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PERFORMING ARTS CENTER

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PERFORMING ARTS CENTER. Part I Public ... Civic Center/Ron Spencer ... Classical Guitar Society/Tim Atkinson & one. Capital City Shakespeare/Steve Adams ... – PowerPoint PPT presentation

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Title: PERFORMING ARTS CENTER


1
PERFORMING ARTS CENTER
  • Part I Public Presentation

2
  • Assess the community need for new arts facilities
  • Assess the communities ability to support new
    arts facilities
  • Make recommendations for new arts facilities
  • How much will it cost?

3
  • INTERVIEW THE COMMUNITY

4
PUBLIC OFFICIALS AND EDUCATORS
  • Commissioner Jane Sauls
  • Commissioner Bob Rackleff
  • Senator Al Lawson
  • Representative Loranne Ausley
  • Commissioner Allan Katz
  • Representative Curtis Richardson
  • Commissioner Tony Grippa
  • Mayor John Marks
  • Commissioner Mark Mustian
  • Commissioner Debbie Lightsey
  • Secretary of State Glenda Hood
  • Commissioner Ed DePuy
  • County Administrator Parwez Alam (P.A.)
  • Lee Hall/Harvey Smith
  • FSU School of Music/Leo Welch Jon Piersol
  • Superintendent Bill Montford
  • Theatre TCC/ John Schultz Ken Frederickson
  • FSU Dance Facilities/ Russell Sandifer
  • Mark Bertolani/FSU Facilities Director
  • FAMU Music/J Longineu Parsons
  • FSU School of Theatre/ Steve Wallace
  • TCC Arts/ Marge Banocy-Payne
  • Lee Hinkle (FSU)
  • Bill Law (TCC)
  • FSU Film School/Dean Frank Patterson
  • Ruby Diamond/Tom Hunter
  • FAMU Dance/Gaynell Sherrod
  • Love Collins, FAMU V.P. of Development

5
LOCAL ARTS GROUPS
  • Tallahassee Symphony/Lois Griffin Pat Hoy
  • Apalachee Blues Society/Ken Winker
  • Tallahassee Irish Step Dancers/ David Jones
  • Laughing Stock/Peggy Brady Elise Judelle
  • Waldie Anderson
  • The Warehouse/Jay Scott
  • Essential Theatre Winterwood Auditorium/
    Valencia Matthews Carey Robinson
  • Donna McHugh/7 Days of Opening Nights
  • Barbershop Harmony Society/Josh Bronfman
  • LeMoyne Art Foundation/MaryBeth Foss
  • Goodwood Museum/ Larry Paarlberg
  • Civic Center/Ron Spencer
  • Tallahassee Ballet/Lauren Ashburn, Christina
    Paoluci, Martha Olive Hall
  • Tallahassee Little Theatre/Norman Ussery June
    Dollar
  • African Caribbean Dance Theatre/ Jevelle Marcus
    Robinson
  • Boys Choir of Tallahassee/ Earl Lee
  • Classical Guitar Society/Tim Atkinson one
  • Capital City Shakespeare/Steve Adams
  • Monticello Opera House/Jan Rickey
  • Mickee Faust Club/ Isabelle Potts
  • Curious Echo Radio Theatre/Sonia James Sharon
    Moscowitz
  • Mary Brogan Museum/ Chucha Barber
  • Southern Shakespeare Festival/Janet Hinkle
  • Jazz at the Gray/ Wes Singletary Ken Crawford
  • Women's Dance Project/ Janet Hughes
  • Troupe Arabesque/Nancy Redig
  • Tallahassee Civic Chorale/Cynthia Valencic
  • Tallahassee Museum/Russell Daws
  • Bill Mock/Quincy Music Theatre
  • Charlie Witmer/Bach Parley Voces
  • Off-Street Players/ Pamela Gordon-Vaught
  • Theatre A La Carte/Eric Hurst
  • Gordon McCleary/ Emerald Isle Society Celtic
    Festival
  • Pas de Vie/Noelle Lawrence
  • Big Bend Community Orchestra/ Ginny Densmore
    Jim Croft
  • Tallahassee Film Society/ Dan Wester
  • Artist Series/Carolyn Hayes Ray McConn

6
BUSINESS LEADERSAND CITIZENS
  • Convention Visitors Bureau/Mike Bristol
  • Economic Development/Michael Parker
  • Midtown Merchants Association Chez Pierre/
    Karen Cooley
  • Capital City Chamber of Commerce/ Cheryl Gonzalez
  • Action 2010
  • Downtown Improvement Authority/Marilyn Larson
  • Tallahassee Democrat/ Mike Pate (Publisher)
  • Tallahassee Democrat/ Maryann Lindley
  • Parks Recreation/ Randy Trousdale David
    Chapman
  • Guy Thompson/Tourist Development Council
  • Florida Division of Cultural Affairs/ JuDee
    Pettijohn
  • Cultural Support Space/Margo Bindhardt Steve Fox
  • Rev. R.B. Holmes/ Bethel AME
  • Beth Weidner/ Maclay Gardens
  • Cathy Wilson/Capital Outlook
  • Ron Davis
  • Jim McMurtry
  • Ben Gunter
  • Del Suggs
  • Dave Ramsey/ Suntrust
  • Ken Armstrong/ United Way
  • Carmen Braswell/Sprint
  • Will Butler/ St Joe Corporation
  • Sally McRorie
  • Beverly Barber
  • Kim Williams
  • Bruce and Sandra Host
  • Craig Dennis/ Maclay Gardens
  • Family Forum Magazine/ Lori Danello Roberts
  • Susie Busch Transou
  • John Lewis/Superlube

7
WHAT WE HEARD
  • There is a need for a mid sized venue for the
    local arts groups
  • There is a need for a larger venue for touring
    productions
  • Cost to use the facility is important
  • An important economic and artistic facility for
    the capital city of Florida
  • Provide an economic/tourist engine for the
    surrounding area

8
MARKET ANALYSIS
  • To address the need for facilities, we
    considered
  • Supply and Demand Issues
  • Current Facilities
  • Audiences
  • Uses and Users
  • Broader goals expressed by the Cultural Plan and
    by the leaders of Tallahassees civic, cultural
    and higher education communities.
  • The experiences of comparable markets and
    facilities, as well as national trends in
    facility development and operation.

9
PARTICIPATION INDICATORS
  • Sex women attend more often than men in every
    discipline except jazz.
  • Median Household Income attendance increases
    with higher income, but not to extent of
    education.
  • Age traditional arts audience is getting older,
    coinciding with general aging of population.
  • Race affects kinds of arts attendance more than
    rate of attendance.
  • Educational Attainment arts attendance more than
    quadruples with college education.

Source Performing Arts in a New Era, RAND
Corporation, 1999 (National)
10
POPULATION
11
AGE
  • Roughly 40 of Tallahassees population are
    students, making it the youngest City in Florida.

12
EDUCATION
13
LOCAL AND REGIONAL AUDIENCES CONCLUSIONS
  • Strong indicators of propensity and capacity in
    the Tallahassee and Leon County market
  • Significant population growth.
  • High levels of educational attainment.
  • Tallahassee is an active and diverse market.
  • Programming should be broader in scope and more
    culturally significant than simply presenting
    traditional arts.
  • Cultural programming can help address perceptions
    that arts activities are not readily available to
    all communities.

14
LOCAL ARTS ORGANIZATIONS
15
UNIVERSITY PROGRAMS
16
ENTERTAINMENT AND CULTURAL PRESENTING
17
FACILITY INVENTORY
18
USES AND USERSCONCLUSIONS
  • Limited quality of 500-seat venues
  • Local organizations Affects production values
    and artistic quality of presentations.
  • Presenters Limits ability to provide high level
    entertainment and cultural products to the
    Tallahassee market.
  • Educational institutions Limits the level of
    professional development and cultural experiences
    available to students.
  • For all Affects audience experience and overall
    desire to attend.
  • Limited access for local arts organizations and
    presenters
  • Larger organizations vie for best calendar dates
    at Ruby Diamond and Opperman. Small to mid-sized
    organizations seek access wherever available.
  • Pressing need to fill the capacity gap between
    Opperman and Ruby Diamond.

19
BENEFITS AND IMPACTSECONOMIC IMPACTS
Non-local Average 38.05 Local Average 21.75
Americans for the Arts, Arts Economic
Prosperity
20
BENEFITS AND IMPACTSARTS EDUCATION
  • New facilities can play a significant and central
    role in their communities
  • Creates a nexus of arts education activity for
    the community and region.
  • Positions the project for broader community
    support.
  • Allows access to a separate circle of government,
    foundation and philanthropic support.

21
BENEFITS AND IMPACTSCOMMUNITY ACCESS
  • Promotes diversity of arts and cultural activity
    needed to build arts participation in the local
    community.
  • Promotes development of local arts organizations
    brings activity and vitality to the areas in
    which they are located, improving quality of life
    and attractiveness to local businesses.
  • Responds to community needs a key to achieving
    project commitment from diverse communities.

22
CONCLUSIONS
  • There are significant needs in this community for
    new facilities
  • The audience is large, growing and has the
    characteristics to suggest active participation
    in the arts.
  • Local arts organizations need better access to
    bigger and better facilities.
  • There is significant potential for additional
    touring Broadway and other entertainment oriented
    to younger audiences.
  • Current facilities are lacking in number, size,
    flexibility, access and quality.
  • New facilities support a series of community
    goals.

23
FACILITY OPTIONSFOR TALLAHASSEE
  •  Option 1
  • 2,800-seat Performance Hall
  • 1,350-seat Concert Theatre
  • 750-seat Multi-Purpose Theatre
  •  Option 2
  • 2,000 to 2,200-seat Multipurpose Performance Hall
  • 750-seat Multi-Purpose Theatre

24
PRELIMINARY PROGRAM OPTION 1
  • PUBLIC AREAS 63,710
  • 2,800 Performance Hall 60,325
  • 1,350 Concert Theatre 46,390
  • 750 Seat Multi-Purpose Theatre 31,854
  • Administration/Education 18,100
  • TOTAL NET PROGRAMMED AREA 220,379
  • (net programmed area X 1.65)
  • TOTAL GROSS AREA 363,625

25
OPTION 1 COMPARABLES
  • 2,800-SEAT PERFORMANCE HALL
  • TOURING PRODUCTIONS
  • 7 DAYS
  • ALLISON KRAUSE

26
OPTION 1 COMPARABLES
  • 1,350-SEAT CONCERT THEATRE
  • FSU SCHOOL OF MUSIC
  • TALLAHASSEE SYMPHONY
  • TALLAHASSEE BALLET
  • ARTIST SERIES
  • FLORIDA STATE OPERA

27
OPTION 1 COMPARABLES
  • 750-SEAT MULTI-PURPOSE THEATRE
  • LAUGHING STOCK
  • AFRICAN CARIBBEAN DANCE THEATRE
  • FSU SCHOOL OF THEATRE
  • THEATRE A LA CARTE
  • TALLAHASSEE FILM SOCIETY

28
PRELIMINARY PROGRAM OPTION 2
  • PUBLIC AREAS 42,023
  • 2,200 Seat Performance Hall 60,324
  • 650 Seat Multi-Purpose Theatre 33,463
  • ADMINISTRATION/EDUCATION 10,700
  • TOTAL NET PROGRAMMED AREA 146,510
  • (net programmed area X 1.65)
  • TOTAL GROSS AREA 241,741

29
OPTION 2 COMPARABLES
  • 2,200-SEAT PERFORMANCE HALL
  • TALLAHASSEE SYMPHONY
  • TALLAHASSEE BALLET
  • ARTIST SERIES
  • TOURING PRODUCTIONS
  • 7 DAYS
  • ALLISON KRAUSE

30
OPTION 2 COMPARABLES
  • 650-SEAT MULTI-PURPOSE THEATRE
  • LAUGHING STOCK
  • AFRICAN CARIBBEAN DANCE THEATRE
  • THEATRE A LA CARTE
  • TALLAHASSEE FILM SOCIETY

31
(No Transcript)
32
PROGRAM BUDGET OPTION 1
Area (sf) /sf ,000s Net Area and
Cost Public Areas 63,710 343 21,876 2800 Seat
Performance Hall 60,325 665 40,116 1350 Seat
Concert Theatre 46,390 654 30,321 750 Seat
Multi-purpose Theatre 31,854 460 14,669 Administ
ration / Education 13,230 205 2,707 4,870 396
1,929 Subtotal 220,379 111,618 Auxiliary
Area and Cost Grossing Multiplier
(1.65) 143,246 20,771 Total Construction
Cost 363,625 426 132,389 Soft Costs
(33) 43,688 Total Project Cost 363,625 176
,077
33
PROGRAM BUDGET OPTION 2
Area (sf) /sf ,000s Net Area and
Cost Public Areas 42,023 343 14,394 2200 Seat
Performance Hall 60,324 665 40,117 650 Seat
Multi-purpose Theatre 33,463 445 14,904 Administ
ration / Education 10,700 208 2,229 Subtotal
146,510 71,644 Auxiliary Area and
Cost Grossing Multiplier (1.65) 95,232 13,80
9 Total Construction Cost 241,742 353 85,453 Sof
t Costs (33) 28,199 Total Project
Cost 241,742 113,652
34
BUDGET COMPARABLES
35
BUDGET COMPARABLES
36
WE CAN DO IT!
37
CIVIC CENTER
  • COST IN TODAYS DOLLARS 100,000,000

38
UNIVERSITY CENTER
  • COST TO BUILD 130,000,000

39
HOSPITAL
  • COST IN TODAYS DOLLARS 100,000,000
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