Title: General Characteristics of Romantic Music
1 General Characteristics of Romantic Music
- Dynamics extended, changes more frequently, less
predictable - Range of tempos extended, more frequent, more
adjectives - Melodies are longer, yearning quality, rubato
- Harmony explores further, modulations, chromatic
- Forms blur
2Franz SchubertSong, Die Forelle (The Trout), 1817
- Equality of melody and accompaniment
- Atmosphere
- Rippling voice
- Modified strophic form
3Fryderyk ChopinPrelude in E minor, Op. 28, for
Piano
- Modelled on Bachs Well-Tempered Clavier
- ABA form
- Static melody with steady chords constantly
descending - Neighbour tones
4Schumann, Traumerei from Kinderscenen Op. 15
- Single accompanied melody
- ABA structure
- Character piece
- Dreamy atmosphere
- Melody characteristics
5Liszt, Transcendental Etude No. 10 in F Minor
- Fifteen years old
- Demanding, virtuosic
- Unusual harmonies
- Surging
6Giuseppe Verdi, Otello (1867)
- Tragic opera, based on Shakespeares play
- Highly lyrical
- Human drama, emotionalism, and realism
- Reference motives
- Italian nationalism
7Johannes BrahmsFourth Movement from Symphony No.
4 in E minor (1885)
- Passacaglia
- Harmonic and melodic variation
- Unchanging length of variations
- B Section has slower tempo and new meter
8Pucinni, Madame Butterfuly, Un bel di
- Highly lyrical
- Melodic doubling, tripling
- Fresh harmonies
- Blurring of recitative and aria
- Story
- Da Capo aria
9Mahler, Symphony No. 2, Fourth Movement
- Programmatic (Spiritual journey)
- Yearning sense
- Large scale design
- Beethovens 5th and 9th Symphonies
10Richard WagnerPrelude and Liebestod from Tristan
und Isolde
Leitmotif Dynamic arch form Nazism Music drama Chromaticism Yearning Bayreuth Cadential blurring Transcendental bliss
11Bedrich Smetana (1824-1884)Symphonic Poem, The
Moldau
- Tone poem
- Descriptive, programmatic music
- Nature
- Cyclic
- Orchestral colour expanded
12Pyotr Illyich Tchaikovsky (1840-1893)First
Movement from Symphony No. 4 in F Minor
- Tone poem
- Descriptive, programmatic music
- Nature
- Cyclic
- Orchestral colour expanded
13Claude Debussy (1862-1918)Prélude à laprès-midi
dun faune
- Impressionism
- Symbolist poet Mallarmé
- Large orchestra
- Orchestral colouring
- Opening melody is sensuous, chromatic and vague