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History of Western Music

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Title: History of Western Music


1
History of Western Music
  • Packet 2

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Western Music and Non- Western Music
  • Western music-Music that has its origins in
    Europe
  • Western music is not limited to Europe, but
    includes any music that was influenced by the
    region.
  • Any part of the world that was colonized by a
    European nation is most likely influenced by
    European music, therefore considered Western
    music
  • Any nation can have both Western and Non-western
    muscial traditions within its borders
  • In this chapter we will learn about the history
    of Western music

4
Ancient Greek and Roman Music
  • The music that we all enjoy today can be traced
    back to ancient Greece and Rome
  • Music played an integral role in the lives of
    ancient Greeks
  • The word music comes from the muses, the
    daughters of Zeus and patron goddesses of
    creative and intellectual endeavours.
  • Muse-any of the nine sister goddesses in Greek
    mythology presiding over song and poetry and the
    arts and sciences.

5
Ancient Greek Musical Instruments
  • the lyre a strummed and occasionally plucked
    string instrument
  • hand-held chordophone
  • built on a tortoise-shell frame
  • generally with seven or more strings tuned to the
    notes of one of the modes.
  • The lyre was used to accompany others or even
    oneself for recitation and song.

6
Ancient Greek Musical Instruments
  • The kithara-also a strummed string instrument,
  • more complicated than the lyre.
  • It had a box-type frame with strings stretched
    from the cross-bar at the top to the sounding box
    at the bottom
  • it was held upright and played with a plectrum.
  • The strings were tunable by adjusting wooden
    wedges along the cross-bar.

7
Ancient Greek Musical Instruments
  • The aulos-usually double, consisting of two
    double-reed (like an oboe) pipes,
  • not joined but generally played with a mouth-band
    to hold both pipes steadily between the player's
    lips.

8
Ancient Greek Musical instruments
  • The pan pipes, also known as panflute and syrinx
    (Greek s?????),
  • an ancient musical instrument based on the
    principle of the stopped pipe
  • consisting of a series of such pipes of gradually
    increasing length
  • Sound is produced by blowing across the top of
    the open pipe (like blowing across a bottle top).

9
Ancient Greek Musical Instruments
  • The hydraulis, a keyboard instrument, the
    forerunner of the modern organ.
  • the instrument used water to supply a constant
    flow of pressure to the pipes.
  • the air to the pipes that produce the sound comes
    from a wind-chest (air chamber) connected by a
    pipe to a dome
  • air is pumped in to compress water
  • the water rises in the dome, compressing the air,
    and causing a steady supply of air to the pipes

10
Roman Music
  • Very little survives about the music of the
    Romans.
  • The Romans are not said to have been particularly
    creative or original when it came to music.
  • They did not attach any spiritual ethos to music,
    as did the Greeks.
  • Ethos-the distinguishing character, sentiment,
    moral nature, or guiding beliefs of a person,
    group, or institution
  • Early fathers of the Christian church were aghast
    at the music of theatre, festivals, and pagan
    religion.
  • Music of the Greeks was suppressed once
    Christianity became the official religion of the
    Roman empire.
  • Eventaully though, Greek ideals and customs
    (including music) were adopted by the Church

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  • Empire- a major political unit having a territory
    of great extent or a number of territories or
    peoples under a single sovereign authority.
  • Ancient Rome was an empire until the year 476.
  • This marked the beginning of the Medieval Era.
  • The Medieval Era was a time of much confusion.
    It was a period of feudalism. The main authority
    in the west was the Catholic Church.
  •  the system of political organization prevailing
    in Europe from the 9th to about the 15th
    centuries having as its basis the relation of
    lord to vassal with all land held in fee and as
    chief characteristics homage, the service of
    tenants under arms and in court, wardship, and
    forfeiture
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