Economic model of CNE

1

• Economic model of CNE

2
Economic model of CNE

• overview
• structure in Germany
• funding
• costs and finance
• results in two cinemas
• other effects
• conclusion

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Economic model of CNE

• structure in Germany
• ownership of the infrastructure projector,
  server, satellite (evt.)
• obligation of screening of 26 programmes per
  year / two screenings/film
• fee for other distributors to use the server (3
  /hour)

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Economic model of CNE

• funding
• FFA Filmförderanstalt - loan
• funding of the districts - subsidy
• with funding ownership
• without funding leasing

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Economic model of CNE

• costs and finance
• 40.000 costs
• 12.000 Filmstiftung Nordrhein-Westfalen
• 8.000 FFA
• 9.600 minimum fee for the films
• 10.000 CNE-programme

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Economic model of CNE

• costs and finance
• 40.000 costs
• 12.000 Filmstiftung Nordrhein-Westfalen
• 8.000 FFA
• 9.600 minimum fee for the films
• 10.000 CNE-programme
• min. 17.000 investment

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Economic model of CNE

• results in Cinema Kurbelkiste, Münster
• 26 CNE films in 64 screenings
• 1.428 visitors
• 55 visitors/film
• 22 visitors/screening
• 7.750 box-office
• 3.979 fee for the films

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Economic model of CNE

• results in Cinema Kurbelkiste, Münster
• 26 CNE films in 64 screenings
• 1.428 visitors
• 55 visitors/film
• 22 visitors/screening
• 7.750 box-office
• 3.979 fee for the films
• 51,6 filmcosts of the income

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Economic model of CNE

• results in zeise kinos, Hamburg
• 25 films
• 1.170 visitors
• 6.314 box-office
• 3.734 fee for the films

10
Economic model of CNE

• results in zeise kinos, Hamburg
• 25 films
• 1.170 visitors
• 6.314 box-office
• 3.734 fee for the films
• 59,1 filmcosts of the income

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Economic model of CNE

• other effects
• try-out of ways to acquire new public
• equipment of 1.3 K -standard
• no funding through Europe Cinemas for thre
  digital screenings
• only a little use by other distributors
• good marketing-effect for a lot of cinemas

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Economic model of CNE

• conclusion
• CNE was a pilot for the members of CNE
• no obligation to screen special films
• no higher dependence of the exibitors
• ownership of the equipment
• open system
• free access to all medias and distributors

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Economic model of CNE

• conclusion
• no business model for the future!