Title: A Streetcar Named Desire
1A Streetcar Named Desire
2Characters in Streetcar contrasted with Sweet
bird.
- What corrupts/ unites / divides characters?
- What flaws, strengths, endearing characteristics,
neuroses, influences external/internal are
significant to the action?
3Characters in Streetcar contrasted with Sweet
bird.
- Exile / outcast?
- Society backdrops, ghosts, gender
roles/expectations, morality, corruption.
4American Dream
- American Dream get-rich-quick, succeed, Nothing
Succeeds like success, owed something from
society?
5Setting and society
- What events shape the characters psyche,
personality, motivation?
6Reality and illusion
- How do we create three dimensional characters
from stereotypes and stock figures?
7Melodrama
- Plots centred on a moralist conflict in which the
main characters were archetypes of good versus
evil
8Melodrama
- In melodrama emotions, actions and scenarios are
simplified and exaggerated, contrived and 'wild
and woolly' as well as implausible. The
characters lack depth and are often stock
characters, such as the 'damsel in distress'
rescued from the clutches of an unspeakably evil
tyrant by a dashing young man.
9Melodrama or Tragedy?
- melodrama, in Western theatre, sentimental drama
with an improbable plot that concerns the
vicissitudes suffered by the virtuous at the
hands of the villainous but ends happily with
virtue triumphant. Featuring stock characters
such as the noble hero, the long-suffering
heroine, and the cold-blooded villain, the
melodrama focuses not on character development
but on sensational incidents and spectacular
staging. In music, melodrama signifies lines
spoken to a musical accompaniment. - The melodramatic stage play is generally regarded
as having developed in France as a result of the
impact of Jean-Jacques Rousseaus Pygmalion
10Contrasting voices Finding examples from text
- Sophistication words used to confuse and
belittle - Eloquence poetry, music, arts
- Deception past, present future
- Intelligence -
- Harshness
- Menace
- Aggression
- Violence
- SURVIVAL
11Introduction
- A Streetcar Named Desire is a captivating play
by Tennessee Williams, which tells the story of a
delicate, romantic and emotional woman named
Blanche Du Bois. Blanche comes to stay with her
sister Stella and her husband Stanley, after she
loses the ancestral home, Belle Reve. Blanches
fragile state of mind and loss of grip on reality
becomes gradually apparent throughout the play,
which runs alongside the animalistic nature of
the love between Stella and Stanley. The
relationship between Stanley and Blanche
deteriorates as quickly as Blanches emotional
state, and results in Stanley taking full
physical control of her and raping her. - There are many motifs, themes and contrasts,
which recur frequently throughout A Streetcar
Named Desire, by Tennessee Williams, which help
to craft the plays structure. These things are
important in emphasizing the characters
conflicting personalities and emotional states,
as well as presenting the true motives behind the
actions of the characters.
12Themes, Motifs and Contrasts in A Streetcar
Named Desire The Relationship between Exterior
and Interior
- The relationship between exterior and interior in
A Streetcar Named Desire is important in
suggesting the boundaries of reality and fantasy. - The set consists of two rooms in the apartment of
Stanley and Stella, but the street and outside
world are always visible. The apartment is not a
secure, self-contained unit, which allows
Blanches fantasies to flourish, but a place that
is unable to stop the blunt reality from entering
in. This idea is clearly apparent just before
Stanley rapes Blanche, as the back wall becomes
transparent the act itself is juxtaposed with
the struggles on the street, emphasizing the
harsh reality and suffering.
13Themes, Motifs and Contrasts in A Streetcar
Named Desire The Relationship between Sex and
Death
- In A Streetcar Named Desire, the character
Blanche often associates sex with death. - At the very beginning of the play, Blanche says
that she begins her journey to the apartment by
taking a streetcar named Desire, and then takes a
streetcar named Cemeteries before finally
arriving at a street called Elysian Fields (which
is the land of the dead in Greek mythology). This
journey she takes represents her life her
pursuit of her sexual desires lead to her demise
and ultimately the death of her reality, as she
is rejected completely from society. - In Blanches experience, sex inevitably leads to
death not only for herself, but also for others.
She is repeatedly haunted with memories of her
ancestors deaths, which she puts down to their
epic fornications. Her husbands suicide was
the result of Blanches disapproval of his
homosexuality. The idea presented in the play
could be that desire, in the form of unrestricted
promiscuity, leads to unwanted departures and
fatal conclusions.
14Themes, Motifs and Contrasts in A Streetcar
Named Desire Light and Dark Motifs
- The motifs of light and dark in A Streetcar
Named Desire are used to reveal depth and motive
in the play. In the sixth scene of the play,
Blanche reveals to Mitch that loving her husband
was like having the world revealed in bright,
vivid light. Since his death, she wants darkness
and has only experienced dim light during her
sexual affairs with other men. - Whenever she can, Blanche avoids light. She
refuses to go on dates with Mitch in the day or
in well-lit places because she is afraid he will
see her fading beauty. She also covers the
exposed light bulb in the apartment with a paper
lantern to make it dimmer. Her intolerance to
light and craving for dim light and darkness
could represent the deterioration of her
emotional state, and also suggests her loss of
control of reality.
15Themes, Motifs and Contrasts in A Streetcar
Named Desire The Use of Music and Sound
- The use of music and sound in A Streetcar Named
Desire helps to create atmosphere and give the
audience a deeper understanding of the
characters. - Whenever a roaring train is heard in the play,
Stanley is not far behind. The motif of a train
could represent the destructive, powerful nature
of Stanley, which the audience is always aware of
before Blanche. Blanche is associated with the
motif of a moth, which when contrasted with the
motif of a train creates a devastating image. - The Varsouviana Polka tune which is heard in
Blanches head at various moments of the play
takes her back to the memory of her husbands
suicide. This piece of music was playing at the
dance she and her husband went to, and was still
playing when her husband ran outside and shot
himself. Blanche tells Mitch that the music does
not stop in her head until she hears the sound of
a gunshot. The Varsouviana polka could represent
the loss of Blanches innocence, and contributes
to the decline of her mental state and her losing
her grip on reality. - Themes, motifs and contrasts add depth and
interest to A Streetcar Named Desire, and are
vital to the structure of the play. Analysis can
only stretch so far, and it is well worth reading
the play or watching it to experience the story
yourself.