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Italy in English Literature

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Title: Italy in English Literature


1
Italy in English Literature
  • Corso per Scienze del Turismo
  • Donatella Badin

2
Why should tourism students know literature?
  • Tourists come to Italy expecting to see the
    places they have read about in literary works
    (see flyer)
  • Tourists enjoy reading books about the places
    they visit (See Quot. 1)
  • Realize that some of the consecrated places which
    every tourist must see have often been canonized
    by literature.
  • Tourists arrive with preconceived ideas about
    Italy which they have formed through books,
    plays, films, operas, pictures
  • Tourist operators in a country such as Italy
    should be familiar with the literary sources of
    stereotypes and commonplaces about the country

3
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5
Quotation 1
I have found it a pleasant thing while
travelling to have in the carriage the works of
those who have passed through the same country.
Sometimes they inform, sometimes they excite
curiosity ... Visiting spots often described,
pursuing a route such as those pursued by other
travellers form for the most part the common
range of the tourist (Mary Shelley Rambles
through Italy).   .
6
The topic of the course
  • Which images of Italy are reflected in English
    literature?
  • How were they formed?
  • Direct knowledge of the country
  • Literary and artistic influence
  • What role did literature play in the
    dissemination of ideas about Italy?

7
Italy is a topos of the British imaginary
  • Italy is a mythical, ideal reality
  • It remained a constant component of the English
    background even in the centuries of Italys
    political eclipse
  • Literary Italy is a construction, a creation of
    the writers, rather than a reportage. Yet the
    perceptions of Italy are more vivid than the
    actual experience of being in the country
  • The traveller/ reader sees Italy through the
    filter of this half created reality

8
Preconceived ideas about Italy
  • Memories
  • Artistic and literary associations
  • Myths
  • Stereotypes

9
The perception of Italy is often based on sets of
comparisons with England
  • Latin
  • Roman Catholic (popist)
  • Effeminate
  • Passion
  • Sensuous pleasure
  • Exuberance
  • Anarchy
  • Disorganization
  • Antiquity
  • Hot
  • Germanic
  • Protestant
  • Masculine
  • Reason
  • Discipline
  • Self-control
  • Political order
  • Efficiency
  • Modernity
  • Cold

10
Why were these preconceptions formed?
  • To define oneself by defining the Other (see
    quotation n. 2)
  • To define ones sense of cultural identity
  • For political and ideological reasons

11
The study of the Other is part of a wide
movement which challenges hegemonic strategies
in all fields.
  • Liberation movements have achieved the political
    end to hegemony. (theorist Frantz Fanon)
  • Deconstruction has taken up this challenge
    intellectually (Liberation movement of the mind)
  • The imagological study of Italy is a
    poststructuralist, deconstructionist approach.

12
Quotation N. 2Italy is Englands other self
  • The British have for centuries been
    susceptible to the charms of Italy, of the bel
    paese. Unlike France or Germany, Italy does not
    challenge the British at any of the pursuits they
    are best at parliamentary democracy, fighting
    wars and writing plays. Instead, it excels in
    spheres in which the Brits invest little pride
    cooking, painting, music and living life with a
    general sense of style. It is a complementary
    match of masculine and feminine characters. All
    too often, though, it is a mismatch of
    understanding."

13
What are we going to study in this course?
  • Some set texts which illustrate the most common
    ideas about Italy
  • The theory of literary genres. See how different
    genres (a play, a romance, a novel, a travel
    book, a poem) contribute to the dissemination of
    ideas.
  • History and the history of literature to
    understand how different contexts determine the
    text.
  • The theme of Otherness and Imagology (i.e. the
    study of images), a branch of comparative
    literature

14
Otherness and the study of the images of the Other
  • The study of the Other has become recently a very
    popular branch of knowledge (in anthropology,
    psychology, comparative literature)
  • It attempts to see how a hegemonic culture or
    gender group views different or subaltern ones as
    exotic or inferior or just plain alien.
  • A groundbreaking study in the field was Edward
    Saids Orientalism

15
Detecting examples of Otherness internal to a
society
  • Others as linguistic groups
  • Others as physically different
  • Handicapped people
  • Racially different people
  • Others as gender groups
  • Women
  • Gay and lesbian
  • Others as social groups
  • Foreigners
  • People of other religions
  • People distinguished by census or class

16
Detecting examples of Otherness external to a
society
  • Other nations
  • Other religions
  • Especially natives in countries discovered by
    Europeans

17
How have Others been dealt with?
  • Persecution, deportation e.g. genocides, the
    Shoah, pogroms,
  • Enslavement, colonization
  • Emargination, e.g. ghettoes, apartheid, exclusion
    from education, jobs
  • Victimization, e.g. witch hunts, public
    punishments

18
Othering through language
  • Polarities
  • Stereotyping
  • Name calling
  • Ridiculing linguistic expression of Others
  • Ignoring artistic expression of Others
  • Imposing literary, artistic canons
  • Exoticism

19
Dealing with the Challenge of Otherness
  • Decolonization, reterritorialization, economic
    aid, challenge to new colonialism
  • Liberation movements have achieved the political
    end to hegemony. (theorist Frantz Fanon)
  • Multiculturalism
  • Political correctness,
  • New Age, alternative medicine

20
Dealing with Otherness in Literature
  • The critical movement of Deconstruction has taken
    up this challenge intellectually (a Liberation
    movement of the mind)
  • Breaking up of the canon,
  • Postcolonial literature, ethnic studies,
  • Cultural studies,
  • Feminist studies
  • Imagological studies
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