Physics of Music: Lecture 7 October 8, 2002 - PowerPoint PPT Presentation

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Physics of Music: Lecture 7 October 8, 2002

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Sound Recording and Reproduction. Berg & Stork, Chapter 7. Prof. C.E. Hyde-Wright. 8 October 2002 ... Mechanical recording of sound ... – PowerPoint PPT presentation

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Title: Physics of Music: Lecture 7 October 8, 2002


1
Physics of Music Lecture 7October 8, 2002
  • Sound Recording and Reproduction
  • Berg Stork, Chapter 7
  • Prof. C.E. Hyde-Wright

2
Analog
  • The sound amplitude is recorded by a continuously
    varying signal
  • Shape of groove cut in wax/plastic on 78/45/33
    rpm record.
  • Strength of magnetization on magnetic tape.
  • Quantity of electric charge stored on an array of
    capacitors CCD, short term recording only
    (milli-seconds).

3
Digital
  • Sound amplitude is converted to a numerical
    value, which is then stored (usually in binary
    form)
  • Digital Audio Tape
  • Magnetization on/off records 0/1, exact value of
    magnetization is unimportant
  • Compact Disk
  • Pits/flat record 0/1
  • The instrument itself is digitized pitch,
    intensity
  • Player Piano rolls mixed analog/digital
  • A. Rubenstein 19th century digital sound
    editing
  • MIDI

4
Recording/Playback
  • Playback
  • Digital or Analog information converted to
    electrical signal
  • Signal is amplified
  • Impedance matched to speaker
  • Microphone
  • Sound wave converted to electrical signal
  • Recording
  • Electrical signal routed to recording device

5
Ohms Law
  • Flow of waterpumping pressure / Resistance
  • Resistance viscosity (length/area)
  • Flow of current Voltage of source / Resistance
  • I V/R, V I R
  • Resistance Resistivity (length/area)
  • Oscillating Source
  • Current Voltage / Impedance
  • Impedance includes idea of phase shift
  • Power Force times Velocity
  • Electrical power P IV

6
Impedance, Power, phase shift
  • In an oscillator with no damping, force and
    velocity are 90 degrees out of phase.
  • P I V, No net power loss

7
Electrical/Audio Circuits
  • A source can be described as an ideal voltage
    source in series with a resistance (impedance).
  • Microphones, Line-out of CD player, have large
    source (or output) impedance (100k Ohm)
  • A hi-fi speaker has low load resistance (8 Ohm)
  • Power delivered to load is maximized if output
    impedance of source matches input impedance of
    load.

Vs
Rs
8
Microphone
  • Magnetic Induction
  • As the coil moves, the free electrons in the wire
    experience a magnetic force. This force drives a
    current in the coil
  • Electrostatic A voltage source keeps the
    charges separated on the two plates of the
    condenser. As one plate moves, this voltage
    (force) changes.

9
Cardioid Directivity
  • Cardioid directivity of microphone from
    front/rear cancellation
  • Use parabolic reflector to get narrow directivity

10
Loudspeaker
  • Current in coil in presence of permanent magnet
    induces magnet force on coil
  • Large motions required (esp. at low frequency) to
    generate large audio power
  • Acoustic baffle eliminates destructive
    interference at low frequency
  • Speaker cone has vibration resonance at about 100
    Hz need to dampen and broaden
  • Tuned port produces a resonance (bass boost)
    below the mechanical resonance of the cone.

11
Stereo LPs (remember them?)
  • Mechanical recording of sound
  • 19th century grammaphone produced audible sound
    with no amplification

12
AM FM Radio
  • Amplitude Modulation
  • Stations are only allowed 5 kHz of bandwidth
  • Not enough for hi-fidelity (20 kHz)
  • Frequency Modulation
  • Constant amplitude (less interference)
  • 200 kHz bandwidth
  • Enough for two signals, each with 20 kHz

13
Audio Tape (Analog Digital)
  • Magnetic material
  • microscopic magnetic domains, each a permanent
    magnet, all randomly oriented.
  • Read/Write/Erase head
  • Coil on non-magnetized iron C
  • Erase Strong 100kHz signal randomizes
    magnetization
  • Write Strong Audio signal produces magnetic
    alignment proportional to strength of audio
    signal.
  • Read Magnetization of tape induces a signal in
    pick-up coil

14
Digital Recording
  • How many bits?
  • 8-bits 0 to 28-1255
  • How many samples per second.
  • To faithfully record up to 20 kHz signal requires
    sampling frequency just greater than twice 20, or
    40 kHz.
  • What does a 40 kHz sampling system do to a 41 kHz
    signal
  • Aliasing (shift to low frequency)

15
Compact Disk
  • A 1 is recorded by a change (either from flat
    to pit, or from pit to flat).
  • A 0 is recorded by no change
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