Documentation

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Documentation
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(No Transcript)
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Document Sources in Two Places
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(No Transcript)
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Two Ways of Including this Information

• Name the author in your sentence As Hennessey
  explains, record deals were usually negotiated by
  white middlemen (127).
• Put the authors name in your parenthesis
  Armstrong easily reached difficult high notes,
  the Fs and Gs the stymied other trumpeters
  (Bergreen 248).

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But what about . . .
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What if the author is unknown?

• Use the title instead of the authors name in
  your citations.
• Squaresville, U.S.A. vs. Beatsville makes the
  Midwestern small-town home seem boring compared
  with the West Coast artists pad (31).
• The Midwestern small-town home seems boring
  compared with the West Coast artists pad
  (Squaresville 31).

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What if the work has no page numbers?

• Cite paragraph or screen numbers.
• Use the abbreviations par(s) or screen(s).
• Goodman understood how to balance the publics
  demand for pop with his own desire to push his
  players (Edgers, screen 1).

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But what if it has no paragraph or screen numbers?

• Simply leave out the page or paragraph number.
• Dont put the authors name in parenthesis. Just
  work it into your text.
• Crouch argues that Armstrong remains a driving
  force in present day music, from country and
  western music to the chanted doggerel of rap.

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What if Im quoting something that was quoted in
my article?

• Indirect source.
• Put qtd. in (meaning quoted in) before you name
  your source.
• Armstrong confided to a friend that Glasers
  death broke his heart (qtd. In Bergreen 490).

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Document Sources in Two Places
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Books
MLA 294-300 APA 342-345
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Format for a Book

• Author. Title. Publication City Publication
  Company, Publication Date.
• Author. (Publication Date). Title. Publication
  City Publication Company.

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Book with One Author

• Hennessey, Thomas J.

• Hennessey, Thomas J. From Jazz to Swing
  African-Americans and Their Music 1890-1935.

• Hennessey, Thomas J. From Jazz to Swing
  African-Americans and Their Music 1890-1935.
  Detroit

• Hennessey, Thomas J. From Jazz to Swing
  African-Americans and Their Music 1890-1935.
  Detroit Wayne State UP,

• Hennessey, Thomas J. From Jazz to Swing
  African-Americans and Their Music 1890-1935.
  Detroit Wayne State UP, 1984.

• Hennessey, Thomas J. From Jazz to Swing
  African-Americans and Their Music 1890-1935.
  Detroit Wayne State UP, 1984.
• Hennesy, T. J. (1984). From Jazz to Swing
  African-Americans and their Music 1890-1935.
  Detroit Wayne State UP.

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Book with More than One Author

• Davis, Miles,

• Davis, Miles, and Quincy Troupe.

• Davis, Miles, and Quincy Troupe. Miles The
  Autobiography.

• Davis, Miles, and Quincy Troupe. Miles The
  Autobiography. New York

• Davis, Miles, and Quincy Troupe. Miles The
  Autobiography. New York Simon,

• Davis, Miles, and Quincy Troupe. Miles The
  Autobiography. New York Simon, 1989.

• Davis, Miles, and Quincy Troupe. Miles The
  Autobiography. New York Simon, 1989.
• Davis, M., Troupe, Q. (1989). Miles The
  Autobiography. New York Simon.

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Book with Author and Editor

• Armstrong, Louis.

• Armstrong, Louis. Louis Armstrong A Self
  Portrait.

• Armstrong, Louis. Louis Armstrong A Self
  Portrait. Ed. Richard Meryman.

• Armstrong, Louis. Louis Armstrong A Self
  Portrait. Ed. Richard Meryman. New York

• Armstrong, Louis. Louis Armstrong A Self
  Portrait. Ed. Richard Meryman. New York
  Eakins,

• Armstrong, Louis. Louis Armstrong A Self
  Portrait. Ed. Richard Meryman. New York
  Eakins, 1971.

• Armstrong, Louis. Louis Armstrong A Self
  Portrait. Ed. Richard Meryman. New York
  Eakins, 1971.
• Armstrong, L. (1971). Louis Armstrong-A Self
  Portrait (R. Meryman, Ed.). New York Eakins.

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Work in an Anthology or a Chapter in an Edited
Book

• Smith, Hale.

• Smith, Hale. Here I Stand.

• Smith, Hale. Here I Stand. Readings in Black
  American Music.

• Smith, Hale. Here I Stand. Readings in Black
  American Music. Ed. Eileen Southern.

• Smith, Hale. Here I Stand. Readings in Black
  American Music. Ed. Eileen Southern. New York

• Smith, Hale. Here I Stand. Readings in Black
  American Music. Ed. Eileen Southern. New York
  Norton,

• Smith, Hale. Here I Stand. Readings in Black
  American Music. Ed. Eileen Southern. New York
  Norton, 1971.

• Smith, Hale. Here I Stand. Readings in Black
  American Music. Ed. Eileen Southern. New York
  Norton, 1971. 286-89.

• Smith, Hale. Here I Stand. Readings in Black
  American Music. Ed. Eileen Southern. New York
  Norton, 1971. 286-89.
• Smith, H. (1971). Here I Stand. In Eileen
  Southern (Ed.). Readings in American Music (pp.
  286-289). New York Norton.

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Periodicals
MLA 300-302 APA 345-348
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Format for a Periodical

• Author. Title of Article. Title of Periodical.
  Publication Information/Date Page Numbers.
• Author. (Date). Title of Article. Title of
  Periodical, Volume number, Page Numbers.

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Article in a Journal Paginated by Volume

• Tirro, Frank.

• Tirro, Frank. Constructive Elements in Jazz
  Improvisation.

• Tirro, Frank. Constructive Elements in Jazz
  Improvisation. Journal of the American
  Musicological Society

• Tirro, Frank. Constructive Elements in Jazz
  Improvisation. Journal of the American
  Musicological Society 2

• Tirro, Frank. Constructive Elements in Jazz
  Improvisation. Journal of the American
  Musicological Society 2 (1974)

• Tirro, Frank. Constructive Elements in Jazz
  Improvisation. Journal of the American
  Musicological Society 2 (1974) 285-305.

• Tirro, Frank. Constructive Elements in Jazz
  Improvisation. Journal of the American
  Musicological Society 2 (1974) 285-305.
• Tirro, F. (1974). Constructive Elements in Jazz
  Improvisation. Journal of the American
  Musicological Society, 2, 285-305

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Article in a Monthly Magazine

• Walker, Malcolm.

• Walker, Malcolm. Discography Bill Evans.

• Walker, Malcolm. Discography Bill Evans. Jazz
  Monthly

• Walker, Malcolm. Discography Bill Evans. Jazz
  Monthly June 1965

• Walker, Malcolm. Discography Bill Evans. Jazz
  Monthly June 1965 20- 22.

• Walker, Malcolm. Discography Bill Evans. Jazz
  Monthly June 1965 20- 22.
• Walker, M. (1965, June). Discography Bill Evans.
  Jazz Monthly, 24.

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Article in a Newspaper

• Blumenthal, Ralph.

• Blumenthal, Ralph. Satchmo with His Tape
  Recorder Running.

• Blumenthal, Ralph. Satchmo with His Tape
  Recorder Running. New York Times

• Blumenthal, Ralph. Satchmo with His Tape
  Recorder Running. New York Times 3 Aug. 1999

• Blumenthal, Ralph. Satchmo with His Tape
  Recorder Running. New York Times 3 Aug. 1999
  E1

• Blumenthal, Ralph. Satchmo with His Tape
  Recorder Running. New York Times 3 Aug. 1999
  E1
• Blumenthal, R. (1999, Aug. 3). Satchmo with His
  Tape Recorder Running. The New York Times, p. E1.

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Internet Sources
Pages 221-225, Entries 40-50
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Format for an Internet Source

• Title of Source. Name of Editor. Date of
  Publication or Latest Update Name of Sponsoring
  Institution. Date of Access ltComplete URLgt

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Online Scholarly Project

• William Ransom Hogan Archive of New Orleans
  Jazz.

• William Ransom Hogan Archive of New Orleans
  Jazz. Ed. Bruce Boyd Raeburn.

• William Ransom Hogan Archive of New Orleans
  Jazz. Ed. Bruce Boyd Raeburn. 30 May 2000.

• William Ransom Hogan Archive of New Orleans
  Jazz. Ed. Bruce Boyd Raeburn. 30 May 2000.
  Tulane.

• William Ransom Hogan Archive of New Orleans
  Jazz. Ed. Bruce Boyd Raeburn. 30 May 2000.
  Tulane. 6 June 2000

• William Ransom Hogan Archive of New Orleans
  Jazz. Ed. Bruce Boyd Raeburn. 30 May 2000.
  Tulane. 6 June 2000 lthttp//www.tulane.edu/1mill
  er/jazz Home.htmlgt.

• William Ransom Hogan Archive of New Orleans
  Jazz. Ed. Bruce Boyd Raeburn. 30 May 2000.
  Tulane. 6 June 2000 lthttp//www.tulane.edu/1mill
  er/jazz Home.htmlgt.

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Personal or Professional Website

• Wildman, Joan.

• Wildman, Joan. The World of Jazz Improvisation.

• Wildman, Joan. The World of Jazz Improvisation.
  U of Wisconsin, Madison.

• Wildman, Joan. The World of Jazz Improvisation.
  U of Wisconsin, Madison. 19 Apr. 2000

• Wildman, Joan. The World of Jazz Improvisation.
  U of Wisconsin, Madison. 19 Apr. 2000
  lthttp//hum.1ss.wisc.edu/jazzgt.

• Wildman, Joan. The World of Jazz Improvisation.
  U of Wisconsin, Madison. 19 Apr. 2000
  lthttp//hum.1ss.wisc.edu/jazzgt.

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Article in an Online Periodical

• Schmalfeldt, Janet.

• Schmalfeldt, Janet. On Keeping the Score.

• Schmalfeldt, Janet. On Keeping the Score.
  Music Theory Outline

• Schmalfeldt, Janet. On Keeping the Score.
  Music Theory Outline 4.2

• Schmalfeldt, Janet. On Keeping the Score.
  Music Theory Outline 4.2 (1998).

• Schmalfeldt, Janet. On Keeping the Score.
  Music Theory Outline 4.2 (1998). 20 pars.

• Schmalfeldt, Janet. On Keeping the Score.
  Music Theory Outline 4.2 (1998). 20 pars. 2 May
  1998

• Schmalfeldt, Janet. On Keeping the Score.
  Music Theory Outline 4.2 (1998). 20 pars. 2 May
  1998 lthttp//smt.ucsb.edu/mto/issues/mto. 98.4.2/
  mto.98.4.2.schmalfeldt.htmlgt.

• Schmalfeldt, Janet. On Keeping the Score.
  Music Theory Outline 4.2 (1998). 20 pars. 2 May
  1998 lthttp//smt.ucsb.edu/mto/issues/mto. 98.4.2/
  mto.98.4.2.schmalfeldt.htmlgt.

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Article from Database

• Author. Article Title. Journal Title Volume
  (date) page numbers. Name of Search Engine. Name
  of subscription service. Library name.,
  University name. Date of retrieval ltURL of sites
  home pagegt
• Author. (Date). Title of article. Title of
  Periodical, volume (issue), pages. Retrieved date
  retrieved, from name of database database.

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• Hardack, Richard. A Music Seeking Its Words
  Double-Timing and Double Consciousness in Toni
  Morisons Jazz. Callaloo 18 (1995) 451-72.
  Expanded Academic ASAP. InfoTrac. Rosenthal Lib.,
  Queens College CUNY. 3 May 2005 ,
  http//web7.infotrac.galegroup.comgt.

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• Epstein, J. (2002). A voice in the wilderness.
  Latin Trade, 10 (12), 26. Retrieved March 15,
  2004 from EbscoHost Research Databases.