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Audio archiving and content management

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to digitizing production archives. Joint Technical Symposium 2004, Toronto ... on-line archives are cheaper to maintain. simplify disaster recovery ... – PowerPoint PPT presentation

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Title: Audio archiving and content management


1
Audio archiving and content management
  • A pragmatic strategy to digitizing production
    archives

Joint Technical Symposium 2004, Toronto Nicolas
Hans, Dalet - nhans_at_dalet.com Johan de Koster,
Radio Netherlands johan.dekoster_at_rnw.nl
2
Fact
One hour of digital audio requires 692 MB of
storage in 16 bits at 48 KHz
3
Fact
By 2020, one Petabyte will cost 100 Euros 1 PB
is 1000 TB or 1.000.000 GB
4
Fact
One petabyte will hold 1.4 million hours of
audio165 years of continuous broadcast!
5
Question
Who uses a digital audio production and broadcast
system?
6
Question
Who has an on-line digital audio archive?
7
Fact
Archive departments are always in the basement
8
Fact
The digital wave creates a new ecosystem for
archives
9
beholders of the collective memory in a digital
world
return on investment
Interactive on-line services
asset distribution
digital rights management
business re-engineering
10
Five pillarsto a pragmatic archiving strategy
11
the network is the medium
todays programming is tomorrows archives
archives must move out of the basement
media must be turned to assets
distribution is the key
12
The network is the medium
rule 1
13
Tapes
14
more tapes
15
57 of archive departments have started to move
from tapes to CDs (source IASA survey)
16
Fact
Although CDs are cheap,they are an economic
absurdity
17
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18
on-line archives are cheaper to maintain
simplify disaster recovery
fight technology obsolescence
19
Todays programming is tomorrows archives
rule 2
20
Fact
50 of archive requestsare for programs
broadcast in the past 12 months
21
day-to-day archiving is more important than
digital migration of legacy archives
22
improve service to production departments
free-up resources
spear-head digital migration
23
Move out of the basement
rule 3
24
Fact
Production staff have little concern for
archiving
25
metadata safaris
Who was the person you interviewed?
where is the original recording?
who recorded this piece?
How do you spell her name?
What is her title?
26
Plan
Ingest
Produce
Schedule
Broadcast
Archive
Distribute
27
Traditional metadata ingest points
Plan
Ingest
Produce
Schedule
Broadcast
Archive
Distribute
28
Plan
Ingest
Produce
Schedule
Broadcast
Archive
Distribute
Metadata must be captured at all steps of the
workflow.
29
Associated metadata is contextual it depends on
status of material and profile of users
30
As a result, additional metadata can be inserted
at every step of the workflow.
31
and rich media associated to titles so as to
provide enhanced radio programming.
32
archivists must invade the production realm
automate the collect of existing metadata
explore automatic indexing
33
Turn media into assets
rule 4
34
Media RecordingTechnical MetadataDescriptive
MetadataRights informationAsset




35
digital transfer of legacy archives takes time
storage is not an investment
metadata is more important than media
36
Promote and distribute
rule 5
37
create new revenue sources for archives
build new broadcast channels
implement distribution networks
38
In conclusion
39
the network is the medium
todays programming is tomorrows archives
archives must move out of the basement
media must be turned to assets
distribution is the key
40
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