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Reading and Writing Crash Course

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Title: Reading and Writing Crash Course


1
Reading and Writing Crash Course
  • Read Like a PRO
  • 10 Deadly Sins of Writing
  • Proofreading

2
Read Like a PRO!
  • Critical Reading Strategies

3
What is PRO?
  • Prepare to read (pre-reading)
  • Read Actively
  • Organize to Learn

Hey Am I a PRO?
4
Part 1 Pre-reading Strategies
  • Concentrate
  • Preview
  • Use Prior Knowledge
  • Ask pre-reading questions and make predictions
  • Choose a reading strategy

5
Concentrate
  • When is the best time during the day for you to
    read and study?
  • Where is the best place for you to read and study?

This is what happens to me when I study at night!
6
Preview
  • Title
  • What does each word in the title mean?
  • What does the phrase mean as a whole?
  • Author information
  • Who is the author ?
  • When did s/he write the piece?
  • Headings, Notes, Pictures, or Side Panels

7
Use Prior Knowledge
  • How do you relate to the piece youve previewed?
  • Are there any similarities between you and the
    author or any of the characters?
  • Have you read or heard any of the information
    elsewhere before?

8
Ask Questions/Predict
  • What do you want to learn?
  • What can you predict the author will discuss?

HumIm guessing the author will discuss
something about how cute babies are!
9
Choose a Reading Strategy
  • What is the purpose in reading this text?
  • What is the level of difficulty?
  • How will I actively read the text?

10
Part 2 Reading Actively
  • Reading Actively means

annotating and making connections between the
material and what you already know or have
experienced
11
Becoming an Active Reader
  • Devote time to fully focus on comprehending the
    text
  • Apply strategies that will swiftly engage you
    with a text and keep your concentration

12
Preparing to Become an Active Reader
  • Be aware of the environmental factors that
    enhance and hurt concentration
  • Be realistic about how long reading certain texts
    will take and set aside time for that reading
  • Plan to keep a Reading Log for every difficult
    text/document you are required to read

13
Strategies for Reading Actively
  • Keep a Reading Log
  • Orient yourself to the text
  • Create a Discussion Web

14
What Are You Looking For?
  • Note the subject matter and authors purpose
  • Recognize the organization of the text, structure
    and genre
  • Determine the context of the text
  • Find the connections to the course
  • Decide your purpose and goal

15
Remaining Active
  • Interact with the author as you read
  • Try to figure out the authors stance
  • Monitor your comprehension and act when your
    concentration flags

16
Dealing with Demanding Texts
  • Identify the major problem and resolution
  • Research the subject matter
  • Look up unknown words
  • Ask your peers, family, and friends for help

17
Part 3 Organizing to Learn
  • Apply Post-Reading tips
  • Create a Semantic Map
  • Form a Discussion Group
  • Mark Your Text
  • Outline
  • Chart

18
Apply Post-Reading Tips
  • Decide if you achieved your goals for reading
  • Discuss the accuracy of your predictions
  • Summarize major ideas
  • Research additional information
  • Distinguish between relevant and irrelevant ideas
  • Paraphrase relevant details
  • Reflect and personalize the text

19
Create a Semantic Map (SM)
  • Helps the reader to identify important ideas
  • Shows how the ideas fit together
  • Uses comprehension/concentration skills and
    evolves in a note taking form
  • Represents visually the content of your reading

20
Three Components of SM
  • Core question or concept
  • Strands
  • Supports

21
SM - Spider Map Example
22
SM Fishbone Map Example
23
Form a Discussion Group
  • Brings out new ideas youd previously not
    considered
  • Takes existing ideas or concepts about the
    reading and expands upon them
  • Allows your interpretations to be challenged and
    will fill in some of your blind spots regarding
    what you just read

24
Mark Your Text
  • Read first and then mark selectively
  • Box transitions and number important ideas
  • Circle specialized vocabulary
  • Jot down main ideas in the margin
  • Write questions as you read
  • Make brief summaries at the end of each section

25
Outline What You Read
  • Place major/general points to the left
  • Indent each more specific point to the right

26
Chart What You Read
  • Organize categories into columns
  • Record information into the appropriate category
  • Tracks conversations and dialogues
  • Reduces amount of writing
  • Provides easy review

27
Practice
  • THEME FOR ENGLISH B - By Langston Hughes
  • The instructor said, Go home and write a page
    tonight. And let that page come out of you---
    Then, it will be true. I wonder if it's that
    simple? I am twenty-two, colored, born in
    Winston-Salem.

28
Cont
  • I went to school there, then Durham, then here
    to this college on the hill above Harlem. I am
    the only colored student in my class. The steps
    from the hill lead down into Harlem through a
    park, then I cross St. Nicholas, Eighth Avenue,
    Seventh, and I come to the Y, the Harlem Branch
    Y, where I take the elevator up to my room, sit
    down, and write this page It's not easy to know
    what is true for you or me at twenty-two, my
    age. But I guess I'm what I feel and see and
    hear, Harlem, I hear you hear you, hear me---we
    two---you, me, talk on this page.

29
Cont
  • (I hear New York too.) Me---who? Well, I like to
    eat, sleep, drink, and be in love. I like to
    work, read, learn, and understand life. I like a
    pipe for a Christmas present, or
    records---Bessie, bop, or Bach. I guess being
    colored doesn't make me NOT like the same things
    other folks like who are other races. So will my
    page be colored that I write? Being me, it will
    not be white. But it will be a part of you,
    instructor.

30
Cont
  • You are white--- yet a part of me, as I am a
    part of you. That's American. Sometimes perhaps
    you don't want to be a part of me. Nor do I
    often want to be a part of you. But we are,
    that's true! As I learn from you,I guess you
    learn from me--- although you're older---and
    white--- and somewhat more free.
  • This is my page for English B.

31
Grammar Mechanics The 10 Deadly Sins of Writing
32
A Quick Note
  • Dont worry! This workshop was designed to
    address the most common grammatical and
    compositional errors in writing. Thats why
    were here to make all of us, including myself,
    better writers.

33
SIN 1 The Sentence Fragment
  • A sentence fragment is a partial or incomplete
    thought that is used as a complete sentence. In
    most writing, sentence fragments are the result
    of a less formal, more conversational tone.
  • Ex When I tripped on the curb.
  • Re When I tripped on the curb, I split my pants
    right down the middle.
  • TIP Look at your writing. Do you have any
    sentences that cannot stand alone?

34
Sin 2 The Run -On
  • The run-on occurs when two (or more) complete
    thoughts or phrases are written as a single
    sentence without separation. Run-ons are
    generally a result of simple carelessness.
  • Ex Dave went to the store to buy some beer he
    forgot his wallet.
  • Re Dave went to the store to buy some beer, but
    he forgot his wallet.
  • Tip Run-ons are not confined to longer
    sentences check the structure of short
    sentences, too.

35
Sin 3 The Comma Splice Fused Sentences
  • This is a type of run-on sentence in which two
    (or more) complete sentences are connected with
    only a comma. These types of fused sentences are
    usually the result of the writer trying to tie a
    complex thought together.
  • Ex Collin works out, he is the strongest guy in
    the class.
  • Re Because Collin works out, he is the strongest
    guy in the class.
  • TIP Review your work. If one sentence can
    easily be read as two complete sentences, it is
    probably a comma splice or fused sentence.

36
Sin 4 Lack of Agreement
  • A lack of agreement occurs when the subject does
    not agree with the verb (both are not singular or
    both are not plural).
  • Ex The girl run fast down the street.
  • Re The girl runs fast down the street
  • TIP Try to pay close attention to the verb and
    its subject(s) or a pronoun and its
    antecedent(s). Do they agree?

37
SIN 5 Inconsistent Tense
  • You can have inconsistent tense when the tense of
    two (or more) verbs in a sentence do not agree.
  • Ex She forgot that she needs to do some homework
    for her math class.
  • Re She forgot that she needed to do some
    homework for her math class.
  • Tip When you have multiple verbs in one
    sentence, pay close attention to the tense.

38
SIN 6 Poor Parallelism
  • Poor parallelism is a grammatical mistake whereby
    there is an awkward lack of balance in the
    creation of lists and series.
  • Ex I glanced out the window and saw an elm tree,
    a tree with bright red fruit, and a large bush.
  • Re I glanced out the window and saw an elm tree,
    an apple tree, and a large bush.
  • TIP When making a list or series, pay close
    attention to the grammatical structure of the
    nouns.

39
Sin 7 Dangling Modifiers
  • Simply put, dangling modifiers describe or
    reference words that never actually appear in a
    sentence.
  • Ex Driving down the street, the weather seemed
    to be changing rather quickly.
  • Re Driving down the street, I noticed the
    weather seemed to be changing rather quickly.
  • Tip Try not to carelessly add descriptive
    phrases to a sentence. Pay attention to the
    phrases in a sentence and what they modify.

40
Sin 8 Passive Voice
  • With passive voice, the subject of a sentence
    becomes the receiver of the action. Basically,
    nothing or no one is performing the action.
  • Ex The haunted house at the top of the hill was
    greatly feared by us.
  • Re We feared the haunted house at the top of the
    hill.
  • Tip Unless you absolutely need a passive verb,
    change it to the active voice.

41
SIN 9 Redundancy
  • As the term implies, redundancy is the overuse
    or needless use of words.
  • Ex She was totally the tallest girl in the
    classroom.
  • Re She was the tallest girl in the classroom.
  • Ex To fix the car, you will need both a wrench
    and a screwdriver.
  • Re To fix the car, you will need a wrench and a
    screwdriver.
  • Tip Go through your work and look for
    descriptive words you often use when speaking
    these tend to be redundant in writing.

42
Sin 10 Inexactness/Imprecision
  • When writing, make sure you use words and phrases
    which correctly convey your meaning.
  • Ex In an attempt to levitate the situation, the
    police officer backed off a few steps.
  • Re In an attempt to alleviate the situation, the
    police officer backed off a few steps.
  • Tip Dont try and stretch your vocabulary. If
    needed, grab a dictionary to find the best word.
    Also, try and avoid extremely pretentious wording.

43
Additional Resources
  • CTL - http//www.uis.edu/ctl/writing/tutorials.htm
    l
  • Grammar Punctuation and Spelling -
    http//owl.english.purdue.edu/handouts/grammar/
  • Grammar and Punctuation http//www.grammarbook.c
    om/
  • Writing World Grammar Resources -
    http//www.writing-world.com/links/grammar.shtml
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