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The Riddle of the Sands

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Title: The Riddle of the Sands Author: Michael Walsh Last modified by: acztem1 Created Date: 10/10/2002 7:38:06 PM Document presentation format: On-screen Show – PowerPoint PPT presentation

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Title: The Riddle of the Sands


1
Research partnerships with the British
MuseumSamian ware from Pudding Pan
Michael Walsh University of Southampton
2
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3
Thomas Pownall in 1778
  • Reported
  • a very peculiar kind of red earthenware found
    amidst the cottage furniture of the fishermen of
    the Kentish coast
  • At Pan Speck
  • His brother recovered, through trawling, half a
    hundredweight of brickwork cemented together,
    some small pieces of broken pans and then three
    entire pans

4
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5
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6
Aims
  • To identify the extent of the recovered
    assemblage
  • To establish what the assemblage represents?
  • To establish what, if anything, remains buried?

7
Various theories
  • Submerged Pharos or navigation marker
  • Submerged pottery manufactory
  • Stamps of Atillianus
  • Submerged town
  • Jettisoned cargo
  • Shipwreck
  • Votive deposit

8
Public institutions
  • 83 institutions contacted
  • 22 museums did not respond (11 overseas)
  • Visited 21 museums
  • 5 other museums provided details
  • Also identified 9 private collectors and recorded
    7 collections

9
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10
Largest collections
  • Whitstable Museum
  • 119 samian vessels including 2 lamps, 2 mortaria
  • British Museum
  • 103 samian vessels, 1 African RS, 2 roof tiles
  • Maidstone Museum
  • 41 samian vessels, 1 terra rubra cup, 2 roof
    tiles
  • Swansea Museum
  • 29 samian vessels
  • Liverpool Museum
  • 27 samian vessels, coarse ware fragments

11
British Museum collection
  • Prehistoric and Europe have two samian
    collections
  • A sherd collection from their own excavations at
    Stonea (published) and Mucking (soon to be
    published)
  • a haphazard but broad national coverage
  • A complete vessel collection - comprising Pudding
    Pan and Colchester, which is one of the largest
    collections of complete vessels in the country

12
Analysis
  • To identify and record vessel type and potter
  • To record vessel dimensions
  • To identify pre- and post-manufacturing marks
  • To analyse wear, damage and marine growth

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14
Biographies of the vessels
  • When did current owners acquire pots?
  • How many collections had vessels passed through?
  • When were vessels originally recovered?
  • Has recovery decreased or altered since perceived
    peak?
  • Is there a cyclical recovery?

15
Dates at which pots first entered museum
collections and dates of publications(Red
columns denote known recovery dates)
16
Comparison of forms recovered before 1885 and
after 1950
17
Pros and cons
  • Pros
  • Friendly, helpful staff
  • Access to display material
  • Access to accession records
  • Funding from Friends of the British Museum
    particularly the Townley group

18
Pros and cons
  • Cons
  • Responses can take a long time
  • Some museums allegedly with PP material didnt
    respond
  • Cant be too specific
  • Poor lighting conditions for photography without
    flash
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