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Diapositiva 1

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Title: Diapositiva 1


1
(No Transcript)
2
Session 2Information taken from the
HandbookRealising the Digital Portfolio an
instruction manual and the Italian book
Valutare le competenze informali. Il portfolio
digitale, Carocci 2008
  • both edited by Anna Maria Ajello Cristina
    Belardi

3
  • Session 2
  • Creation of a digital portfolio the process.

4
Premises
1/6
The present slideshow Session 2 has been worked
out to stress the specific phases and tools to be
implemented and used in the digital portfolio
making process (Methodology).
5
Premises
2/6
The information provided must be read taking into
account the Handbook Realising the Digital
Portfolio an Instruction Manual to which they
refer. To deeply understand the methodology
proposed it is necessary to read carefully the
Handbook above mentioned.
6
Premises
3/6
  • Before starting, please remind that the following
    information are strictly connected to the ones
    presented in
  • Session 1 - Theoretical aspects substantial
    information and definitions
  • Technical guidelines. How to use the Platform
    (Sessions 1-2-3).
  • Both available on line

7
Premises
4/6
As pointed out in Session 1, the digital
portfolio is a very functional tool to valorise
the everyday knowledge acquired by people in
specific learning contexts, not yet formally
recognised.
8
Premises
5/6
The digital portfolio creation process, in fact,
is strictly related to the making such knowledge
visible, since certification requires agreements
- between different Institutions at
national/international level - based on
assessment criteria.
9
Premises
6/6
The methodological model proposed has already
been tested within a previous project on
subjects representing different social
disadvantages (e.g. disabled, drug addicts, drop
outs and immigrants), but it can be applied on
wider target groups.
10
Introduction
1/4
  • In general, the method is being applied by
  • realising meetings and interviews between the
    tutor and the user
  • collecting material already ready to prove what
    ones can do (proofs) and creating new material
  • using different typologies of tools (e.g. PC,
    scanner, digital camera, etc.)
  • implementing a 5 phases-process.

11
What could we put in a digital portfolio ?
Introduction
2/4
  • Personal data
  • Proofs for Formal Learning certificates/diplomas
    showing the qualifications achieved by the user
    inside traditional education/training structures
    and pathways formally recognised

12
Introduction
3/4
  • 3. Proofs for Non Formal Learning certificates
    issued by organisations not formally recognised
    self-declarations or letters/references of a
    teacher or a tutor photos/videos (optional but
    suggested).
  • 4. Proofs for Informal Learning
    self-declarations or letters from employers
    photos/videos (requested).

13
Introduction
4/4
  • Equipment requested.
  • To implement the whole process of making a
    digital portfolio, it is necessary to have
  • a PC with Internet Connexion, Cd/DVD reader and
    recorder, word processor
  • a scanner
  • a digital camera with USB connection.

14
! NOTES
To report problems or ask for help, have been
created two specific e-mail addresses, that you
will find in every page of the platform. methodol
ogical_at_tipeil.eu this address regards
difficulties you may encounter in applying the
methodological process implied in the
creation/collection of the digital portfolio.
Please send your message, partnership experts
will answer you. technical_at_tipeil.eu this
address regards technical problems concerned only
with the use of the platform or softwares related
to the creation of the material to be uploaded
(images, videos, etc.). Please send your message,
partnership technicians will answer you.
15
First Phase
16
First Phase
  • Tools to be used
  • a PC with Internet Connexion, Cd/DVD reader,
    word processor (in case, examples of
    digital/paper portfolios already created) .

17
First Phase
  • Objectives
  • to conclude a good working agreement and to
    start planning the portfolio.

18
First Phase
  • Activities
  • analyse the reasons why the user would like to
    make his/her own portfolio (goals to reach)

19
First Phase
  • explain to the user the process goals, describing
    what a digital portfolio is, and the extent of
    the involvement requested to both (user and
    tutor), stressing the importance of a mutual
    cooperation.
  • It is useful, at this point, to illustrate the
    differences among the three different types of
    learning concerned.

20
Second Phase
21
Second Phase
  • Tools to be used a paper folder for each user, a
    computer, sheets of paper.
  • Objectives to analyse and choose the proofs of
    formal and non-formal learning to be included in
    to the digital portfolio.

22
Second Phase
  • Activities
  • provide user with a paper folder paper
    portfolio that will precede the construction of
    the digital version on line and on Cd Rom (final
    output).
  • prepare a Word file with his/her personal data
    (e.g. name, surname, family status, date of
    birth, country of origin, telephone, etc.

23
Second Phase
  • analyse with the user his/her institutional
    education
  • list on a sheet of paper the diplomas he/she
    obtained from education/training Institutions
    (e.g. School, University, etc.), as evidence of
    his/her formal learning

24
Second Phase
  • analyse non-formal learning activities
  • think about evidences of NFL and list them
    Certificates obtained in training centres which
    are not officially recognized, Self-declarations,
    References like letters from an employer, etc.

25
Second Phase
  • sum up all the proofs of the formal and
    non-formal learning
  • suggest, comment on and explain the reason why
    s/he chose those evidences (to help the
    meta-cognitive process ).

26
Notes
  • To integrate proofs related to Non formal
    Learning, the tutor and the beneficiary can
    decide to add also photos or videos (material
    already ready or new one).

27
Third Phase
28
Third Phase
  • Tools to be used an interview model sheets of
    paper a PC with Internet Connexion and Cd/DVD
    recorder a scanner a digital camera with USB
    connection a software for the editing of
    images/photos a video captures software (e.g.
    Windows movie maker) an audio recorder software
    and a microphone.

29
Third Phase
  • ! Please note that a few freeware softwares are
    suggested and have been detailed in the
    Technical guidelines available in download.
  • You can find the same information in the help
    function available inside the web based platform
    created to make the digital portfolio.

30
Third Phase
  • Objective Begin to structure the digital
    portfolio and to realize a semi-structured
    interview in order to analyse the users informal
    learning and to favour the process leading to
    awareness.

31
Third Phase
Analysis of IFL through a semi-structured
interview
32
  • A kind of research process in which both the
    tutor and the user are involved.
  • The tutor supports the person in the collection
    of data concerning his informal competencies
    through a process of active interpersonal
    communication between the tutor and the young
    person.
  • Useful tools 2 interview models

33
  • Each interview model covers a specific context of
    informal training (i.e. work and free time).
  • The models allow the tutor to take notes
    concerning the data collected during the
    semi-structured interview and to summarise the
    various activity systems in which the young
    person is competent.

34
  • The tutor asks the user to describe the
    activities in which s/he has taken part in the
    various informal contexts and tries to get a
    particular insight

35
  • the methods and sources of learning
  • the tools that the person has learned to use in
    order to realise those activities
  • the type of products resulting from it, which are
    the visible results of these activities.

36
Third Phase
Interview model n.1 working activities
37
  • Following are a few examples of questions to be
    addressed to the person, about IFL that takes
    place inside working contexts
  • What kind of working activities did you take part
    in so far? It does not matter if s/he had
    official working contracts or not, we care for
    what s/he learned.
  • ?Write it down in the activity column.

38
  • How did you learn to do that kind of work ? Did
    someone help you ? How ?
  • ? Write it down in the Methods and Sources of
    Learning column.
  • Which are the tools of your job ?
  • ? Write it down in the tools column.

39
  • Which are the products/outcomes of those working
    activities ?
  • ? Write it down in the products column.

40
  • Lets think about the proofs (also photos and
    videos) s/he could put in the digital portfolio
    to make visible what s/he has learned while s/he
    was involved in those working activities.
  • ? Write it down in the proofs column.

41
Example Grid n. 1
42
Third Phase
Interview model n. 2 spare time activities
43
  • Following are a few examples of questions to be
    addressed to the person, about IFL that takes
    place during the spare time (hobbies)
  • What do you usually do in your spare time ? We
    are interested in analysing every type of
    activity (e.g. from the housecleaning to sport).
  • ? Write it down in the activity column.

44
  • How did you learn . for example to cook cakes ?
    Did someone help you ? How ?
  • ? Write it down in the Methods and Sources of
    Learning column.
  • Which tools do you use during those activities ?
  • ? Write it down in the tools column.

45
  • Which are the products or the outcomes of those
    activities ?
  • ? Write it down in the products column.

46
  • Lets think about which of those activities you
    would like to put into your portfolio, then lets
    think about the proofs (also photos and videos)
    you could put to make visible what you have
    learned while you were involved in those
    activities.
  • ? Write it down in the proofs column.

47
Example Grid n. 2
48
Additional Notes
  • At the end of the semi-structured interview, the
    tutor summarises all activities that the user is
    able to perform - highlighting the persons
    informal competencies - and then asks him/her to
    choose which competencies are the most important
    in his/her opinion, and should be included in
    his/her portfolio.

49
Additional Notes
  • One of the aspects to which the tutor must pay
    attention when making the interview for the
    analysis of competencies acquired in informal
    learning contexts, regards the
  • tendency of the young persons to marginalise the
    importance of such competencies.

50
Additional Notes
  • The tutor must guide the person through the
    realisation of the digital portfolio, without
    substituting his/her choices, but realising a
    scaffolding activity, which means a psychological
    support (emotional and cognitive).
  • (Wood D., Bruner J., Ross G., 1976)

51
Additional Notes
  • The proofs of informal competencies that can be
    included are, for example
  • Letters from employers
  • Self-declarations
  • Photographs of products produced in work-related
    activities and in free time
  • Video-audio recordings

52
Additional Notes
  • Photos represent a static recognition of products
    and, therefore, static proof of competencies that
    are acquired in informal contexts.

53
Additional Notes
  • At the end of this phase (the third), the tutor
    will fix a new appointment with the user in which
    he will ask him to bring the products to be
    photographed or the photographs already taken
    with a digital camera.

54
Additional Notes
  • Further, the two (tutor and user) must come to an
    agreement concerning the video to be recorded, in
    other words, the activity - realized in informal
    contexts - to be filmed, where (place) the
    filming should take place, etc.

55
Fourth Phase
56
Fourth Phase
  • Tools to be Used a PC with Internet Connexion
    and Cd/DVD recorder a scanner a digital camera
    with USB connection a software for the editing
    of images/photos a video captures software (e.g.
    Windows movie maker) an audio recorder software
    and a microphone.

57
Fourth Phase
  • Objectives to choose, to realize, and to upload
    the photographs into the informal learning
    section of the digital portfolio to record the
    video and/or audio to conceive the descriptive
    texts linked to photo gallery and video/s.

58
Fourth Phase
  • Activities
  • 1. Select the photos to be included and to make
    new ones plan the order/sequence of the photos
    chosen.

59
Fourth Phase
  • 2. With the support of the tutor, the user
    (beneficiary) has to write comments to be
    associated to the photos chosen, so as to
    describe and clarify the making-process and
    related product/result achieved through the
    activity that is being illustrated.

60
Fourth Phase
  • With the support of the tutor, the user
    (beneficiary) has to plan and to record the video
    and/or audio he/she wants to include in his/her
    portfolio.

61
Fifth Phase
62
Fifth Phase
  • Tools to be Used a PC with Internet Connexion
    and Cd/DVD recorder a writable Cd Rom/DVD.
  • Objectives to publish the final version of the
    digital portfolio created.

63
Fifth Phase
  • Activities
  • Upload in the web based platform all material
    realised (in case you have not still done it).
  • Check all information and material uploaded in
    the system.

64
Fifth Phase
  • Modify the sections of the digital portfolio that
    need to be changed.
  • Transfer on a writable Cd Rom/DVD the digital
    portfolio created (final output).
  • Plan future steps.

65
The Tutor
66
The Tutor
  • Must be fully aware of informal learning
    (everyday learning) characteristics, so as to be
    able to immediately recognise the fields of
    activity in which the beneficiary (the person
    realising his/her portfolio) is competent, paying
    great attention to his/her tendency to trivialize
    what he/she learned.

67
The Tutor
  • Must be able to validate the personal
    characteristics and competencies that - until
    today - were not sufficiently valorised, so as to
    be able to support the user in a process aimed at
    self-empowerment.

68
The Tutor
  • Must help the beneficiary to overcome the moments
    in which he/she finds difficult to verbally
    express him/herself.

69
The Tutor
  • Must be full aware of the two main
    characteristics qualifying the dialogue process,
    so as to make the digital portfolio creation
    process being a real guidance counselling
    interview.

70
The Tutor
  • The first characteristic regards the temporal
    dimension implied in the dialogue between the
    tutor and the person, since it must be focused on
    persons personal changes and future plans.

71
The Tutor
  • The second characteristic concerns the emotional
    support that the tutor should offer to the
    person, answering to his/her expectations of
    trust and confirmation of the rationality of
    his/her decisions ( Bastianoni P., Simonelli A.,
    2001).
  • The tutor should demonstrate to be a trustworthy
    mediator.

72
Now please go to Technical Guidelines Session
1-2-3 If you have problems, please send a
message to methodological_at_tipeil.eu Thank you
for the attention
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