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Classifying musical performance: the application of ... Solo Chamber Other. Venue a Venue b Venue a Venue b Venue a Venue b. Date a Date b Date a Date b ... – PowerPoint PPT presentation

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Title: Deborah Lee


1

Classifying musical performance the application
of faceted classification principles to concert
programmes
  • Deborah Lee
  • Email deborah.lee_at_courtauld.ac.uk
  • CIG Conference, Glasgow, September 2008

2
  • gtgt1. Defining and dissecting concert
    programmes
  • 2. Issues in arranging concert programmes
  • 3. Arrangement theories
  • 4. Model 1 Universal characteristics of
    division
  • 5. Model 2 The event/object/manuscript
    triumvirate

3
  • 1. Defining and dissecting concert programmes
  • gtgt2. Issues in arranging concert programmes
  • 3. Arrangement theories
  • 4. Model 1 Universal characteristics of
    division
  • 5. Model 2 The event/object/manuscript
    triumvirate

4
2. Issues in arranging concert programmes
  • Why classify?
  • Types of information resource

5
  • 1. Defining and dissecting concert programmes
  • 2. Issues in arranging concert programmes
  • gtgt3. Arrangement theories
  • 4. Model 1 Universal characteristics of
    division
  • 5. Model 2 The event/object/manuscript
    triumvirate

6
3. Arrangement theories
  • Bibliographic
  • Characteristic of division generic name of the
    aspect of item used to arrange collection, e.g.
    language, literary form
  • Scattering inevitable process where identical
    aspects not part of the first characteristic of
    division are deposited across a collection
  • Distributed relatives name of identical aspects
    occurring in multiple places in a collection,
    caused by scattering

7
3. Arrangement theories
  • Menges concert programmes
  • Solo Chamber
    Other
  • Venue a Venue b Venue a Venue b
    Venue a Venue b
  • Date a Date b Date a Date b Date a
    Date b Date a Date b

Characteristic
Performer
Venue
Date
8
3. Arrangement theories
  • Menges concert programmes
  • Solo Chamber
    Other
  • Venue a Venue b Venue a Venue b
    Venue a Venue b
  • Date a Date b Date a Date b Date a
    Date b Date a Date b

Characteristic
Performer
Venue
Date
Same date, different venues
9
  • 1. Defining and dissecting concert programmes
  • 2. Issues in arranging concert programmes
  • gtgt3. Arrangement theories
  • 4. Model 1 Universal characteristics of
    division
  • 5. Model 2 The event/object/manuscript
    triumvirate

10
3. Arrangement theories
  • Archival
  • Provenance arrangement according to source of
    the collection items from the same source are
    kept together
  • Ephemera collections
  • Arrangement by form programmes, posters, tickets
    etc. kept in separate sequences

11
  • 1. Defining and dissecting concert programmes
  • 2. Issues in arranging concert programmes
  • 3. Arrangement theories
  • gtgt4. Model 1 Universal characteristics of
    division
  • 5. Model 2 The event/object/manuscript
    triumvirate

12
4. Model 1 Universal characteristics of division
  • Concert programme collection
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Characteristic
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13
  • 1. Defining and dissecting concert programmes
  • 2. Issues in arranging concert programmes
  • 3. Arrangement theories
  • 4. Model 1 Universal characteristics of
    division
  • gtgt5. Model 2 The event/object/manuscript
    triumvirate

14
5. Model 2 The event/object/manuscript
triumvirate
  • Event
  • a concert
  • exists in temporal and spatial planes, but not in
    the physical plane
  • Object
  • contains information about the event
  • exists in the physical plane and has physical
    attributes
  • Manuscript
  • a particular exemplar of an object
  • exists in the physical plane and has physical
    attributes
  • intellectually different from all other
    manuscripts

15
5. Model 2 The event/object/manuscript
triumvirate
  • Event layer
  • Date of concert
  • Time of concert
  • Geographic location
  • Concert venue
  • Concert genre
  • Repertoire
  • Performers and performing groups
  • Concert-promoters/concert-giving societies

16
5. Model 2 The event/object/manuscript
triumvirate
  • Object layer
  • Form of object
  • Size
  • Programme notes
  • Pictorial evidence
  • Advertisements
  • Seating plans
  • Ticket prices

17
5. Model 2 The event/object/manuscript
triumvirate
  • Manuscript layer
  • Provenance
  • Custodial history
  • Storage type
  • Comparative characteristics
  • Annotations and signatures
  • Copy number of programme

18
5. Model 2 The event/object/manuscript
triumvirate
19
5. Model 2 The event/object/manuscript
triumvirate
20
5. Model 2 The event/object/manuscript
triumvirate
21
5. Model 2 The event/object/manuscript
triumvirate
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