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10'8'08 Invisible Man

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... House of Windsor which led to words, broken beer glasses, and a general shindy, ... girls buying white underlinen threaded with pure white ribbon for their ... – PowerPoint PPT presentation

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Title: 10'8'08 Invisible Man


1
10.8.08 Invisible Man
  • Schedule
  • Attendance Questions?
  • Dalloway returns
  • Invisible Man Q.
  • Class discussion of Invisible Man
  • HW read Gilman
  • Goals
  • Analyze ways in which modes of access relate to
    the story accessed.

2
Pitfalls of discussing Immersion
  • By Ryans definition, if you are reading and you
    are aware of your level of immersion, you are not
    immersed.
  • This means the question, were you immersed in
    the story, isnt as productive as it seems.
  • In order to talk about immersion, you have to
    look past your own experience of the text to talk
    about immersive elements and potentially
    immersive features. It requires that you talk
    about characteristics of the texts construction.
  • Remember, immersion is an individual experience.
    If we are to talk about it at all in a common
    language, we have to recognize reasonable
    potential for being lost in the book, taking it
    for true.
  • So, lets ask questions about how or in what ways
    a text could generate immersion, rather than to
    what degree is a text immersive.

3
Dalloway return.
  • Yesterday we hit on these themes
  • Between the wars
  • What is civilization if we can start World Wars?
  • Piecing life back together the return to
    normalcy.
  • A day in the life
  • What people thought about back then
  • Engaging the small things, the details.
  • Life in the city.
  • New Age
  • New Technologies Aeroplanes and Cars.
  • Place of the individual
  • Anonymity / insignificance
  • Theory of other minds.
  • What do others think about?
  • Separated by skulls in the story, but we get
    inside everyones head.
  • Breaking down walls between consciousnesses
    through writing style.

4
The motor car
  • Every one looked at the motor car. Septimus
    looked. Boys on bicycles sprang off. Traffic
    accumulated. And there the motor car stood, with
    drawn blinds, and upon them a curious pattern
    like a tree, Septimus thought, and this gradual
    drawing together of everything to one centre
    before his eyes, as if some horror had come
    almost to the surface and was about to burst into
    flames, terrified him. The world wavered and
    quivered and threatened to burst into flames. It
    is I who am blocking the way, he thought.
  • The car had gone, but it had left a slight
    ripple which flowed through glove shops and hat
    shops and tailors' shops on both sides of Bond
    Street. For thirty seconds all heads were
    inclined the same way--to the window. Choosing a
    pair of gloves--should they be to the elbow or
    above it, lemon or pale grey?--ladies stopped
    when the sentence was finished something had
    happened. Something so trifling in single
    instances that no mathematical instrument, though
    capable of transmitting shocks in China, could
    register the vibration yet in its fullness
    rather formidable and in its common appeal
    emotional for in all the hat shops and tailors'
    shops strangers looked at each other and thought
    of the dead of the flag of Empire. In a public
    house in a back street a Colonial insulted the
    House of Windsor which led to words, broken beer
    glasses, and a general shindy, which echoed
    strangely across the way in the ears of girls
    buying white underlinen threaded with pure white
    ribbon for their weddings. For the surface
    agitation of the passing car as it sunk grazed
    something very profound.

5
Invisible Man Preliminary questions
  • What happens in this selection?
  • What themes or topics are brought up? What does
    the text have to say about them so far or can you
    tell?
  • What is your perspective? Mode of access to the
    story?

6
Invisible Man Question.
  • QUESTION   How does the depth of (or lack of)
    detailed description the narrator gives effect
    how connected (or immersed) you were in the text?
  • IE physical descriptions of characters and
    locations, etc.
  •  
  •  SUBQUESTION       How did the narrators
    contradictions influence of your views of the
    events, characters, and the narrator himself?
  •       
  • IE he mentions that he does things that he
    doesnt necessarily want to do fights when he
    only wants to give his speech, etc.
  • I wanted at one and the same time to run from
    the room, to sink through the floor (page 19,
    lines 19-25)
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