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NOISE CANCELLATION IN HEADPHONES

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Fig. 5 Active headphones with feedforward control. Cont. ... Adaptive algorithms used in ANC headphones. Topic: Noise Cancellation In Headphones - Vikash Sethia ... – PowerPoint PPT presentation

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Title: NOISE CANCELLATION IN HEADPHONES


1
NOISE CANCELLATION IN HEADPHONES
M. Tech. Credit Seminar Presentation
  • Vikash Sethia
  • (Roll no. 02307023)
  • Supervisor Prof. P. C. Pandey
  • 18th November 2002

2
Presentation overview
  • Introduction
  • Passive attenuation
  • Active reduction
  • Adaptive algorithms used in ANC headphones
  • Practical applications
  • Conclusion

3
Introduction
  • Acoustic noise
  • Solutions
  • Passive reduction techniques
  • Sound absorption and isolation - earmuffs,
    earplugs, audio-limiters
  • Good attenuation - about 15 dB and more at middle
    and high frequencies
  • Acoustic wavelength dependence of its size and
    mass
  • Hence bulky and heavy at low frequencies
  • Cont

4
  • Active attenuation
  • Known as active noise control (ANC) - sound field
    modification, particularly sound field
    cancellation, by electro-acoustical means
  • Principle of destructive interference cancel
    noise with anti-noise signal of the same
    magnitude but of opposite phase at some specific
    points
  • Adaptation to noise

5
Passive attenuation
Headphone Error
microphone -
Audio signal
  • Fig. 1 Passive headphone attenuation with noise
    filtering
  • Filters usually bandpass filters and
    audio-limiters
  • Poor attenuation inside the passband i.e.
    frequency band of interest
  • Cont..

6
  • Fig. 2 Typical passive attenuation
  • Good attenuation at middle and higher
    frequencies

7
Active ReductionAnalog feedback control
Headphone Error microphone
_ Audio
signal
  • Fig. 3 Active headphone attenuation with feedback
    control
  • Error signal at the error microphone used as an
    error correction to the noise
  • Control elements lead, lag and notch filters
    Cont

8
  • Merits Good performance against broadband noise
    at low frequencies
  • Demerits
  • Possibility of excessive phase-shift leading to
    instability
  • Poor performance against narrowband or tonal noise

Fig. 4 Typical active attenuation
Cont
9
Active digital control
Headphone Error
microphone Noise reference
- microphone Audio
signal
Adaptive filter
Fig. 5 Active headphones with feedforward
control Cont..
10
  • Requires two microphones
  • Noise reference microphone picks the
    disturbance or noise
  • Error microphone picks the error signal and the
    noise that is not sensed by the reference
    microphone
  • Adaptive filters - use adaptive algorithms on DSP
    devices
  • Good performance against narrowband or tonal noise

11
Combined analog and digital control
Audio d(n)
signal
y(n) x(n)
- - To ear
e(n)
Fig. 6 Block diagram of combined analog and
digital control
12
Adaptive algorithms used in ANC headphones
  • Least mean square (LMS) algorithm
  • For feedforward structure
  • Loudspeaker output
  • Error signal
  • Weight update
  • where

13
  • Filtered-x LMS algorithm
  • For feedback structure
  • Error signal
  • Estimated reference noise
  • Loudspeaker output
  • Weight update
  • Faster rate of convergence than LMS algorithm
  • Complicated because of the accuracy of the
    loudspeaker model

14
Fig. 7 Spectrum of cockpit noise in a jet
aircraft (upper curve), the noise at the ear of
the pilot when wearing a conventional headset
(middle curve) , and at the pilots ear when
using a headset with active noise control.
(Elliott, 1993)
15
Practical applications
  • Audiometry to diagnose hearing defects and
    speech discrimination
  • In industry particularly in noisy areas
  • For military uses
  • Commercial applications listening to music

16
Conclusion
  • Good passive attenuation at middle and high
    frequencies, and better active control at low
    frequencies
  • Good performance of analog control at broadband
    frequencies, and digital control at narrowband
    frequencies for ANC headphones
  • Possible combination of analog and digital model
    for use at wide range of frequencies

17
Thank you
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