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The Book of Songs and Women in Early China

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The increased danger to individuals in daily life is reflected in the poetry of this time. ... Poetry permeated court life - one wrote poems for leavetakings ... – PowerPoint PPT presentation

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Title: The Book of Songs and Women in Early China


1
The Book of Songs and Women in Early China
  • CNE/ENG 120
  • 10/15/04

2
The Book of Songs
  • Culture Chinese
  • Time 1000-600 BCE
  • Genre lyric poetry
  • Authors various
  • Themes the importance - fragility of - human
    bonds, loyalty, solidarity, fertility timely
    action, balances/exchanges, how to live a good
    life (in an antiheroic world)

3
305 Songs the Heritage of the Chou People
  • This collection circulated among the aristocracy,
    but drew upon a wide variety of sources. Its
    diversity represents many levels of Chou society.
  • Through the 5th c. the Book of Songs served as
    the basic educational text for the Chou upper
    class.

4
Lyric Genre
  • In contrast to the other cultures we have
    studied, ancient China produced no epic. Chinese
    literary tradition begins with lyric.
  • By the 4th c., the Book of Songs was part of the
    canon of Confucian classics - it remained an
    essential part of Chinese education until the
    20th c.

5
A Way to Speak
  • The Chou Dynastys sense of its own authority
    depended on Heavens charge to rule, which was
    contingent upon ruling well and receiving the
    support of the common people.
  • Confucius is said to have told his son that if he
    did not learn the Book of Songs he would have no
    way to speak. It gave words to feelings that
    would otherwise be hard or uncomfortable to
    speak.
  • The songs were said to spring naturally from
    human feeling.

6
Gods in the Book of Songs
  • Here the gods are the collective ancestors, or
    Heaven they function as numinous mechanisms,
    enforcers of the natural and moral order.
  • Unlike Greek, Roman and Mesopotamian gods, they
    almost never have favorites.

7
Keep in mind
  • Like all classical Chinese writing, these poems
    suppress grammatical subject and do not specify
    verb tense, gender, number, or case.
  • Most poems are so brief that the situation they
    describe is sketchy at best.
  • Lines from the poems were used to express
    political opinions obliquely but effectively.

8
In-Class Assignment
  • In groups, analyze the poems for their themes and
    imagery used to express them.
  • Group 1 1, 41, 42, 45
  • Group 2 76, 82, 94, 96
  • Group 3 113, 119, 123, 143
  • Group 4 154, 166, 189
  • Group 5 245, 283

9
Women in Medieval China
  • Fall of the Han empire led to a period of
    political and social unrest as generals
    established themselves as warlords over various
    regions. Non-Chinese tribes invaded, there
    followed the Period of Division.

10
Stability Regained
  • The Sui rulers from northern China reunified the
    empire in 589 the Tang dynasty followed,
    reigning from 618-907.
  • In the massive unrest, many retreated from the
    ideal and practice of public service that
    Confucius advocated. The increased danger to
    individuals in daily life is reflected in the
    poetry of this time.

11
Other influences
  • Buddhism arrived in the first century CE,
    probably along the Silk Road trade route.
  • Four Noble Truths of Buddhism
  • 1) all life is suffering
  • 2) suffering has a cause
  • 3) suffering can be eliminated
  • 4) the path toward this goal is eight-fold,
    involving wisdom, morality, concentration

12
Debate
  • Between Confucius emphasis on public engagement
    social ethical responsibility and Buddhisms
    focus on the individual renunciation of wordly
    duties and rewards.

13
Court Life Poetry
  • All court appointees had to have been trained in
    the liberal arts including producing and
    analyzing poetry.
  • Poetry permeated court life - one wrote poems for
    leavetakings and homecomings, even for daily life
    occasions such as not finding ones friend at
    home - you left him a poem about it.

14
Women in Early China
  • Readings for this are both didactic texts
    designed to show women how to behave properly and
    literary works composed by or about women as key
    protagonists.
  • These span a thousand years of time, and spring
    from and speak to a spectrum of social classes.
  • Given the patriarchal social structure, not much
    literature written by women survives however,
    there was a deep-seated belief that women could
    influence a nations prosperity or adversity.

15
Liu Xiang
  • Categories reflect womens roles of daughter,
    wife, mother, with the mother having the greatest
    power.
  • The mother of Mencius, the first Confucian, sets
    him straight. Consider how she relates her
    priorities to her son.

16
Ban Zhao
  • Lessons for Women a conduct book
  • She advocates education for women, to be put to
    use in the household.
  • What motivations/fears can you see behind her
    advice?

17
Yuan Cai
  • 1000 years later than Ban Zhao more constrained
    lives for women because of Confucian
    interpretations of proper sexual behavior and
    relations.
  • His guidelines for his own family respond to a
    widespread disregard for the fate of women in the
    social unit, esp. those without male protectors.

18
Tang Man
19
Voices of Women
  • Willow Bough - upper class woman poet nature
    imagery shared with male poets
  • Midnight Songs - attributed to a courtesan of
    uncertain virtue mercantile values
  • Themes intimate relationships between a woman
    and her lover
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