodle

21
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22
Martha Graham
  • Martha Graham (1894-1991) was an American
    dancer and choreographer regarded as one of
    the foremost pioneers of modern dance, whose
    influence on dance can be compared to the
    influence Stravinsky had on music, Picasso had on
    the visual arts and Frank Lloyd Wright had on
    architecture.
  • Graham invented a new language of movement, and
    used it to reveal the passion, the rage and the
    ecstasy common to human experience. She danced
    and choreographed for over seventy years.

23
Isamu Noguchi
  • Isamu Noguchi (1904-1988) was a prominent
    Japanese American artist and landscape architect
    whose artistic career spanned six decades, from
    the 1920s onward. Known for his sculpture and
    public works, Noguchi also designed stage sets
    for various Martha Graham productions, and
    several mass-produced lamps and furniture pieces,
    some of which are still manufactured and sold.

24
Appalachian Springby Aaron Copland
choreographed by Martha Graham
  • The story told is a spring celebration of the
    American pioneers of the 1800s after building a
    new Pennsylvania farmhouse. Among the central
    characters are a newlywed couple, a neighbor, a
    revivalist preacher and his followers.

25
Jazz
26
Jazz
  • Jazz originated around New Orleans back into
    the second half of the nineteenth century or
    earlier.
  • Spirituals and the blues strongly influenced the
    early development of jazz. Bands used classical
    instruments, but in unique ways.

27
Jazz
28
JazzTerms
  • Jazz- a musical form distinguished by its
    reliance on improvisation and its rhythmic
    urgency
  • Polyrhythmic- juxtaposing two or more different
    rhythms
  • Scat singing- a form of vocal improvisation on
    nonsense syllables (such as doo-wah, doo-wee)
  • Swing- the special rhythmic character that jazz
    musicians add to the music
  • Bebop- a complex and sophisticated type of
    improvised jazz
  • Fusion- combination of jazz and rock
  • Blues- a genre of African American music that
    often expresses frustration, sadness, or longing

29
JazzComposers/Artists
  • Louis Armstrong- jazz trumpet player vocally, he
    complemented his instrumental improvisations with
    scat singing

30
JazzLouis Armstrong
31
JazzComposers/Artists
  • Benny Goodman- clarinetist who played the
    classics as well as jazz nicknamed the King of
    Swing
  • Duke Ellington (1899-1974) one of Americas
    most prominent big band innovators most original
    and prolific American composers

32
JazzMusic
  • What a Wonderful World by Louis Armstrong
  • Blues
  • Sing, Swing, Sing by Benny Goodman
  • Swing
  • It Dont Mean a Thing by Duke Ellington
  • Scat Singing

33
Modern Day Music
34
Modern Day Music
  • We start to see the emergence of many new artists
    as the 20th century progresses. Musicians
    combine music styles to create a new sound.
  • Modern technology helps the music world take
    off, exploring every possibility imaginable.
  • Music has become a major part of television.
    The launch of MTV in 1981 aimed towards
    adolescents and young adults. Since then, we
    have VH1, BET, MTV2, CMT, and others.
  • Music has become so much more than an art form or
    cultural experience. It is an industry that has
    grown to be based off modern day trends, looks
    and fame other than talent.

35
Modern Day MusicStyles/Genres
  • RB aka rhythm and blues popular music genre
    combining jazz, gospel, and blues influences
    first performed by African American artists
    term first coined in the 1940s contemporary RB
    (1980s) combines elements of soul, funk, pop,
    and hip-hop.
  • RB Sam Cooke, James Brown, Rolling Stones
  • Contemporary RB Luther Vandross, Whitney
    Houston, Mary J. Blige, Alicia Keys, R. Kelly
  • Hip-Hop also known as rap music a style of
    music which came into existence in the United
    States during the mid-1970s consists of two
    main components rapping and DJing.
  • Eminem, 2 Pac, Jay Z

36
Modern Day MusicStyles/Genres
  • Pop - the term indicates specific stylistic
    traits such as an emotional singing style, lyrics
    about love or sex, danceable beat, clear
    melodies, simple harmonies and repetitive
    structure so that people can catch on and join
    in pop music often includes elements of rock,
    hip hop, reggae, dance, RB, soul, and sometimes
    country, making it a flexible category started
    in the 1950s.
  • 1950s Bing Crosby, Frank Sinatra, Elvis Presley
  • 1960s Beatles, The Beach Boys, Aretha Franklin,
    Ray Charles
  • 1970s ABBA, BeeGees, Elton John, Earth Wind and
    Fire, Queen
  • 1980s Madonna, Tina Turner, Janet Jackson, The
    Police
  • 1990s Mariah Carey, Celine Deon, Backstreet
    Boys, Brittany Spears
  • 2000s Usher, Beyonce, Gwen Stefani, Justin
    Timberlake, Nelly Furtado

37
Modern Day MusicStyles/Genres
  • Country - a blend of popular musical forms
    originally found in the Southern United States.
    It has roots in traditional folk music, Celtic
    music, blues, gospel music, hokum, and old-time
    music and evolved rapidly in the 1920s.The term
    country music began to be used in the 1940s when
    the earlier term hillbilly music was deemed to be
    degrading, and the term was widely embraced in
    the 1970s, while country and western has declined
    in use since that time.
  • Garth Brooks, Willie Nelson, George Strait, Hank
    Williams, Sara Evans, Brad Paisley, Faith Hill

38
Modern Day MusicStyles/Genres
  • Rock - a form of popular music with a prominent
    vocal melody accompanied by guitar and drums.
    Rock music usually has a strong back beat. Rock
    music has its roots in 1950s-era rock and roll.
    In the late 1960s, rock music was blended with
    folk music to create folk rock, and with jazz, to
    create jazz-rock fusion. In the 1970s, rock
    incorporated influences from soul, funk, and
    Latin music. In the 1970s, rock developed a
    number of subgenres, such as soft rock, blues
    rock, heavy metal-style rock, progressive rock,
    punk rock. Rock subgenres from the 1980s included
    hard rock and alternative rock. In the 1990s,
    rock subgenres included grunge-style rock,
    Britpop, and Indie rock.
  • Elvis Presley, Pink Floyd, Grateful Dead,
    Metallica, The Killers, Taking Back Sunday, Fall
    Out Boy

39
Modern Day MusicFavorite Artist
  • Write a paragraph describing YOUR favorite modern
    day artist/group. Include the following
  • Name of artist
  • Genre/Style of music
  • A song/piece they sing/play that made them
    popular
  • Interesting fact about them

40
Modern Day MusicPast, Present, Future
  • There are thousands of modern day artists out
    there today. Music has come so far from the
    Middle Ages to now. Starting with a thousand
    years of the same type music, to 150 years of the
    same music, to the 1900s where every decade
    brought a new sound, to now where almost every
    year music is changing. Where do you think music
    will go in the next 100 years?
  • Paragraph 1 What you think the importance of
    music today is and why it sounds the way it
    does.
  • Paragraph 2 What you think music will sound
    like 100 years from now.
  • Paragraph 3 What role you think music will play
    in peoples lives 100 years from now.
  • Paragraph 4 Will music change for better or for
    worse? Explain your answer.
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