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Sculpture Vocabulary

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Title: Sculpture Vocabulary


1
Sculpture Vocabulary
  • Leland High School Sculpture
  • D. Imerson
  • Fall 2009

2
relief sculpture
  • a type of sculpture that has forms that extend
    into space from a single plane.

3
Some relief sculptures tell a story
4
Egyptian Relief Sculpture
5
A Fossil is a type of relief
6
casting
  • is a process, where the sculptor starts by making
    a mold.
  • We will use paper as our medium for casting

7
Mold for Serpent downtown San Jose
8
Mold
Cast
9
Gesture
  • Gestural lines indicate action and physical
    movement.
  • Our eyes follow the active lines as they swirl
    across the page
  • In this example wire creates the gesture

10
Gesture drawing
  • Moving a drawing medium quickly and freely over a
    surface to capture the form and actions of a
    subject

11
Contour lines
  • outline the edges of forms or shapes and actually
    describe shapes and forms in the simplest way
  •  

12
armature
  • internal support, often used to supply strength,
    or to provide weight reductions by providing
    volume and mass, which saves on outer material
    such as plaster

13
The 4 ways to create sculpture
  • Assemblage
  • Carving
  • Modeling
  • Casting

14
assemblage
  • assembling is a process in which pieces of
    material are glued or joined together. As in
    modeling, assembled sculptures are built up.
  • A house of cards, for example, is made by
    assembling.
  • Assembling is also known as constructing.

15
Louise Nevelson
  • Used assemblage to make her sculptures
  • Is this a relief sculpture?

16
construction
  • Also known as assemblage.

17
carving
  • Carving is a subtractive process. Michelangelo
    used the subtractive process of carving marble

18
Here are some more examples of carving

19
modeling
  • is the building up and shaping of soft material
    to create a sculpture.

Oil based clay model
Bronze from clay model
20
There are two basic shapes or forms
  • Organic
  • Geometric

21
organic
  • of, relating to, or derived from living
    organisms.
  • organic objects are more flowing, usually modeled
    with only the fingers of the artist.

22
geometric
  • of or relating to art based on simple geometric
    shapes (as straight lines, circles, or squares).
  • Geometric objects often require the use of tools
    to produce a more sharp, hard-edged image.

23
realistic
  • fidelity in art and literature to nature or to
    real life and to accurate representation without
    idealization.

24
Realism
Vietnam Veterans Memorial by Fredrick Hart
Odessa by Fredrick Hart
25
Abstraction
  • a brief definition of creating an abstract
    artwork is to secure the essence of the subject
    matter and translate it into personal expression.

26
Horse by Deborah Butterffield

Look closely at the colors, lines, and angles of
the horse. What did the artist do to make her
horse beautiful? Which details did she
emphasize? Which did she eliminate?
27
non-objective
  • representing or intended to represent no natural
    or actual object, figure, or scene

28
Untitled by Donald Judd, 1967
  • Untitled is an example of the artists spare and
    elegant use of materials. Each stainless steel
    and Plexiglas unit carries equal weight with no
    compositional hierarchy in which the parts have
    different roles and degrees of emphasis.
  • There is no story to be applied to this piece,
    it is to be seen and appreciated for what it is a
    repeated pattern of strong beautifully fabricated
    forms.
  • The power of visual language when seen in its
    purest form, holds as much interest as works in
    which the artist reveals self, or tells a story.

29
maquette
  • are rough ideas and not finished within
    themselves. It is a small sketch, model, or
    study for a larger sculpture

30
medium
  • the materials we use in sculpture such as clay,
    paper, wax, marble, stone, plaster, wire, metal
    and various other materials. The tools used to
    manipulate the materials are not considered a
    medium.

Marble by Michelangelo
Acrylic by Frederick Hart
Oaxacan wood carving
31
technique
  • is the combination of physical ability and use of
    tools and materials.
  • It is the way an idea becomes reality.
  • The sculptor must have a knowledge of the media
    in order to know what tools to use and must know
    how to use the tools in order to work with the
    media

32
Form
  • Form describes volume and mass, or the
    three-dimensional aspects of objects that take up
    space.
  • (shape is two-dimensional.)
  • the package in which the ideas are presented. It
    is the total design.

33
Architectural forms
  • Enclose spaces and most are geometric, but some
    architects use curvilinear forms in their
    buildings.

34
Fredrick Hart
Frederick Hart's philosophy can be summed up in
his own words,          "Art must touch our
lives...our fears and cares evoke our dreams and
give hope to the darkness."
35
content
  • tone, mood, essence, statement, feeling, emotion,
    beauty, reality and truth.

36
The 3 fundamentals of sculpture are
  • form
  • content
  • technique

37
4 Ways to create a sculpture
  • Modeling, carving, casting, and assembling are
    the four ways to create a sculpture.

Modeling Carving Casting
Assembling
38
The End!
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