Title: RABIA
1RABIA
- Director Ali Hasan
- Cinematographer Erick M. Crespo
2Story Questions
- What is the Story? (Theme)
- A woman sacrifices herself in order to exist.
- Whose story is it?
- Its RABIAs story.
3Story Questions
- What do the characters want?
- Rabia wants fulfillment and self-validation.
- What are the barriers preventing the Character
from satisfying this want? - Externally, she cannot have children.
Internally, she doesnt believe in herself and
has lost her will.
4The most important scene in the film?
- Tariqs Car.
- Stabbing scene in Car (choice 1)
- Tel Aviv Beach.
- Final Scene (choice 2)
5Most difficult scene of the film.
- Tariqs Car. Stabbing scene in Car
6Scene with greatest difficulties from a
cinematographers standpoint.
- Tariqs Car.
- Stabbing scene in Car
7Single most important image that we want the
audience to take with them.
- Rabia standing alone in Tel Aviv beach prior to
detonating the bomb.
8What is the overall tone set for the audience.
9References using for artistic approach to the film
- CNN Gulf War footage.
- Three kings.
- The proposition
- 21 grams.
10The look of the film.
- The film evolves from
- Present Harsh, gritty reality. High contrast,
desaturated, grainy. - Past Glossy, sharp memories. Low contrast,
high chroma-saturation, low grain.
112002-Present Time
- Gritty imagery.High
- contrast, desaturated,
- grainy.
- Harsh, violent reality.
- Blinding hatred.
- Clashing forces.
- Character set on a collision course.
Film Reference The Proposition
12Past (flashbacks)
- Soft lighting, saturated golden colors.
- High key lighting.
- Glossy, sharp memories.
Film Reference Stealing Beauty
13Camera Dynamics
- Present Time
- Handheld
- FlashBacks
- Very steady on tripod
- Dolly Shots for smooth movement
14Rabia
- Format 35mm
- Aspect Ratio 1.851
- Setups per day 12 average.
- Film stock 5212 100T Int-Sound Stage
- 5205 250D Day-Ext
15Location Stills
16Location Stills
17Location Stills
18Location Stills
19Location Stills
20Location Stills
21Location Stills
22Location Stills
23Location Stills
- Palestinian
- Rural street
- (other side)
24Location Stills
25Location Stills
26Location Stills
27Location Stills
28Harmony of Complementary
- Yellow Represents the Female world. The warmth
and safety of motherhood. The noble and
dignifying side of mankind.
- Blue Represents the Male world.
- The oppression, and destruction
- they bring upon others. The misery and hatred
of men.
29Progression of Color
- Rabia is raised in the Yellow world of her
mother. She soon faces the deceits and
insensitivity of a Blue world, dominated by men. - Rabia turns Blue and decides to fight men with
their own methods but soon discovers she is just
destroying the Yellow of the world.
30Color Code
312002-Present Time
- Gritty imagery.High
- contrast, desaturated,
- grainy.
- Harsh, violent reality.
- Blinding hatred.
- Clashing forces.
- Character set on a collision course.
Film Reference The Proposition
321984-Childhood
- Soft lighting, saturated golden colors.
- Golden age of innocence.
- Safety and comfort of home.
- Character beloved by her close relatives.
Film Reference Stealing Beauty
Film Reference Stealing Beauty
331994-Teenager
- Soft lighting, saturated redish colors.
- Original Sin.
- Temptation and lust experienced for the first
time.
Film Reference The Proposition
342000/2002 - Adulthood
- Soft lighting, saturated bluish colors. Hint of
Yellow. - Marriage
- Feelings of misplacement.
- Rigid marital structure.
- Female(Yellow) overruled by a patriarchal society
(Blue). - Fata Headquarters
- Secret and discriminating military organization.
- Dehumanization of the individual.
Film Reference 21 Grams
352002-House with Dareen
- Soft lighting. Saturated green
- colors. Hint of Yellow.
- Last reservoir of peace.
- Only path to salvation.
- Alternative to self destruction.
- Cry out for the end of the violence.
Film Reference 21 Grams