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Orientalism in the 18th century

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Title: Orientalism in the 18th century


1
Orientalism in the 18th century
2
What is Orientalism?
  • Originally the study by Western scholars of the
    Near and Far East (its culture, society,
    languages).
  • Employed in opposition to Occidental culture
  • In late 20th century, a term introduced by Edward
    Said to describe the historical and ideological
    process whereby false images of and myths about
    the Eastern or oriental world have been
    constructed by the West. Important for the
    development of Post Colonial Studies.

3
Edward Said
  • Said focuses his attention on the interplay
    between the "Occident" and the "Orient."
  • The Occident is his term for the West (England,
    France, and the United States), and the Orient
    is the term for the romantic and misunderstood
    Middle East and Far East.

4
  • According to Said, the West has created a
    dichotomy, between the reality of the East and
    the romantic notion of the "Orient
  • The Middle East and Asia are depicted with
    prejudice and racism.
  • Seen as backward and ignorant of their own
    history and culture.
  • To fill this void, the West has created a culture
    and history for them. The study of the Orient,
    and also the political and cultural imperialism
    of Europe in the East rests on this framework.

5
Edward Said andOrientalism
  • According to Edward Said ...that by Orientalism
    I mean several things, all of them, in my
    opinion, interdependent. The most readily
    accepted designation for Orientalism is an
    academic one, and indeed the label still serves
    in a number of academic institutions. Anyone who
    teaches, writes about, or researches the
    Orient--and this applies whether the person is an
    anthropologist, sociologist, historian, or
    philologist--either in its specific or its
    general aspects, is an Orientalist, and what he
    or she says or does is Orientalism.

6
Said continues
  • Related to this academic tradition, whose
    fortunes, transmigrations, specializations, and
    transmissions are in part the subject of this
    study, is a more general meaning for Orientalism.
    Orientalism is a style of thought based upon
    ontological and epistemological distinctions made
    between the Orient and (most of the time) the
    Occident.

7
Said continues
  • Thus a very large mass of writers, among who are
    poets, novelists, philosophers, political
    theorists, economists, and imperial
    administrators, have accepted the basic
    distinction between East and West as the starting
    point for elaborate accounts concerning the
    Orient, its people, customs, "mind," destiny, and
    so on. . . . the phenomenon of Orientalism as I
    study it here deals principally, not with a
    correspondence between Orientalism and Orient,
    but with the internal consistency of Orientalism
    and its ideas about the Orient . . despite or
    beyond any correspondence, or lack thereof, with
    a "real" Orientalism. (Orientalism, New York
    Vintage, 1979, 1-3,5. )

8
Map of  Ottoman Empire from 1300-1700
http//courses.wcupa.edu/wanko/LIT400/Turkey/maps.
htm
9
Writers
  • Others who perpetuated and modified the images of
    Turkey, the Ottoman and Persian Empires, and
    other Islamic milieux in eighteenth Britain were
  • John Dryden (late 17th century Conquest of
    Granada, Bajazet, and other works)
  • Antoine Galland, French translation of the
    folktale cycle known in English as One Thousand
    and One Nights, or The Arabian Nights (1704-17)
  • François Pétis de la Croix, Mille et un jours,
    contes persanes (1710-12)
  • Daniel Defoe, in Roxana Or, the Fortunate
    Mistress (1724), has his protagonist wear Turkish
    clothing as a disguise
  • Montesquieu, via translations of his influential
    Persian Letters (1721)
  • Johnson and Rasselas (1759)
  • Beckford and Vathek (1786)
  • Sir William Eton, A Survey of the Turkish Empire
    (1799)
  • French travel literature about the Levant (in
    French, which most upper-class Britons would
    understand)

10
Images that populated the writings of many
eighteenth-century British writers  Decadent
sultans wealthy beyond imagination.  Lustful,
tyrannical, predatory men. Passive, secretive,
voluptuous women. Ferocious and arbitrary
justice.  The mystery and irrationality of Islam.
  • Many writers added to these common images by
    their travel narratives and letters, or their
    flights of fancy
  • Lady Mary Wortley Montagu writes about her
    travels to Turkey in 1717 in letters that are
    published posthumously in 1763 as the Turkish
    Embassy Letters.
  • Penelope Aubin publishes her romance The Strange
    Adventures of the Count de Vinevil and His Family
    in 1721.
  • Lady Craven writes a collection of letters about
    her travels in A Journey through the Crimea to
    Constantinople in 1789.
  • Olaudah Equiano publishes his Interesting
    Narrative, in 1789 part of which deals with his
    reception in and observations on Turkey.

11
  • Although Orientalism did not become a
    well-defined style until the 19th century, its
    roots can be traced to a general love of exotica
    in the 18th century.
  • Jean Etienne Liotard
  • Swiss pastel painter and engraver
  • painted women dressed in Turkish costume
  • chose to retain the Turkish dress and beard that
    he had adopted while abroad.

Jean Etienne LiotardWoman with a Tamburine1735
12
  • Luigi Mayer (c. 1755-1803)
  • travelled through the Ottoman Empire between 1776
    and 1794,
  • sketched and painted panoramic landscapes,
    ancient monuments, and the Nile and its
    surroundings.

Women of Caramania 1803
13
Luigi Mayer
14
Giovanni Batista Tiepolo 1696-1770)
  • Painted a series of frescos at the residence of
    the Prince Archbishop of Wurzburg that included
    personifications of the four continents on the
    ceiling of the staircase in the Kaisersaal.
  • Pays tribute to the Prince-Bishop. He is honoured
    by the gods of Olympus, and Fame, personified by
    a woman holding his portrait aloft, while
    allegories of the four continents cluster around

Apollo and the Continents 1752-53Fresco,
Stairwell of the Residenz, Würzburg
15
Apollo and the Continents (America) 1752-53
FrescoStairwell of the Residenz, Würzburg
16
Joseph-Marie Vien (1716-1809)
A Young Woman in Turkish Costume Seated Playing
with a Cage-Bird 1766
17
Joseph-Marie Vien (1716-1809) Sultane Reine
Joseph-Marie VienDer Sultan
18
Standard Bearer (M. Barbault)1748
Sultane Noir (M. Castagnier)1748
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