Title: Greek Theatre
1Greek Theatre
2Dionysis
- Greek god of wine, fertility, and revelry
- Events of his life linked him to the cycle of the
seasons and the recurring pattern of birth,
maturity, death, and rebirth - Worship of Dionysis promoted fertility,
guaranteed the return of spring, and provided an
ample harvest
source http//www.artsednet.getty.edu/ArtsEdNet/
Images/Beauty/hermdioh-l.jpeg
3City Dionysus
- Home of a large festival started by Peisistratus,
ruler of Athens from 560-510 B.C. - Festival where drama was first presented
- Known as the home of drama
source http//www.artsednet.getty.edu/ArtsEdNet/
Images/Beauty/hermdioh-l.jpeg
4Parts of a Greek Ampitheatre
source http//didaskalia.berkeley.edu/stagecraft
/TDA/tda_i7.html
5Parts of a Greek Amphitheatre
source http//didaskalia.berkeley.edu/stagecraft
/greek.html
- Theatron
- seeing place where the audiences sat in seats
carved into the mountainside
source http//didaskalia.berkeley.edu/stagecraft
/TDA/tdamain.html
6Parts of a Greek Amphitheatre
source http//didaskalia.berkeley.edu/stagecraft
/greek.html
- Orchestra
- dancing place where the chorus, and later
actors, performed.
source http//didaskalia.berkeley.edu/stagecraft
/TDA/tdamain.html
7Parts of a Greek Amphitheatre
Skene
source http//didaskalia.berkeley.edu/stagecraft
/TDA/tdamain.html
8Parts of a Greek Amphitheatre
- Skene
- little hut or house at the back of the
proskenion with one or more doors and an upper
level used for the appearance of gods or to
represent high places. - Proskenion
- main acting area in front of the skene.
source http//didaskalia.berkeley.edu/stagecraft
/greek.html
9Parts of a Greek Amphitheatre
source http//didaskalia.berkeley.edu/stagecraft
/TDA/tdamain.html
10Parts of a Greek Amphitheatre
- Periaktoi
- 3-sided scenery which was rotated to change
locale. Triangular prisms with a different scene
painted on each of their three sides. - Pinakes
- Painted panels similar to our modern flats.
11Parts of a Greek Amphitheatre
- Eccyclema (Ekkyklema)
- A wagon for wheeling out
- bodies in tragedies. Rolled
- out of the skene because
- there was no violence allowed
- on stage.
- Deus ex machina
- god on machine a crane like device which
lowered gods down to wrap up the story line.
12Origin of Tragedy
13Origin of Tragedy
- 534 B.C.
- First theatre contest for the best tragedy at
City Dionysia. - Thespis is credited as being the first winner.
- also known as the first actor to step out of
the chorus.
14Origin of Tragedy
- Tragedy
- literally means goat song
- it was believed that the chorus danced for a goat
as a prize or around a goat which was then
sacrificed. - emerged out of improvisations by the leaders of
the dithyrambs. - dipthyramb consisted of an improvised
- story, sung by the choral leader, and a
- refrain, sung by the chorus
15Origin of Tragedy
- Actors Acting
- Dithyramb /Chorus
- Consisted of a group of 50 men who chanted
stories and danced in unison in the festival
event. - Words spoken by the chorus came to
- represent the opinions of the people.
- Importance of chorus reduced as actors moved out
front.
16Origin of Tragedy
- Actors Acting
- Three actor rule dictated that
- only 3 actors could perform at one time.
-
- To accommodate this rule, actors often protrayed
more than one character. (Leaving and returning
as a different character.) - This rule was softened to allow supernatural
characters to appear in non-speaking roles.
17Origin of Tragedy
- Actors Acting
- Greeks placed emphasis on voice.
-
- Actors were judged by the beauty of tone
- and ability to adapt to their speaking to the
- mood and character.
18Origin of Tragedy
- Actors Acting
- Facial expression was of no importance.
- actors were always masked.
- gestures and movement were simplified and
broadened so they could be seen from far away.
19Origin of Tragedy
- Actors Acting
- All players, except flute players, wore masks.
- Masks covered the entire head, thus included the
appropriate hair style beard, ornaments, and
other features.
20Origin of Tragedy
- Actors Acting
- (masks cont.)
- Masks were made of stiffened linen, cork, carved
wood, or leather. To shape the mask, the artist
molded material around a marble face (like
papier-mâché). - These masks covered the entire head of the actor.
- The white of the eye was painted while the part
of the pupil remained open for the actor to see
the stage.
21Origin of Tragedy
- Aristotle
- (384 322 B.C.)
- Developed the first written discussion of
tragedy.
22Origin of Tragedy
- Aristotle (384 322 B.C.)
- Definition of a Tragic Hero
- Comes from nobility
- Has a Tragic Flaw (simple mistake or a weakness
in character) - Encounters a reversal of fortune
- Suffers a downfall
- Recognizes flaw (in a catharsis)
23Origin of Tragedy
- Aristotle (384 322 B.C.)
- Requirements for Plot/Action
- Exposition
- Rising Action
- Climax
- Falling Action
- Denoument/Resolution
24Origin of Tragedy
25Origin of Tragedy
- Aristotles Unities
- Aristotle described tragedy as "an imitation of
an action that is serious, complete, and of a
certain magnitude." - The Unities are
- Action
- Place
- Time
26Origin of Tragedy
- Aristotles Unities
- Action
- Action must have an identifiable beginning,
middle, and end a harmonious correlation of
whole and parts a series of events which follow
one another inevitably and are related in
sequence.
27Origin of Tragedy
- Aristotles Unities
- Place
- action must be confined to a single
geographical area. - Time
- action must take place within the time frame of
a single day.
28Origin of Tragedy
- The Six Elements of Drama
- from Aritotles Poetics
- 1. Plot or mythos
- (refer to plot notes for more info)
- central conflict in the story
- in comedy, there must be poetic justice (bad guy
gets it in the end.
29Origin of Tragedy
- The Six Elements of Drama
- from Aritotles Poetics
- Character or dianoia
- (see tragic hero notes for more info)
- protagonist those for the idea
- antagonist those against the idea
- neural those required to be there to move the
story along
30Origin of Tragedy
- The Six Elements of Drama
- from Aritotles Poetics
- Thought or ethos
- Meanings
- Focus
- Ideas explored
31Origin of Tragedy
- The Six Elements of Drama
- from Aritotles Poetics
- Language/Diction or lexus
- The dialogue
- The poetry
32Origin of Tragedy
- The Six Elements of Drama
- from Aritotles Poetics
- Music/Rhythm or melos
- all sound
- Spectacle or opsis
- scenery and other visual elements
33Playwrights
- Aeschylus
- Earliest Greek tragedy playwright
- Added the 2nd actor
- Wrote Orestia, a trilogy
34Playwrights
- Sophocles
- Added the 3rd actor
- Wrote Oedipus and
- Antigone
35Playwrights
- Aristophanes
- Greek Comedy playwright
- most famous play is
- Lysistrata
36Playwrights
- Euripedes
- emphasized realism
- de-emphasized chorus
- Wrote Medea and
- Trojan Women