Title: ROMANTICISM 18201900
1ROMANTICISM1820-1900
- Cultural movement that stressed emotion,
imagination, and individualism - free exercise and expression of individual will
- Perhaps the most brilliant generation of
composers in the entire history of music was that
of the early Romantics - All affected by Beethovens music.
2Franz Schubert
3Hector Berlioz
4Robert Schumann
5Frederich Chopin
6Felix Mendelssohn
7Franz Liszt
8Richard Wagner
9All composers deeply influenced by literary
Romanticism
- Literature England--Wordsworth, Colleridge,
Shelley, Keats, Byron Germany--Hoffman - Supernatural
- Poe,
- Shelley,
- Grimm (Fairy tales)
- Middle Ages
- Ivanhoe (Walter Scott),
- Hunchback (Victor Hugo)
- Nature
10All composers deeply influenced by literary
Romanticism
- Passion for freedom / Struggle for national
independence (Greeks against Turks, Poles against
Russia, Czechs against Austria, Norway against
Sweden) - People more conscious of their history and
national character--composers wrote to - celebrate a national hero
- an event
- beauty of their country
- Shakespeare
11STYLE OF ROMANTIC MUSIC
- RHYTHM rubato a romantic performance
technique of slightly slowing down and speeding
up the tempo to be expressive - MELODY phrases long and irregular no clear
cadences melody over ever-changing harmony - FORM spontaneity, individualism and creative
freedom so treasured by Romantics was at odds
with preordained forms
12STYLE OF ROMANTIC MUSIC
- MINIATURE COMPOSITIONS lied character
piece - GRANDIOSE COMPOSITIONS Berlioz, Mahler, Wagner
(The Ring cast of 30, 15 stage sets, specially
created instruments) - PROGRAM MUSIC music associated with a poem or
story
13PROGRAM MUSIC
- Program symphony a multi-movement work for
orchestra that follow some sort of literary
program - Concert overture single movement program
composition for orchestra written in sonata form - Symphonic Poem single-movement work for
orchestra based on a poem, story or some literary
model with no pre-ordained form
14Symphonie Fantastique (1830)Hector Berlioz
- PROGRAM SYMPHONY
- a big evening of music that tells a story--but
without words or an acted-out dramatic story
15Symphonie FantastiqueHector Berlioz
- A young musician of morbidly sensitive
imagination poisons himself with opium in a fit
of lovesick despair.
16Symphonie FantastiqueHector Berlioz
- The dose of the narcotic, too weak to kill him,
plunges him into a heavy sleep accompanied by the
strangest visions,
17Symphonie FantastiqueHector Berlioz
- during which his sensations, his emotions, and
his memories are transformed in is diseased mind
into musical thoughts and images.
18Symphonie FantastiqueHector Berlioz
- Even the woman he loves becomes a melody to him,
an idee fixe (fixed idea), as it were, that he
encounters and hears everywhere
19Symphonie FantastiqueHector Berlioz
- I. Reveries, Passions
- II. A Ball
- III. A Scene in the Country
- IV. March to the Scaffold
- (in this, Berlioz dreams that he has killed
Harriet and he is about to be be-headed. You can
hear the fall of the guillotine at the end of the
work) - V. Dream of a Witches Sabbath
20V. DREAM OF A WITCHES SABBATH
- He finds himself at a Witches Sabbath, in the
midst of a frightful crowd of ghosts, sorcerers,
and all kinds of monsters come to bury him.
Unearthly sounds, groans, shrieks of laughter,
distant cries echoed by others. The melody of
his beloved is heard, but it has lost all its
character of nobleness and timidity. It is she
who has come to the Sabbath! A roar of joy at her
arrival. She joins in the devilish orgies. The
funeral knell a parody of the Dies irae.
21What to remember about Symphonie Fantastique by
Berlioz
- content over form
- no sonata form here
- effect over content
- its about hallucinogenic effects of a narcotic
- Berlioz--a master of orchestration
- scholars still study his texts on orchestration
22CHARACTER PIECES
- Piano invented during first decades of the 18th
century, but did not completely replace the
harpsichord until the end of the century - a one-movement piece for piano with a descriptive
title--one mood or emotion
23FREDERIC CHOPIN (1810-1849)
- born in Poland, spent life in Paris
- most important piano composer
- a celebrity in Paris
- played privately in homes of the rich
24FREDERIC CHOPIN (1810-1849)
- Mazurkas (Polish peasant dance)
- Polonaises (Polish aristocratic dance)
- Nocturnes (night pieces
- Preludes, Etudes, Scherzos, Ballades, Impromptus
25FREDERIC CHOPIN (1810-1849)
- Most intense liason was with Baroness Aurore
Dudevant, a writer (pen-name George Sand) --a
steady stream of Romantic novels Romances. - An ardent individualist who often dressed in
mens clothing and smoked cigars. She became
Chopins friend, lover, and protector.
26 27ROBERT SCHUMANN (1810-1856)
- failure in many efforts (law school, piano
perfomance) - suffered from mental illness tried to commit
suicide (unsuccessfully) - spent final years in mental institution
28CLARA SCHUMANN
- married Clara Weich in 1840 over her fathers
objections composed 125 lieder for piano
including song cycles Dichterliebe (Poets Love)
and Frauenliebe und Leben (Women in Love and Life)
29CLARA SCHUMANN
- Clara was a brilliant musician and composer
- Spent final years compiling her husbands music
into orderly sets and nursing him in the asylum
30JOHANNES BRAHMS
- a brilliant composer
- a friend of both Robert and Clara Schumann
- letters published posthumously reveal that he and
Clara were secretly in love
31- Clara Schumann has only received proper
recognition in the last twenty years or so
32 33FRANZ LISZT (1811-1888)
- possibly the greatest pianist who ever lived
- attracted crowds like a rock star
- touring virtuoso--from Portugal to Turkey to
Russia - first person to perform on the stage alone
34FRANZ LISZT (1811-1888)
- After two marriages and countless love affairs,
Liszt took orders in the Catholic church to
become a priest.
35 36- LISZT MONUMENT IN BAYREUTH
37