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No Limits, No Excuses

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Paige Moore, MT-BC: Music Therapist paigerachel.moore_at_jordan.k12.ut.us. Bibliography. Davis, William B. et al. (1992). An Introduction to Music Therapy: Theory ... – PowerPoint PPT presentation

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Title: No Limits, No Excuses


1
No Limits, No Excuses
  • Reaching Students with Special Needs through
    Participation in
  • Music and Dance

2
Project History The What
  • Began at Bingham High in 1994
  • Peer interaction only
  • Involved student peers in all 4 art forms
  • Grant from Utah State Office of Education

3
Management and Support
Fine Arts Special Education Project
Funding
4
Project Description The How
  • The purpose of this project is to use music and
    movement therapy in conjunction with peer
    interaction to help students with special needs
    meet their IEP (Individualized Education Plan)
    goals.

5
What is Music Therapy?
  • A health profession using music and music
    activities to address physical, psychological,
    cognitive and social needs of individuals with
    disabilities
  • The use of music in the accomplishment of
    therapeutic aims

6
To Be a Music Therapist
  • Bachelors Degree in Music Therapy
  • Broad field of study including Psychology,
    Special Education, and Human Relations classes
  • General Music and Music Therapy specific classes
  • Six month internship

7
Continuing Education
  • National Board Certification Test
  • Credentials MT-BC
  • Retake test every 5 years to have a professional
    standard and to ensure continuing knowledge
  • Requirements are similar for dance/movement
    therapists

8
Whats the difference between a music teacher and
a music therapist?
  • Music Teacher End result is the quality of the
    music. (Product)
  • Music Therapist End result is what happens
    because of the music. (Process)

9
Jordan Project Overview
  • Use music therapy and dance (movement) therapy
    during special education class time, measuring
    IEP goals
  • Combine special education students with regular
    education music and dance students
  • Hold an end of year performance for parents and
    friends

10
IEP Goals and Music Therapy
  • Applicable to the nature of music groups
  • Enhanced by music intern attendance and modeling
  • Enhance Communication
  • Improve Focus
  • Increase Leadership Skills

11
Setting IEP Goals
  • IEP Goals are specific to the students needs
  • One or two specific goals are set for
    participation in this project
  • Music and Movement are the vehicles by which
    students are engaged
  • Peers deliver the music and movement activities
    under the direction of the certified therapist
    and special education teacher

12
Example Enhance Communication
  • Eye contact, verbal responses, making choices,
    etc.
  • Goal To improve communication
  • Objective Given the therapist asking a question
    using the students name, the student will
    respond verbally or nonverbally for four out of
    five trials for four consecutive sessions.

13
One students results
14
Example Improve Focus
  • On-task behavior, impulse control, etc.
  • Goal To improve participation
  • Objective Given a handbell, instrument, or
    another music-based prop and intervention, the
    student will respond by keeping the bell or prop
    in her hand and ready to play when the therapist
    or intern cues her for four out of five trials
    for four consecutive sessions

15
One students results
16
Example Leadership Skills
  • Leadership skills, voluntary participation, etc.
  • Goal To improve leadership skills
  • Objective Given a music session, the student
    will respond by taking a leadership role as
    defined by helping another student with a musical
    task, handing out or putting away instruments, or
    another behavior that goes beyond normal
    participation at least three times per session
    for four consecutive sessions.

17
One students results
18
IEP Goals and Dance Therapy
  • Applicable to the nature of dance groups
  • Enhanced by dance intern attendance and modeling
  • Gross Motor Skills
  • Sensory Motor Integration
  • Social Skills Personal Space

19
Student Interns
  • Recruited as volunteers from regular education
    band, orchestra and choir classes
  • Attended and assisted in each session
  • Wrote overall session notes and individual
    analysis of students reaction to the music

20
Current Project
  • Involves 4 district high schools
  • Music Therapist
  • Dance and Movement Therapist
  • Special Education students and teachers
  • Music and Dance students and teachers

21
Project Description The Why
  • Enhanced learning takes place for students with
    special needs.
  • On task behaviors increase
  • More eye contact
  • Recognize personal space self and others
  • Compliance to requests
  • Improved listening skills
  • Improved communication skills
  • Improved social skills i.e. taking turns,
    respecting others

22
Additional Benefits to Students with Special Needs
  • Development of leisure time activities-music and
    dance as free time choices
  • Recognition of their own preferences in music and
    dance styles
  • Participation at their own level of ability
  • Development of personal talents
  • Performance experience in front of an audience of
    family, peers and faculty members
  • Recognition for their ABILITIES, not their
    disabilities

23
Project Description The Why (continued)
  • Enhanced learning takes place on the part of the
    student interns who instruct their peers with
    special needs.
  • Students have experience setting measurable goals
    and planning lessons
  • Students have experience teaching and interacting
    with their peers who have special needs
  • Students have practical experience in data
    gathering and interpretation

24
Intern Feedback
  • I loved working with them on a personal level.
  • Music affected everyone and it was for the
    better.
  • Its a lot of fun to work with the special ed
    kids and see how they react to musical
    situations.
  • It was very hard to relate to her (a specific
    student) and I did once or twice. It felt
    great.

25
Continuing Intern Responses
  • Two past interns are studying Music Therapy at
    Utah State University.
  • Three past interns are planning to study Music
    Therapy after they complete general education
    requirements.
  • Five past interns have requested information
    about Music Therapy for research papers.

26
Therapy Interventions
  • Active Music Therapy vs. Passive Music Therapy
  • Creativity creating music and instruments,
    choreographing movement.
  • Education classical pieces, instruments,
    composers, dance.
  • Teamwork handbells, group activities, working
    toward performance goal.

27
Final Performance
  • Is not the end result. What happens because of
    the performance is part of the end result.
  • Provides an opportunity to share what they have
    accomplished during the year.
  • Allows students to experience and learn to cope
    with performance anxiety.
  • Enhances self-esteem.

28
Success Stories
  • Friendship between students and interns
  • Self correction
  • Self expression
  • Jordan Highs assembly performance

29
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30
The Bottom Line
  • Music and Dance Therapy help special education
    students in reaching their IEP goals
  • and so much more

31
Questions? Comments?
  • Julie Christofferson Curriculum Consultant for
    Jordan School District julie.christofferson_at_jordan
    .k12.ut.us
  • Pamela Keele Special Education Instructor for
    Riverton High School pamela.keele_at_jordan.k12.ut.u
    s
  • Paige Moore, MT-BC Music Therapist
    paigerachel.moore_at_jordan.k12.ut.us

32
Bibliography
  • Davis, William B. et al. (1992). An Introduction
    to Music Therapy Theory and Practice. Dubuque,
    Iowa William C. Brown Publishing.
  • Dewey, John. (1934). Arts as Experience. New
    York Minton, Branch and Co.
  • Gardner, Howard. (1999). Intelligence Reframed
    Multiple Intelligences for the 21st Century. New
    York Basic Books.
  • Gardner, Howard (1983). Frames of Mind The
    Theory of Multiple Intelligences. New York
    Basic Books.
  • Presidents Committee on the Arts and the
    Humanities and Arts Education Partnership.
    (1999). Gaining the Arts Advantage Lessons
    from School Districts that Value Arts Education.
  • Sobol, Elise S. (2001). An Attitude and Approach
    for Teaching Music to Special Learners. Raleigh,
    North Carolina Pentland Press, Inc.
  • U.S. Department of Education, National Center for
    Education Statistics. Arts Education in Public
    Elementary and Secondary Schools. (1999-2000).
    NCES 2002-131, by Nancy Carey, Brian Kleiner,
    Rebecca Porch and Elizabeth Farris. Project
    Officer Shelly Burns. Washington, DC 2002.
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