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Post-Impressionism

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Title: Post-Impressionism


1
Post-Impressionism
  • -Morgan Evelyna

2
The Background of Post-Impressionism
  • Post-Impressionism is the term that came from the
    art critique artist Roger Fry in 1910 to
    describe the exhibition Manet the
    Post-Impressionist. Post- Impression protracted
    Impressionism while refusing its limitations. Yet
    Post-Impressionism itself was never a real
    movement.
  • the label adopts number of very different groups
    who all tried to replace Impressionism as the
    leading avant-garde of the late 19th century.
    Indeed, many of its foremost figures were rivals
    in procedure and technique Gaugin and Seurat
    both disliked one another and shared a low
    opinion of each others styles and while van
    Gogh revered the work of Degas and Rousseau, he
    was disbelieving of Cezanne.

3
Characteristics (mainly focused on the personal
experience of the painter)
  • (1880s-1900s)
  • Characteristics
  • - brushstrokes-personally expressive -style
    sake -no fleeting light or moment ( multiple
    moments or angles) -bright palette-moved away
    from journalistic detail of earlier periods -art
    is for the artists  
  •  
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4
Comparison Post-Impressionism vs Impressionism
  • Both Impressionism and Post-Impressionism refer
    to influential artistic movements arising in late
    19th-century France. Impressionists rejected the
    system of state-controlled academies and salons
    in favor of independent exhibitions
  • Post-Impressionism is a term used to describe the
    reaction in the 1880s against Impressionism
  • Post-Impressionists also believed that color
    could be independent from form and composition as
    an emotional and aesthetic bearer of meaning
  • Both Impressionism and Post-Impressionism include
    some of the most famous works of modern art
  • The term Impressionism is used to describe a
    group of painters living in Paris who worked
    between c. 1860 and 1900
  • The Post-Impressionists rejected Impressionisms
    concern with the spontaneous and naturalistic
    rendering of light and color

5
Most Notable Artists of Post-Impressionism
  • -Paul Gauguin,
  • -Paul Cezanne
  • -Vincent Van Gogh
  • -Henri Rousseau,
  • -Henri de Toulouse-Lautrec.
  • Others include but are not limited to
  • -Claude-Emile Schuffnecker,
  • -Henri Martin,
  • -Charles Filiger,
  • -Pierre Bonnard,
  • -Picasso,
  • -Suzanne Valadon,
  • -Roger Fry,
  • -Jan Verkade,
  • -Aubrey Beardsley,
  • -James Ensor,
  • -James Dickson Innes, and
  • -Edouard Vuillard.

6
Paul Cézanne, Mont Sainte-Victoire, 1904-6, Oil
on Canvas
7
Paul Cézanne, Mont Sainte-Victoire, 1904-6, Oil
on Canvas
  • his abstract work highly influenced later
    modernist painters
  • -in the 1870s, Cézanne adopted a style under the
    influence of Pissaro that had a bright palette,
    broken brushwork and everyday subject matter of
    the Impressionism
  • Cézannes goal to make Impressionist art
    something solid and durable like the art in the
    museums
  • even lighting

8
All About the Artist Paul Cézanne
  • Paul Cézanne was a French painter, often called
    the father of modern art, who developed an ideal
    synthesis of naturalistic representation,
    personal expression, and abstract pictorial
    order.
  • Cézanne was born in the southern French town of
    Aix-en-Provence, January 19, 1839, the son of a
    wealthy banker. Cézanne developed artistic
    interests at an early age, much to the dismay of
    his father. In 1862, after a number of bitter
    family disputes, the aspiring artist was given a
    small allowance and sent to study art in Paris.
    From the start he was drawn to the more radical
    elements of the Parisian art world. He especially
    admired the romantic painter Eugène Delacroix
    and, among the younger masters, Gustave Courbet
    and the notorious Edouard Manet, who exhibited
    realist paintings that were shocking in both
    style and subject matter to most of their
    contemporaries.

9
Georges Seurat, A Sunday Afternoon on the Island
of the Grand Jatte, 1884-86, Oil on Canvas
10
Georges Seurat, A Sunday Afternoon on the Island
of the Grand Jatte, 1884-86, Oil on Canvas
  • works with complementary colors
  • interpretations Seurat may have intended to show
    how tranquil the island should be, or it could
    have been a criticism of the Parisian
    middle-class
  • Seurat tackled the issues of color, light and
    form
  • seems to recall much older forms of art ancient
    Egyptians (with its formal style)

11
All About The Artist Georges Seurat
  • Georges-Pierre Seurat on December 2, 1859, in
    Paris, France. Georges Seurat produced most of
    his works during the 1880's, which are regarded
    as one of the most salient periods of aesthetic
    change. He exhibited his last ambitious work, 'Le
    Circque' (The Circus 1891), while it was still
    unfinished. During his short life Seurat made
    only seven large paintings, working for a year or
    more on each one. At the same time he made about
    five hundred smaller paintings and drawings.

12
Vincent van Gogh, The Starry Night, 1889, Oil on
Canvas
13
Vincent van Gogh, The Starry Night, 1889, Oil on
Canvas
  • -The Starry Night is Van Goghs most famous
    painting, perhaps his greatest
  • -van Gogh painted it from his window in the
    asylum of Saint-Remy
  • above the quiet town the sky pulsates with
    celestial rhythms and lazes with exploding stars
  • one explanation for the intensity of van Goghs
    feelings is the then-popular theory that after
    death people journey to a star, where they
    continue their lives
  • -painted from the imagination, not from nature,
    perhaps influenced by Gauguin who said that art
    is an abstraction

14
All About the ArtistVincent van Gogh
  • (March 30 1853  July 29 1890) was a Dutch
    Post-Impressionist painter whose work, notable
    for its rough beauty, emotional honesty, and bold
    color, had a far-reaching influence on
    20th-century art. After years of painful anxiety
    and frequent bouts of mental illness, he died at
    the age of 37 from a gunshot wound, generally
    accepted to be self-inflicted (although no gun
    was ever found). His work was then known to only
    a handful of people and appreciated by fewer
    still. He produced more than 2,000 artworks,
    consisting of around 900 paintings and 1,100
    drawing and sketches

15
Websites
  • Wikipedia
  • http//academics.smcvt.edu/awerbel/Survey20of20A
    rt20History20II/PostImpressionism.htm
  • //www.imdb.com/name/nm0786192/bio
  • http.theartstory.org
  • Google.com
  • Ibiblio.org
  • http//www.oxfordartonline.com/public/page/themes/
    impressionismandpostimpressionism
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