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Myth

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The Head and the Loins: L vi-Strauss and Beyond. ... Not every 'untrue', 'made up', 'false' story or 'speculative fantasy' is a myth ... For LS - anthropology ... – PowerPoint PPT presentation

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Title: Myth


1
Myth
  • 6.11.2003

2
Readings
  • Lévi-Strauss, C. 1955. The Structural Study of
    Myth. In The Journal of American Folklore LXVII
    428-44 (Reprinted in Lessa and Vogt)
  • Willis, R. 1967. The Head and the Loins
    Lévi-Strauss and Beyond. In Man II 519-534.
    (Reprinted in Lessa and Vogt)

3
Discussion topics
  • I Definitions of myth
  • Mythos
  • Different definitions
  • II Folktale, myth and legend epic
  • III Approaches to myth in general
  • IV Four main anthropological approaches to myth
  • Rationalist approach
  • Functionalist approach
  • Psychological approach
  • Structuralist approach

4
Mythos
  • The term myth is ambiguous
  • its semantic range inclusive rather than
    exclusive
  • The ambiguity goes back to the Greek mythos
  • Meant "utterance," "speech," or "story."
  • Odyssey
  • Odysseus' son Telemachus tells his mother
    Penelope to leave mythos ( "public debate and
    discussion") to men.
  • Telemachus asks old Nestor to tell him whatever
    mythos ( "story," "tale") he may have heard of
    his missing father
  • Iliad
  • Phoenix distinguishes mythos ("word") from ergon
    ("deed"), while teaching Achilles to be both a
    speaker of words and a doer of deeds.
  • Mythos can be both true or false story
  • Electra
  • Electra promises to tell her husband the whole
    truth (mython).
  • Herodotus (Histories)
  • recounts a story (mythos) about the hero Heracles
    which has "no basis in fact."

5
Myth
  • English usage
  • expands the ambiguity of the Greek word
  • traditional stories, including legends and
    folktales
  • essential features of a culture
  • beliefs and ideological assumptions that some
    believe
  • "myths" of Aryan or white supremacy
  • conspiracy myths surrounding the assassination of
    JFK
  • fictional stories, characters, and objects
    which have no basis in fact
  • the plot of almost any work of literary fiction

6
Definitions I
  • William Bascom The Forms of Folklore Prose
    Narratives
  • The classic folkloristic definition of myth
  • tales believed as true, usually sacred,
  • set in the distant past or other worlds or parts
    of the world,
  • and with extra-human, inhuman, or heroic
    characters.
  • gt cosmogonic, or origin myths
  • provide order or cosmology,
  • based on Greek kosmos ( order)

7
Definitions II
  • 2) Walter Burkert
  • Swiss scholar of Greek religion 
  • "Myth is a traditional tale with secondary,
    partial reference to something of collective
    importance"
  • gt Traditional tale
  • myths from distant past
  • gt reference to something of collective
    importance
  • Collective nature

8
Definitions III
  • 3) Webster's dictionary
  • Myth
  • usually a traditional story of ostensible
    historical events that serves to unfold part of
    the world view of a people or explain a practice,
    belief, or natural phenomenon parable, allegory
    an ill-founded belief held uncritically
    especially by an interested group.
  • Mythical
  • based on or described in a myth, especially as
    contrasted with factual history imaginary
    fabricated, invented, or imagined in an arbitrary
    way or in defiance of facts synonym fictitious
  • Myths
  • metaphorically and symbolically true
  • factually and literally false
  • gt Not every "untrue", "made up", "false story
    or speculative fantasy is a myth

9
Myth vs. Science?
  • myth usually relegated to the area of lies
  • ancient Greek creation stories
  • the world was originally Chaos
  • From Chaos suddenly Order appeared
  • From the conflict between the two of them
  • How different is this allegory from the Big Bang
    Theory?
  • myth is like scientific theory, not knowledge

10
Mythology
  • Understood in two ways
  • The study of myths of a particular people/culture
  • A body of myths of particular people/culture

11
Folktale, myth and legend
  • William Bascom
  • "The Forms of Folklore  Prose Narratives"
  • Distinction between folktale, myth and legend.
  • His differentiation depends on
  • fictionality
  • time period
  • setting
  • religious importance
  • main characters

12
Folktales
  • "Folktales are prose narratives which are
    regarded as fiction."
  • Folktales are
  • non-sacred fictional stories
  • that occur "once upon a time"
  • and feature both human and non-human characters. 
  • Examples
  • Fairy tales
  • Fables

13
Legends
  • "Legends are prose narratives which, like myths,
    are regarded as true by the narrator and his
    audience, but they are set in a period
    considerably less remote, when the world was much
    as it is today."
  • Legends are considered
  • true stories
  • primarily about human heroes
  • Humanized versions of gods
  • Gods and other superhumans play role in the story
  • that occurred in the recent past
  • and may feature some religious references. 
  • Example Odyssey.

14
Myths
  • "Myths are prose narratives which, in the society
    in which they are told, are considered to be
    truthful accounts of what happened in the remote
    past."
  • Myths are considered
  • true sacred stories
  • that occurred in the remote past
  • and have non-humans (gods, monsters) as the
    principal characters.
  • Subjects of myth
  • Creation of world and humans
  • Cosmic catastrophes
  • Origins of institutions
  • Phenomena of birth and death
  • Relations of the gods with each other and mortals

15
 
16
Epic
  • Epic
  • a compilation of myths, legend, folk stories
    and oral histories.
  • transition from oral to written culture.
  • Goody (1978 1977)
  • "the domestication of the savage mind"

17
Kalevipoeg
18
Kalevipoeg I
  • Estonian national epic Kalevipoeg (The Son of
    Kalev)
  • Compiled by F.R. Kreutzwald in 1857-61
  • Kreutzwald
  • Germanized Estonian
  • never identified himself with Estonian peasant
    culture
  • never believed in an independent Estonian nation
  • Kalevipoeg as an epic
  • not their true collection
  • Nearly half of them created by Kreutzwald himself
  • various well-known stories omitted
  • Invented content of epics
  • Kalevala - Elias Lönnrot
  • Lacplesis ("The Bear Slayer") - Andrejs Pumpurs
    (1888)

19
Kalevipoeg II
  • cultural and political implications of Kalevipoeg
    despite invented essence
  • Especially during the Soviet period.
  • power of epic
  • affirms long history and distinct culture
  • moral value of its mythical content
  • anonymity and the co-authorship of the past
    generations
  • Kalevipoeg
  • a tragic hero
  • cuts his legs with his own sword
  • is in the end chained to the gate of hell
  • Initially symbolised the serfdom of Estonian
    peasants under German landowners
  • especially metaphorical in the Soviet context

20
Kalevipoeg
21
Kalevipoeg III
  • Kalevipoeg
  • myth of origin
  • Millenarian vision of the future.
  • The last lines of Kalevipoeg
  • But one day an age will dawn
  • when all spills, at both their ends,
  • will burst forth into flame
  • and this stark fire will sever
  • the vise of stone from Kalevipoeg's hand.
  • Then the son of Kalev will come home
  • to bring his children happiness
  • and build Estonia's life anew.
  • re-establishment of an independent Estonian
    nation-state.

22
Approaches to myth Ancient Greece
  • Critical study of myths dates back to the ancient
    Greeks
  • Xenophanes of Colophon (6th c. BC)
  • cast doubt upon the anthropomorphism of the Greek
    gods.
  • Ethiopian gods look like Ethiopians
  • Scythian gods like Scythians
  • gtif horses had gods they would look like horses
  • Euhemerus (3rd c. BC)
  • Greek gods were once great kings who were
    worshiped as deities after their deaths.
  • This approach called euhemerism
  • Replaced literal interpretation of myths with an
    allegorical approach

23
Approaches to myth Renaissance
  • Italy
  • Scholars, writers and artists used myths to
  • celebrate the continuity of culture from the
    mythic past of the Greeks and Romans to the
    Christian present.
  • Ancient myths treated as allegories
  • complemented and reinforced the Christian
    worldview
  • Eg.hero's victory over the Gorgon Medusa
  • The symbolic victory of virtue over vice
    Christ's conquest of sin and his ascension into
    heaven

24
Approaches to myth Enlightenment
  • scholars began to treat myths and legends more
    historically and scientifically.
  • Sir William Jones
  • discovery of the Indo-European language family
    (1786)
  • Recognition of the linguistic ties binding
    Sanskrit, Greek, and Latin
  • gt comparative studies of Indo-European myths
  • linguistic and functional similarities among
    various deities
  • gt comparative mythology

25
Approaches to myth 19th century
  • myths from other cultural contexts partially
    included in analysis
  • Common themes from around the world studies
  • Eg. flood myths and tales of worldwide cataclysm
  • from Polynesia and South America
  • provided perspective on ancient Mediterranean
    myths about floods
  • Noah and the Ark in the biblical book of Genesis
  • the myth of Deucalion and Pyrrha in Ovid's
    Metamorphoses
  • the story of Utnapishtim in the Babylonian Epic
    of Gilgamesh,
  • Acknowledgement of common themes led to two
    approaches
  • 1) search for the original story or Ur-Myth from
    which all variants sprang
  • Spread via geographic dissemination of myths
  • 2) Thematic similarities due to common experience
    of humankind

26
Approaches to myth 20th century
  • Psychological and anthropological approaches
    proliferated
  • Analysis of classical mythology had been dominant
  • Also in early psychological approaches
  • Eg. Freud and the Greek myth of Oedipus
  • Thanks to anthropologists
  • mythological references widened.
  • Sir James George Frazers Golden Bough (1898)
  • Cambridge School
  • Jane Harrison, A. B. Cook, Francis Cornford, and
    Gilbert Murray

27
Four approaches to myth in anthropology
  • rationalist approach
  • functionalist approach
  • psychoanalytical approach
  • structuralist approach

28
Rationalist approach
  • Myth
  • uses the supernatural to interpret and explain
    natural events and forces
  • Creation myths the best example
  • how the universe was created
  • how man was created
  • All ancient civilizations
  • had their creation myths
  • The stories in the Old Testament Book of Genesis
  • a reflection of older myths of ancient Egypt and
    Mesopotamia from at least 3000 BC.
  • the further back we go - the more dominant the
    creation myth becomes
  • Eg. Max Müller
  • All myths originated in solar symbols
  • Debate with Andrew Lang

29
Functionalist/sociological approach I
  • Myths
  • as a type of social control.
  • teach morality and social behavior
  • what types of things should and shouldnt be done
  • the consequences for those wrong doings.
  • serve the function of insuring stability in a
    society
  • As a charter validating present social
    relations (Malinowski)

30
Functionalist/sociological approach II
  • Malinowski
  • Myth in Primitive Psychology (1926)
  • Sociological interpretation of Trobriand myths
  • myth and social reality were functionally
    interrelated.
  • Myth confirms, supports and maintains the social
    state of affairs.
  • E.g. Trobriand origin myths
  • explain and validate incest taboos
  • legitimate food taboos
  • Justify ranks in society
  • Paul Radin
  • Myths serve to explain and encourage worldview
    and good action within society

31
Psychoanalytical approach
  • Myth
  • As an expressive phenomenon
  • Its primary referents are
  • the individual
  • The conflict between societal constraints and
    biological nature
  • Symbolic representations of these conflicts are
    universal
  • Jung
  • "primordial images" or archetypes.
  • provide the primordial elements in the myths and
    narrative constructions of widely different
    cultures.
  • Eliade
  • exemplary models or paradigms.
  • But denies psychological explanation of myths

32
Psychoanalytical approach Dundes I
  • Earth-diver Creation of the Mythopoeic Male
    (1962)
  • The creation of earth from dirt or mud
  • widely spread theme in myths, especially among
    North American Indians
  • Earth-diver myth
  • waters cover earth
  • various animals dive into a flood of waters
  • to bring out bits of sand and mud from which to
    form earth
  • last animal succeeds (various species)
  • mud put on surface of water
  • magically expands to become land

33
Psychoanalytical approach Dundes II
  • relies on orthodox Freudian theory
  • relates the theme to
  • the (theoretically) universal male pregnancy envy
  • desire to give anal birth
  • Comparative data from various parts of the world

34
Psychoanalytical approach Dundes III
  • clinical data of male fantasies
  • Freud, Jung, Lombroso, etc
  • Genesis
  • Womans creative role denied
  • Noah-story as a gestation myth
  • a man builds a womb-ark
  • Hinduism
  • Ganesh formed from the excrement of his mother
  • Chukchee creation myth
  • Raven defecates and creates the world
  • Nahuatl
  • gold as the excrement of gods
  • teocuitlatl gold
  • teotl god
  • cuitlatl excrement

35
Structuralist approach
  • The structuralists
  • discarded the overt funtionalism
  • maintained that myth provides the conceptual
    rather than normative supports of a social world.
  • emphasis on binary opposites
  • Synchronic rather than diachronic approach

36
Levi-Strauss (b. 1908)
37
Structuralist approach - Levi-Strauss I
  • For LS - anthropology
  • the study of collective representations
    thought-of orders of myth and religion.
  • fundamentally the study of thought.
  • structuralism
  • a scientific method of analysis
  • Explicitly follows the structural analysis
    pioneered by Ferdinand de Saussure
  • Applies the theoretical paradigm of structural
    linguistics on
  • myth
  • totemism
  • religion in general
  • modern political ideology

38
Structuralist approach - Levi-Strauss II
  • The Savage Mind (1962)
  • Mythologiques (1968, 1969, 1971, 1973)
  • study of the myths of American Indians
  • Two seminal essays
  • The Structural Study of Myth (1955)
  • The Story of Asdiwal (1961)
  • Anti-charterist approach
  • Myths just a partial window on ethnographic
    reality
  • Myths have an invariant structure
  • not evident at the empirical level
  • Meaning of myths
  • not in their manifest content
  • but rather in their underlying structure
  • elements of the myth mythemes
  • like the elements of language
  • meaningless if taken in isolation
  • meaningful only in relation to other elements

39
Structuralist approach - Levi-Strauss III
  • Myth as a
  • cultural code
  • logical model
  • Serves to
  • order human experience
  • mediate the conflicting or dualistic elements of
    society and life

40
Structuralist approach - Levi-Strauss IV
  • The Structural Study of Myth (1955)
  • against sociological and psychological
    explanations
  • the example of evil grandmothers
  • structural approach
  • dividing a myth into shortest possible
    sentences
  • writing those on cards
  • arranging cards in columns
  • Reading vs understanding the myth
  • reading rows
  • understanding columns
  • 1 2 4 7 8
  • 2 3 4 6 8
  • 1 4 5 7 8
  • 2 5 7
  • 3 4 5
  • 6 8

41
Structuralist approach - Levi-Strauss V
  • Criticism
  • 1) structuralism
  • essentially synchronic and ahistorical
  • 2) The binary oppositions (eg nature vs culture)
  • may involve the imposition of Western dualistic
    concepts on the thought of preliterate people.
  • 3) human praxis and problem of meaning
  • totally excluded
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