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FUNDAMENTALS OF TEACHING

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Stops the articulators stop the airstream completely /p, b, t, d, k, g ... form a narrow channel through which the airstream passes /s, z, sh, zh, th, f, v, ... – PowerPoint PPT presentation

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Title: FUNDAMENTALS OF TEACHING


1
FUNDAMENTALS OF TEACHING
  • PHONETIC PLACEMENT FOR CONSONANTS

2
We are talking here about
  • Teaching adults and children to motorically
    produce sounds
  • Typical sounds we would work on are /r/, /l/,
    /s/, /th/, etc.
  • We are assuming that they are having physical
    difficulty producing the sound

3
Often, they are not stimulable
  • Stimulability refers to the ability to profit
    from a model
  • Tony, put your tongue on the roof of your mouth,
    give me a big smile, and say rrrrrr.

4
I. USE OF CONTEXT
  • We want to find out if there are any facilitating
    contexts for sound production
  • For example, if the client can make a /g/, can
    they stretch this into /r/?

5
II. THE MOTOKINESTHETIC METHOD
  • Very similar to phonetic placement
  • For the exam, know that there is a focus on
    manipulation of the clients external
    articulators
  • Whats old is newthis is like PROMPT

6
III. SOUND APPROXIMATION
  • 2 kinds
  • In 1) progressive approximation, or shaping, the
    SLP helps the client produce a series of sounds
    or sound segments until the actual target is
    produced
  • E.g., you would work with /r/ until it was right

7
In 2) modification of other sounds
  • The SLP uses a sound already in the clients
    repertoire as a point of departure for the target
  • /t/ ? /s/
  • /g/ ? /r/
  • /d/ ? /l/

8
IV. PHONETIC PLACEMENT
  • 1. Tongue depressors
  • 2. Clinician physically manipulates articulators
  • 3. Verbal instructions and descriptions
  • 4. Airstream indicators
  • 5. Feeling the airstream and observing its
    effect on a tissue

9
  • 6. Looking in a mirror
  • 7. Feeling laryngeal vibration
  • 8. Looking at pictures or diagrams when
    producing the sound
  • 9. Using a physical model of the mouth (Mr.
    Mouth) and manipulating its articulators

10
V. ARTICULATION OF CONSONANTS
  • We can use place-voice-manner analysis
  • Placethat point in the vocal tract where the
    articulators obstruct the outgoing airstream to
    produce the consonant sound

11
  • Voiceis the sound voiced or voiceless?
  • Mannerthe degree of constriction in the vocal
    tract that occurs in the production of a
    consonant sound

12
On page 12 of Secord et al., please know the 6
manners of artic
  • Stopsthe articulators stop the airstream
    completely /p, b, t, d, k, g/
  • Fricativesthe articulators form a narrow channel
    through which the airstream passes /s, z, sh, zh,
    th, f, v, h/

13
  • Affricates the quick sequence of a stop and a
    fricative produced as one unit at the same place
    of articulation /ch, dj/
  • NasalsThe articulators make complete closure in
    the oral cavity while the velum lowers and allows
    air to pass through the nasal cavities

14
  • Glidesthe articulators move quickly from one
    position to another there is a considerable
    degree of resonance /w, y/
  • Liquidsthey have considerable resonance and are
    not as closely approximated as fricatives /r, l/

15
It is very important to remember these terms
  • Because we need to analyse exactly what clients
    are doing incorrectly

16
We can add
  • Something else to it
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