Title: Post-Impressionism
1Post-Impressionism
2The Background of Post-Impressionism
- Post-Impressionism is the term that came from the
art critique artist Roger Fry in 1910 to
describe the exhibition Manet the
Post-Impressionist. Post- Impression protracted
Impressionism while refusing its limitations. Yet
Post-Impressionism itself was never a real
movement. - the label adopts number of very different groups
who all tried to replace Impressionism as the
leading avant-garde of the late 19th century.
Indeed, many of its foremost figures were rivals
in procedure and technique Gaugin and Seurat
both disliked one another and shared a low
opinion of each others styles and while van
Gogh revered the work of Degas and Rousseau, he
was disbelieving of Cezanne.
3Characteristics (mainly focused on the personal
experience of the painter)
- (1880s-1900s)
- Characteristics
- - brushstrokes-personally expressive -style
sake -no fleeting light or moment ( multiple
moments or angles) -bright palette-moved away
from journalistic detail of earlier periods -art
is for the artists -
-
-
-
4Comparison Post-Impressionism vs Impressionism
- Both Impressionism and Post-Impressionism refer
to influential artistic movements arising in late
19th-century France. Impressionists rejected the
system of state-controlled academies and salons
in favor of independent exhibitions - Post-Impressionism is a term used to describe the
reaction in the 1880s against Impressionism - Post-Impressionists also believed that color
could be independent from form and composition as
an emotional and aesthetic bearer of meaning - Both Impressionism and Post-Impressionism include
some of the most famous works of modern art - The term Impressionism is used to describe a
group of painters living in Paris who worked
between c. 1860 and 1900 - The Post-Impressionists rejected Impressionisms
concern with the spontaneous and naturalistic
rendering of light and color
5Most Notable Artists of Post-Impressionism
- -Paul Gauguin,
- -Paul Cezanne
- -Vincent Van Gogh
- -Henri Rousseau,
- -Henri de Toulouse-Lautrec.
- Others include but are not limited to
- -Claude-Emile Schuffnecker,
- -Henri Martin,
- -Charles Filiger,
- -Pierre Bonnard,
- -Picasso,
- -Suzanne Valadon,
- -Roger Fry,
- -Jan Verkade,
- -Aubrey Beardsley,
- -James Ensor,
- -James Dickson Innes, and
- -Edouard Vuillard.
6Paul Cézanne, Mont Sainte-Victoire, 1904-6, Oil
on Canvas
7Paul Cézanne, Mont Sainte-Victoire, 1904-6, Oil
on Canvas
- his abstract work highly influenced later
modernist painters - -in the 1870s, Cézanne adopted a style under the
influence of Pissaro that had a bright palette,
broken brushwork and everyday subject matter of
the Impressionism - Cézannes goal to make Impressionist art
something solid and durable like the art in the
museums - even lighting
8All About the Artist Paul Cézanne
- Paul Cézanne was a French painter, often called
the father of modern art, who developed an ideal
synthesis of naturalistic representation,
personal expression, and abstract pictorial
order. - Cézanne was born in the southern French town of
Aix-en-Provence, January 19, 1839, the son of a
wealthy banker. Cézanne developed artistic
interests at an early age, much to the dismay of
his father. In 1862, after a number of bitter
family disputes, the aspiring artist was given a
small allowance and sent to study art in Paris.
From the start he was drawn to the more radical
elements of the Parisian art world. He especially
admired the romantic painter Eugène Delacroix
and, among the younger masters, Gustave Courbet
and the notorious Edouard Manet, who exhibited
realist paintings that were shocking in both
style and subject matter to most of their
contemporaries.
9Georges Seurat, A Sunday Afternoon on the Island
of the Grand Jatte, 1884-86, Oil on Canvas
10Georges Seurat, A Sunday Afternoon on the Island
of the Grand Jatte, 1884-86, Oil on Canvas
- works with complementary colors
- interpretations Seurat may have intended to show
how tranquil the island should be, or it could
have been a criticism of the Parisian
middle-class - Seurat tackled the issues of color, light and
form - seems to recall much older forms of art ancient
Egyptians (with its formal style)
11All About The Artist Georges Seurat
- Georges-Pierre Seurat on December 2, 1859, in
Paris, France. Georges Seurat produced most of
his works during the 1880's, which are regarded
as one of the most salient periods of aesthetic
change. He exhibited his last ambitious work, 'Le
Circque' (The Circus 1891), while it was still
unfinished. During his short life Seurat made
only seven large paintings, working for a year or
more on each one. At the same time he made about
five hundred smaller paintings and drawings.
12Vincent van Gogh, The Starry Night, 1889, Oil on
Canvas
13Vincent van Gogh, The Starry Night, 1889, Oil on
Canvas
- -The Starry Night is Van Goghs most famous
painting, perhaps his greatest - -van Gogh painted it from his window in the
asylum of Saint-Remy - above the quiet town the sky pulsates with
celestial rhythms and lazes with exploding stars - one explanation for the intensity of van Goghs
feelings is the then-popular theory that after
death people journey to a star, where they
continue their lives - -painted from the imagination, not from nature,
perhaps influenced by Gauguin who said that art
is an abstraction
14All About the ArtistVincent van Gogh
- (March 30 1853 July 29 1890) was a Dutch
Post-Impressionist painter whose work, notable
for its rough beauty, emotional honesty, and bold
color, had a far-reaching influence on
20th-century art. After years of painful anxiety
and frequent bouts of mental illness, he died at
the age of 37 from a gunshot wound, generally
accepted to be self-inflicted (although no gun
was ever found). His work was then known to only
a handful of people and appreciated by fewer
still. He produced more than 2,000 artworks,
consisting of around 900 paintings and 1,100
drawing and sketches
15Websites
- Wikipedia
- http//academics.smcvt.edu/awerbel/Survey20of20A
rt20History20II/PostImpressionism.htm - //www.imdb.com/name/nm0786192/bio
- http.theartstory.org
- Google.com
- Ibiblio.org
- http//www.oxfordartonline.com/public/page/themes/
impressionismandpostimpressionism