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The Classical Period

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Title: The Classical Period


1
The Classical Period
  • 1750-1820

2
Characteristics
  • Music should be stripped of non-essentials making
    it simple and easy to comprehend
  • Logic, order and balance
  • Standard genres, musical forms, and ensembles
  • Music is meant to please and entertain

3
Contrast of mood
  • Variety and contrast of mood within pieces
  • Changes in mood may be gradual or sudden
  • Composer has firm control over conflict and
    contrast

4
Rhythm
  • Flexibility of rhythm
  • Variety of rhythm patterns
  • Unlike continuity and predictability of the
    Baroque, there may be unexpected pauses,
    syncopations, and frequent changes from long to
    short notes
  • Changes may be gradual or sudden

5
Texture
  • Homophony reigns
  • Polyphonic sections may be added for contrast

6
Melody
  • Melodies have a folk or pop like character
  • Tuneful and easy to sing and remember
  • Symmetrical and balanced

7
Melody (cont.)
  • Crescendos and decrescendos are more prominent
  • The basso continuo is no longer the most
    prominent accompaniment to melody

8
Standard Ensembles The Classical Orchestra
  • Four families strings, woodwinds, brass and
    percussion are standard (see pg. 152) which
    provide for variety in timbres
  • Classical orchestra is larger than the Baroque
    and may vary in size (27-60)

9
Standard Ensembles
  • Chamber music music to be performed in a more
    intimate setting than a concert hall. Chamber
    music is performed by a small group of two to
    nine musicians
  • String Quartet 2 violins, 1 viola, 1 cello
  • Piano trioviolin, cello and piano
  • Violin and piano (sonatas)

10
Musical Examples
  • Symphony 40 in G Minor by Mozart
  • String Quartet in C Minor by Beethoven
  • Moonlight Sonata by Beethoven
  • Piano Trio by

11
Standard Compositions
  • The symphony Multi movement work for orchestra
  • String quartet multi movement work for four
    musicians (a mini symphony)
  • Sonata composition for solo instrument and piano
    or for piano solo
  • Serenade a multi-movement work for strings that
    in light and entertaining

12
Standard Compositions (cont.)
  • The Classical Concerto a three movement work for
    solo and orchestra
  • Mass five sung prayers for Christian worship
  • Oratorios multi-movement work for chorus, vocal
    soloists and orchestra
  • Opera buffa Italian comic opera
  • Minuet and trio ABA dance in triple meter

13
Classical Composers
  • Three titans of the Classical Era

  • Joseph Haydn
  • Wolfgang Amadeus Mozart
  • Ludwig Van Beethoven

14
Wolfgang Amadeus Mozart1756-1791
  • Austrian born child prodigy and genius
  • Trained by father who was a professional
    musician
  • Touring child superstar (featured with his
    sister, Nanerl)
  • Only patron was the archbishop of Salzburg His
    difficult personality led him to a career of
    free-lancing

15
Mozarts Compositions (cont.)
  • Operas Buffa The Marriage of Figaro, Don
    Giovanni and the Magic Flute
  • Numerous symphonies, masses, sonatas, string
    quartets and concertos for a variety of
    instruments

16
Symphony 40 in G Minor, K.550Wolfgang Amadeus
Mozart
  • Four movementsMolto Allegro, Andante,
    Menuetto,and Allegro assai
  • First movement is in sonata form (intro.)
    -exposition-development-recapitulation-(coda)

17
Piano Concerto No. 23 in A MajorWolfgang Amadeus
Mozart
  • Classical Concerto Three movement work for
    soloist and orchestra
  • CadenzaUnaccompanied virtuoso display at the end
    of the first or last movement of the concerto
  • 1st Movement (Allegro con brio) is in sonata form

18
Eine kleine NachtmusikWolfgang Amadeus Mozart
  • Multi-movement work for string ensemble
  • Composition is a serenade light chamber
  • Third Movement Minuet and Trio

19
The Magic FluteWolfgang Amadeus Mozart
  • Opera Buffa written the last year of Mozarts
    life
  • Theme of the opera is the brotherhood of man
  • The Queen of the Night is a coloratura soprano

20
Joseph Haydn1732-1809
  • Austrian born
  • Humble beginnings began musical training at as a
    choirboy in Viennas St. Stephens Cathedral
  • At age 29 he became employed by the noble,
    wealthy, Hungarian, Esterhazy family
  • He worked for them for about 30 years

21
Haydn (cont.)
  • Duties included conducting and rehearsing the
    orchestra, coaching singers, instrument manager,
    music librarian composer and produced two
    concerts, two operas, and chamber music weekly
  • Numerous works include chamber music, concerti,
    symphonies oratorios and masses

22
Trumpet Concerto in Eb MajorJoseph Haydn
  • Written for a friend who had just invented the
    keyed trumpet which increased the number of tones
    the instrument could produce
  • Later the keyed trumpet was replaced for a valve
    trumpet which had a nicer timbre
  • Concerto has 3 movements
  • Listen for the cadenza in the first movement

23
Symphony No. 94 in G Major (Surprise)Joseph Haydn
  • Symphony reflects Haydns sense of humor
  • Second movement is in theme and variations form
  • Theme has a folk like quality and is easy to
    remember
  • Listening guide is on page 163

24
Ludwig Van Beethoven1770-1827
  • Born in Bonn, Germany into a family of musicians
  • At age 22 left Germany for Vienna, studies with
    Haydn and established himself as a concert
    pianist and composer
  • At age 29 Started to go deaf, contemplated
    suicide but decided to live for his art

25
Beethoven(cont.)
  • Eccentric, dressed sloppily, lived in 40
    different places in his lifetime
  • Couldnt keep a housekeeper or a cook
  • Musically, he was orderly, methodical, and a
    perfectionist
  • He was more deliberate in his composing than
    Mozart

26
Beethoven (cont.)
  • Because he uses standard Classical forms with
    emotional intensity and power, he bridged the
    Classical Era with the Romantic
  • He wrote 9 symphonies, 32 piano sonatas16 string
    quartets, 5 piano concertos, two masses and one
    opera.
  • First composer to be considered and artist

27
String Quartet in C Minor,Op.18, No.4Ludwig Van
Beethoven
  • Fourth movement is in rondo form A B A C A B
    A
  • Listen for gypsy-like rondo theme

28
Symphony No. 5 in C Minor, Op. 67
  • Opening rhythmic motive is fate knocking at the
    door or possibly Morse code
  • All four movements are unified with this rhythm
  • Listen to Movement I. Allegro Con Brio
  • Listening guide on page 194-195

29
Symphony No. 9 (Ode to Joy)Ludwig Van Beethoven
  • First symphony to use full chorus and vocal
    soloists
  • Work is auto biographical
  • Last movement unifies all the movements and is
    theme and variations on Ode to Joy
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