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Writing for Real

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Writing for Real Gill Matthews The Professional Literacy Company www.theplc.org.uk – PowerPoint PPT presentation

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Title: Writing for Real


1
Writing for Real
  • Gill Matthews
  • The Professional Literacy Company
  • www.theplc.org.uk

2
Agenda
  • Introduction What is Writing for Real?
  • A Writing for Real Experience
  • Coffee
  • Examples of Writing for Real Experiences
  • Making the most of the Learning Environment
  • Lunch
  • Impact on Teaching and Learning
  • Dinosaur Discovery
  • Plenary

3
What is Writing for Real?
  • Giving children
  • something to write about
  • a context for their writing
  • a purpose for their writing
  • an authentic audience for their writing
  • an engaging and motivating experience

4
Creating Writing for Real experiences
5
Real, Realistic or Pure Fantasy?
  • Real
  • Realistic could be real but it isnt! (or
    maybe there are elements of truth?)
  • Fantasy developing the imagination having fun!

6
Creating Writing for Real experiences
  • Classroom based e.g. artefacts, letters,
    visitors, teacher/TA in role
  • School based e.g. playground or field event
  • Out of school e.g. visit or trip

7
Making the most of the Learning Environment
  • Writing area
  • Research zone
  • Role play area
  • Whole classroom transformation
  • Outside space

8
Impact on teaching and learning
9
Data collection
  • survey data on pupils perceptions of themselves
    as writers
  • samples of pupils writing and teacher
    assessments and commentaries.
  • contextual information about the schools,
    classes, pupils and teaching unit
  • teacher observations and evaluations

10
Sub levels of progress
11
Do you like writing?
12
Dislikes about writing
  • Doing it for too long
  • Writing it up again
  • Hand aches
  • It makes my head ake
  • I get sweaty and we cant have the door open
  • Comprahenchun
  • Punctuation
  • Handwriting
  • Everythink!

13
Advice for younger writers (before)
  • Write slanted
  • Use a long, sharp pencil
  • Do a writing test
  • Write a hole side
  • Use lots of hard words
  • Have steady hands
  • Meet your targets
  • Up level your sentences

14
Advice for younger writers (after)
  • Put in lots of description
  • Read examples and take like a line of a book and
    put in your own words
  • Its the little things that make a difference
  • Think first and plan what to write before you
    start writing
  • Read the success criteria
  • Be adventurous and creative and remember good
    words what you know
  • Keep your readers interested
  • Dont give up it will pay off one day

15
Impact on children and learning
  • Motivated
  • Excited
  • Confident
  • Involved
  • Awareness of audience
  • Wanting to write
  • Writing at home
  • Independent
  • Attendance improved

16
Impact on teachers and teaching
  • Raised awareness of how to teach
  • How to engage the children
  • Getting children to think about impact of writing
  • Audience and purpose
  • Will continue this approach
  • Impact of TfW
  • More flexible planning
  • Cross curricular links
  • Aware of previous missed opportunities

17
  • Judgements are made on the basis of
  • how well pupils learn
  • the extent to which well judged teaching
    strategies successfully engage all pupils in
    their learning
  • the extent to which teachers enthuse, engage and
    motivate pupils to learn and foster their
    curiosity and enthusiasm for learning

18
  • Recent Reaction from OFSTED
  • Teaching is consistently good with some
    outstanding use of imaginative role play and
    other creative activities to enliven lessons. For
    instance, a mock battle in the playground between
    invading Roman soldiers and defending Celts
    brought history vividly to life for Year 4
    pupils. The impact of the stimulating curriculum
    is particularly positive on boys writing, where
    progress had previously been slow. Year 6 boys,
    for instance, became engrossed in thinking about
    how to enliven a story because of the imaginative
    way the teacher had presented it.

19
Planning and developing a Writing for Real unit
20
The unfolding narrative
Task Purpose Audience Text type/format
1 Research the giganotosaurus To find out and present information Professor T Rex NC report information sheet
2 Research other dinosaurs To find out and present information Professor T Rex NC report information leaflet
3 Research what could be at a dinosaur park To find out and present information Owner of castle NC report - chart
4 Create a map showing how park could be laid out To present information visually Owner of castle NC report - map
5 Create a poster advertising the park To persuade Potential visitors, particularly children Persuasion - poster/tv/radio ad
21
Think about
  • Whole school coverage
  • Balance of text types fiction/ non-fiction/
    poetry
  • Objective led
  • Differentiated to meet needs of pupils
  • Clear outcomes (spoken and written)
  • Providing a context for writing
  • Flexibility

22
Where to start...
  • With the units intended outcomes
  • With a text
  • With the experience
  • With the topic
  • With the interests of the pupil
  • With a topical subject or immediate need

23
Research process
  • Activate prior knowledge
  • Identify research questions
  • Set a purpose for reading
  • Navigate non-fiction texts
  • Interrogate the text
  • Record and evaluate information

24
Record and evaluate information
  • Key words
  • Notemaking
  • Change the form
  • Childrens quiz
  • Next steps

25
Phase 1 Reading Immersion Analysis Reading as a
writer
Phase 2 Speaking Listening Capturing
ideas Drama Oral rehearsal
Phase 3 Writing Writing as a reader Presenting
26
10 steps to planning a unit
  • Identify the key types of writing that you want
    to teach.
  • Identify learning objectives for the unit.
  • Establish the context and create the hook or
    opening experience.
  • Develop the unfolding narrative that will hold
    the unit together.
  • Identify the major written outcomes, along with
    authentic audiences and purposes for the writing.
  • Identify any incidental writing opportunities,
    along with authentic audiences and purposes.
  • Establish what needs to be explicitly taught and
    what the children already know.
  • Create a medium term plan that gives you an
    overview of the unit and an idea of its length
  • Explore venues for visits, source artefacts, book
    theatre groups whatever you need to bring the
    unit to life.
  • Create weekly plans for the first two or three
    weeks of the unit but be prepared to be flexible.

27
Remember Key elements of the experience
  • an engaging opening event or experience that
    hooks the children into the unit
  • a lively and interesting context that can be
    sustained over a number of weeks
  • an unfolding narrative
  • authentic audiences and purposes for writing
  • opportunities for children to work in role
  • literacy at the heart of the unit

28
Think Ahead
  • Note down three action points that you can do as
    soon as you are back in the classroom
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