Title: Understanding Global Cultures
1UnderstandingGlobal Cultures
2http//www.d.umn.edu/cla/faculty/troufs/anth1095/i
ndex.htmltext
3 Cultural Metaphors
- Unit of analysis
- the nation or national culture
- national character studies
- The Chrysanthemum and the Sword Ruth Benedict
4 Cultural Metaphors
- Other units of analysis may include
- one person (e.g., Paul Buffalo)
- life histories
5Paul Buffalo Meditating Medicine
http//www.d.umn.edu/cla/faculty/troufs/Buffalo/In
tro-Temp2.html
6Sharon Gmelch Nan The Life of an Irish Traveling
Woman, Revised Edition. Long Grove IL Waveland
Press, 1991. (ISBN 0881336025)
http//www.d.umn.edu/cla/faculty/troufs/anth3635/c
etexts.htmlNan
7 Cultural Metaphors
- Other units of analysis may include
- one person (e.g., Paul Buffalo)
- the family (e.g., Strodtbeck, see later)
- the community
- a region (culture area)
- Mesoamerica
- The Northwest Coast (of North America)
- The Upper Midwest
- The Mideast
- Sub-Saharan Africa
- Aran Islands
8John C. Messenger Inis Beag Isle of
Ireland. Long Grove IL Waveland Press,
1983. (ISBN 0881330515)
http//www.d.umn.edu/cla/faculty/troufs/anth3635/c
etexts.htmlInisBeag
9 Cultural Metaphors
- Other units of analysis may include
- one person (e.g., Paul Buffalo)
- the family (e.g., Strodtbeck, see later)
- the community
- a region (culture area)
- a culture
- Irish
- Chinese
- Mexicans
- Bedouins
10 Cultural Metaphors
- but cultural metaphors can be derived for ethnic
groups within and across nations - e.g., Anishinabe (Chippewa Ojibwa)
- e.g., Rom (Gypsies)
- e.g., Irish Travellers
- sometimes incorrectly called Gypsies
- e.g., Kurds
- e.g., Basques
11Mark Kurlansky The Basque History of the
World. NY Penguin Books, 1999. (ISBN 0140298517)
http//www.d.umn.edu/cla/faculty/troufs/anth3635/c
etexts.htmlBasqueHistory
12 Cultural Metaphors
- Unit of analysis the nation or national culture
- applies to a group, but not to every individual
within it
13 Cultural Metaphors
- Unit of analysis the nation or national culture
- because a good amount of evidence suggests that
there are commonalities across regional, racial,
and ethnic groups within each of them that can be
captured effectively by cultural metaphors
14 Cultural Metaphors
- Unit of analysis the nation or national culture
- Understanding Global Cultures contains 28
metaphors - there are approximately 200 nations in the world
- 193 according to The Times World Atlas (2004)
15Communication
- Ken Livingston, mayor of London England,
indicated that there were over 300 languages
spoken in London. - (Following the terrorist attack of July 2005)
16Communication
-
- How many languages
- are spoken in
- St. Paul Minnesota ?
17 - Culture Counts
- and it counts quit a bit
18 Constructing Cultural Metaphors
- Florence Kluckholn and Fred Strodtbeck
- Edward T. Hall
- Geert Hofstede
- Cultural Metaphors include, in addition, the
items on p. 11 . . .
19Cultural Metaphors include . . .
- religion
- early socialization and family structure
- small group behavior
- public behavior
- leisure pursuits and interests
20Cultural Metaphors include . . .
- total Lifestyle
- work / leisure / home and time allocations to
each of them - aural space
- the degree to which members of a society react
negatively to high noise levels - roles and status of different members of a society
21Cultural Metaphors include . . .
- holidays and ceremonies
- greeting behavior
- humor
22Cultural Metaphors include . . .
- language
- oral and written communication
23Cultural Metaphors include . . .
- nonoral communication
- body language
- kinesics (motion)
- proxemics (space)
24Cultural Metaphors include . . .
- sports
- as a reflection of cultural values
- political structure of a society
- the educational system of a society
25Cultural Metaphors include . . .
- traditions and the degree to which the
established order is emphasized - history of a society
- but only as it reflects cultural mind-sets, or
the manner in which its members think, feel, and
act - not a detailed history
26Cultural Metaphors include . . .
27Cultural Metaphors include . . .
- social class structure
- rate of technological and cultural change
- organization of and perspective on work
- such as a societys commitment to the work ethic,
superior-subordinate relationships, and so on - any other categories that are appropriate
28A Four-Stage Model of Cross-Cultural Understanding
- four-cell typology of process / goal orientation
- more specificity
- inclusion of other etic of culture-general
dimensions along which specific cultures have
been shown to vary - cultural metaphors are employed for understanding
a culture - they build on the etic understanding provided
by the approaches used in the first three stages
29Emics / Etics
- emics
- from phonemics
- viewing a culture from the inside
- etics
- from phonetics
- viewing a culture from the outside
- More on the emics and etics later
30 Four-Stage Model
- One variable of the
- Four-Stage Model is the degree to which process
such as effective communication and getting to
know one another in depth should precede
discussion of specific goals
31 Four-Stage Model
- Another variable of the
- Four-Stage Model is the degree to which a
culture fosters and encourages open emotional
expression
32Fig. 1.1. Process, Goals, and Expression of
Emotions (p. 12)
Open Expression of Emotions and Feelings Open Expression of Emotions and Feelings Open Expression of Emotions and Feelings Open Expression of Emotions and Feelings
Degree to Which Process Must Be Emphasized Before Goals Can Be discussed Lower Higher
Degree to Which Process Must Be Emphasized Before Goals Can Be discussed Lower England, Ireland, and Scotland United States and Germany
Degree to Which Process Must Be Emphasized Before Goals Can Be discussed Higher China, Japan, and India Mexico, Spain, and Italy
More on the Four-Stage Model later
33 Cultural Metaphors
- Metaphors
- are not stereotypes
- Martin J. Gannon
- Why?
34 - Geert Hofstede (1991)
- IBM study demonstrated that national culture
explained 50 of the differences in attitudes in
IBMs 53 countries
35 - Given such studies, it seems that culture
influences between 25 and 50 of our attitudes,
whereas other aspects of workforce diversity,
such as social class, ethnicity, race, sex, and
age, account for the remainder of these
attitudinal differences.
36 - Frequently, when a foreigner violates a key
cultural value, he or she is not even aware of
the violation, and no one brings the matter to
his or her attention. - once a visitor makes a major mistake it is
frequently impossible to rectify it - and it may well take several months to realize
that polite rejections really signify isolation
and banishment
37 - Even genuinely small cultural mistakes can have
enormous consequences.
38 - . . . Knowing a countrys language, although
clearly helpful, is no guarantee of understanding
its cultural mindset, and some of the most
difficult problems have been created by
individuals who have a high level of fluency but
a low level of cultural understanding.
39 - Moreover, members of a culture tend to assume
that highly fluent visitors know the customs and
rules of behavior, and these visitors are judged
severely when violations occur.
40 Cultural Metaphors
- Understanding Global Cultures describes a method
for understanding easily and quickly the cultural
mind-set of a nation and comparing it to other
nations
41 Cultural Metaphors
- In essence the cultural metaphor involves
identifying some phenomenon, activity, or
institution of a nations culture that all or
most of its members consider to be very important
and with which they identify closely - the characteristics of the metaphor then become
the basis for describing and understanding the
essential features of the society
42 Cultural Metaphors
- each metaphor is a guide or map that helps the
foreigner understand quickly what members of a
society consider very important - but it is only a starting point against which we
can compare our own experiences and through which
we can start to understand the seeming
contradictions pervasive in most, if not all,
societies
43 Cultural Metaphors
- book describes a dominant, and perhaps the
dominant, metaphor for each society - but other metaphors may also be suitable
44 Constructing Cultural Metaphors
- Florence Kluckholn and Fred Strodtbeck
- Edward T. Hall
- Geert Hofstede
- Plus items on p. 11 . . .
45 Constructing Cultural Metaphors
- Florence Kluckholn and Fred Strodtbeck
- note that each society has a dominant cultural
orientation that can be described in terms of six
dimensions
46Florence Kluckholn and Fred Strodtbeck
- What do members of a society assume about the
nature of people, that is, are people good, bad,
or a mixture? - These kinds of beliefs are sometimes called
existential postulates
47Florence Kluckholn and Fred Strodtbeck
- What do members of a society assume about the
relationship between a person and nature, that
is, should we live in harmony with it or
subjugate it? - These kinds of beliefs are sometimes called
normative postulates
48Florence Kluckholn and Fred Strodtbeck
- What do members of a society assume about the
relationship between people, that is, should a
person act in an individual manner or consider
the group before taking action? - individualism vs. collectivism (groupism) in
terms of such issues as making decisions,
conformity, and so forth
49Florence Kluckholn and Fred Strodtbeck
- What is the primary mode of activity in a given
society, that is, being, or accepting the status
quo, enjoying the current situation, and going
with the flow of things - or doing, that is, changing things to make them
better, setting specific goals and accomplishing
them within specific schedules, and so forth?
50Florence Kluckholn and Fred Strodtbeck
- What is the conception of space in a given
society, - that is, is it considered private, in that
meetings are held in private, people do not get
too close to one another physically, and so on - or public, that is, having everyone participate
in meetings and decision making, allowing
emotions to be expressed publicly, and having
people stand in close proximity to one another?
51Florence Kluckholn and Fred Strodtbeck
- What is the societys dominant temporal
orientation - past
- present
- and / or future?
52 Constructing Cultural Metaphors
- Kluckholn and Strodtbeck note that each society
has a dominant cultural orientation that can be
described in terms of these six dimensions - but that other, weaker orientations may also
exist simultaneously in its different
geographical regions and racial and ethnic groups
53 Constructing Cultural Metaphors
- Florence Kluckholn and Fred Strodtbeck
- Edward T. Hall
- made many discoveries in how people learn
language - analyzed the levels of learning
54Edward T. Hall
- Context,
- or the amount of information that must be
explicitly stated if a message or communication
is to be successful
55Edward T. Hall
- Space,
- or the ways of communicating through specific
handling of personal space - e.g., North Americans tend to keep more space
between them while communicating than do South
Americans
56Edward T. Hall
- Time, which is either
- monochronic
- (scheduling and completing one activity at a
time) - or polychronic
- (not distinguishing between activities and
completing them simultaneously multitasking)
57Edward T. Hall
- Information flow,
- which is the structure and speed of messages
between individuals and / or organizations
58 Constructing Cultural Metaphors
- Florence Kluckholn and Fred Strodtbeck
- Edward T. Hall
- Geert Hofstede
59Geert Hofstede
- prominent organizational psychologist
- research is based on a large questionnaire survey
of IBM employees and managers working in 53
different countries - especially significant because the type of
organization is held constant
60Geert Hofstede
- Power distance
- or the degree to which members of a society
automatically accept a hierarchical or unequal
distribution of power in organizations and the
society
61Geert Hofstede
- Uncertainty avoidance
- or the degree to which members of a given
society deal with the uncertainty and risk of
everyday life and prefer to work with long-term
acquaintances and friends rather than with
strangers
62Geert Hofstede
- Individualism
- or the degree to which an individual perceives
him- or her-self to be separate from a group and
free from group pressure to conform
63Geert Hofstede
- Masculinity
- or the degree to which a society looks favorably
on aggressive and materialistic behavior
64Geert Hofstede
- Time horizon
- (short term to long term)
- or the degree to which members of a culture are
willing to defer present gratification in order
to achieve long-term goals
65- The three-dimensional approaches developed by
Kluckholn and Strodtbeck, Hall, and Hofstende - leave out many features of the cultural mind-sets
that are activated in daily cultural activities - neglect the institutions molding these mind-sets
- are instructive, but are somewhat lifeless and
narrow - leave out many facets of behavior
66 Constructing Cultural Metaphors
- Florence Kluckholn and Fred Strodtbeck
- Edward T. Hall
- Geert Hofstede
- Cultural Metaphors include, in addition, the
items on p. 11 . . .
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